Sentences with phrase «big galleries like»

Big galleries like David Zwirner have so many people working for them that they can do a lot of things, because the whole team doesn't have to be at every single fair or event.
But I was in close touch with amazing artists — Nam June, Shigeko, Judd — and with big galleries like John Weber and Pace.
Gary Stephan (American, b. 1942), who used to show at big galleries like Mary Boone Gallery, Hirschl and Adler and Marlborough Gallery, is known for his idiosyncratic abstraction.

Not exact matches

We should be able to save for the bigger ideas like ride a horse, go to the movies or visiting an art gallery.
«Advice from Peanut Gallery» What can Gov. Cuomo learn from another big State Governor like California's Jerry Brown?
Painted on the gallery walls are big questions that sound a lot like the ones the art world has been grappling with since allegations emerged against Close:
I am a big fan of this kind of things as my house looks like an art gallery already.
Next Gallery: 2012 BMW 335i Sedan review notes: New 3 - series is bigger and nicer, but still behaves like a 3 - series»
The Art Gallery is like a survey course in Western Art, with a dazzling collection of big - name modernists.
Big Island, HI: Get a lomilomi massage at Four Seasons Resort Hualalai • Big Sur, CA: Stop along the Pacific Coast Highway at Redwood Grill • British Columbia: Heli - ski over the Bugaboo Mountains • Charleston, SC: Stroll the city's private gardens • Chicago: Tour architectural landmarks • Churchill, Manitoba: Get face - to - face with polar bears • Houston: Admire art at the Rothko Chapel • Jackson Hole, WY: Go fly - fishing • Las Vegas: Drive a Ferrari at the Las Vegas Motor Speedway • Los Angeles: Spend a night out celeb - spotting • Maine: Devour the ultimate lobster roll at Clam Shack • Miami: Learn to salsa at Hoy Como Ayer • Montreal: Take a comfort food tour • Na Pali coast, Kauai: Hike the Kalalau Trail • Napa Valley, CA: Eat and play like a local • New Orleans: Hear jazz at Preservation Hall • New York City: Start a perfect day at MoMA and Casa Lever • Salmon River, ID: Go whitewater rafting on the Middle Fork • San Francisco: Slurp oysters at Hog Island Oyster Bar • Sedona, AZ: Get a Reiki energy healing treatment at Mii Amo • Utah: Drive from the San Juan Inn through Monument Valley • Washington, D.C.: Immerse yourself in the Freer Gallery's Peacock Room • Yosemite National Park: Visit the sequoias in Mariposa Grove
Downtown, pedestrian - only Third Street Promenade, four blocks east of the beach, offers big - name brands like Abercrombie & Fitch, H & M, Old Navy, as well as galleries, movie theaters, and comedy shows.
Ok so we hoped you liked our last photo gallery from the big... [Read more...]
Yes, carnivals were basically the arcades of the day, and mechanical games like pinball tables (which they still make), gun galleries, punching bags, slots, fruit machines, casino type games also (Sega has some big casino resorts today), games like that were essentially the ancestors of videogames, videogames are in their most basic description, just games but with electronic technology.
Even if you're not a big time artist, talking about small successes like getting into a major gallery or launching a Web site can be a big boost.
Routinely showing some of the biggest Latin American artists around, like Mariana Castillo Deball, Adrián Villar Rojas and Dr. Lakra — as well as international artists such as Danh Vo and Rirkrit Tiravanija — the gallery was instrumental in transforming the Mexican capital city into one of the richest art scenes of the new millennium.
In London, as well as Science, his organisational hub, he also owns a big chunk of Newport Street in Lambeth, which is currently being turned into a new gallery that will open in 2014 and house his extensive collection of contemporary art by the likes of Bacon, Koons, Murakami, Richard Prince, Sarah Lucas and even Banksy — «We do these collaborations with my spots.
The space — and the ambition — was influenced by Charles Saatchi's big gallery in Boundary Road in north London, which opened in the mid-1980s, and initially showed work by pioneering American conceptual artists like Sol LeWitt and Donald Judd, both of whom influenced Hirst.
Filled with some two dozen wire - woven openwork sculptures by Ruth Asawa, the big second - floor gallery at David Zwirner's West 20th Street space in Chelsea looks like a basketry forest, or a subaqueous garden, or a cloud of microbial life.
I can't say what it's like because I have been boycotting this big Upper East Side blue - chip gallery since the owner's son, Steve Mnuchin, became a Trump adviser last summer.
A standby for often conceptual, contemporary art since 2000, Canada is one of the first galleries in the area representing some of the biggest names on the scene like Xylor Jane and Joanna Malinowska.
Apart from the cluster of pedestals in the front of the gallery are two large works, the stately Three Realms Voice in which a human torso extends from a pedestal segmented like a bamboo stalk with mountains near its base and the larger - than - life bronze Big Woman Statue, the only piece which shows a complete human form.
Thus it advantages big galleries at Art Basel and other fairs that Lower East Side gallerists like Canada don't get a seat at that table.
Appearing to lope along in big cartoon shoes, the urethane sculpture looks like it just wants to leave the gallery.
Which means that one of the biggest sources of profit and connection - making for growing galleries like Canada — selling high - end work at high - end art fairs — is completely cut off.
Saltz was putting into words what anyone walking around an art fair (not just the big ones, it should be noted; the worst offenders seemed to be hipster galleries showing at the likes of Independent, New York, or Liste, Basel) during the last couple of years might have noticed: an abundance of abstract painting that seems to have no value other than a decorative one.
On one side, Blair Thurman's Undertow (2013) appears like the toothy maw of a performing lion, or a burst drum from which a glamorous assistant has just leapt; at the other end of the gallery, Steven Parrino's Skeletal Implosion (2001) swirls like the awning of a big top.
I think it's different if you look at the facts — the number of people, the number of organizations, the number of galleries, things like that that seem more tangible than just saying «it's going to be the next big thing.»
It wasn't just the fact that the small social space that adjoined the gallery — a big table in the middle, and a bar to one corner seemingly constantly stocked with beers straight from the crate — looked like a sauna that made this artist - run initiative unique.
The Lynden Gallery exhibition of artist Robin Jebavy includes just eight works, but they are big, often about the size of a door, so it doesn't feel like a small show.
Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's biggest wall, a huge, dressing screen - like sculpture created from a grid of metal bars, and, best of all, an ingenious series of abstract paintings created from bathroom tiles and coloured grouting.
Again Ace started it all, by bringing an LA gallery and big names like Robert Rauschenberg to the far west side.
I haven't seen the new Zwirner gallery, but if it's anything like the old one, with its three miserable spaces pretending to be one big space, then I'm out of luck!
Big names like Gagosian and David Zwirner occupy the largest booths at the fair, which also hosts an impressive number of regional galleries, as well as dealers from Japan.
At the Mint, a drab neoclassical building, an entire gallery has been filled with the extravagant suits of «Big Chief» Darryl Montana, which are covered with hypnotic, mandala - like beadwork and neon plumage.
When it comes to large - scale artistic interventions into the natural world, the movement that usually leaps to mind is Land Art — huge, muscular sculptures carved or pulled from the earth by heavy machinery at the command of men like Robert Smithson and Walter De Maria, self - styled «gruff individualists» who claimed the studio and gallery were simply too small to contain their big ideas.
It's impossible to guess what the interior is like by exploring the outside of this huge, reddish metal mass that fills most of the biggest space in the warehouse - like Gagosian Britannia Street gallery near King's Cross.
Recent solo shows include There's No Place Like Home, CGP (The Gallery) & CGP (Dilston Grove), London, UK (2017); The Biggest Fear Is That Someone Will Crawl Into It, Space, London, UK (2017), Jonathan Baldock, OneWork Gallery, Vienna, Austria (2017); and The Skin I Live in, Nicelle Beauchene, NYC, USA (2016).
Staged in Detroit, the all - day performance that begat the biggest iron, lead, bronze, and copper gallery monument featured — among other Caligula - like excesses — a freezing barge ride down the Detroit river, cars being dredged up, a legless actress, and a barrelful of snakes.
During their stroll, Chanos expressed his view that the auction houses are under pressure from the big global galleries like White Cube:
Inside the panels, magnets hold up things like markers and big ladles, which jut out awkwardly from their surface as if they were meant for the kitchen, not the gallery.
The second - floor contemporary gallery in the Cantor Center's new wing seems like a big empty box, despite being broken up by movable partitions.
With around 1,500 galleries, current London art scene is one of the world's biggest, with a reach that rivals, and arguably exceeds, hubs like New York and Paris.
The notion of a Northwest School, like most labels, was devised from outside Seattle during the late»30s and war years, when Tobey — eldest and most traveled of the Big Four — and Graves first drew notice in New York museums and galleries.
For anyone who has ever dreamt of running away with the circus or simply wondered what life is like for the jugglers, clowns, and acrobats, a new exhibition at The Harley Gallery in Worksop by acclaimed photographer Peter Lavery captures what goes on behind the scenes at the Big Top.
Amenities like rest rooms, food service, and gift shops are getting bigger, an d are being intermingled with gallery spaces.
Some of the big art fairs like Frieze, Art Basel, Paris Photo are harder for mid-level galleries to be part of if they don't have household names on their books.
help with essay.I've come to know that i have certain preferences for specific types of art forms, and notice that I tend towards certain styles over others, and while I still get the occasional dud, I feel less like I've just «wasted a day» cooped up in a boring gallery, which is a big downer if you have limited time on your holidays like I do.
Well, Bob was one of the first artists in your gallery to have a big museum show like that.
Recent solo exhibitions include: There's No Place Like Home, CGP, London (2017), My biggest fear is that someone will crawl into it, SPAACE, London (2017), Love Life: Act 2 (touring 2 person show with Emma Hart), The Grundy, Blackpool (2017), Jonathan Baldock, OneWorkGallery, Vienna (2017) and The Skin I Live in, Nicelle Beauchene, New York (2016), SUCKERZ, (two person show with Emma Hart), L'Etrangere, London (2015), Notes from the Orifice, VITRINE Gallery, London (2014) and The Soft Machine, Chapter Gallery, Cardiff (2014).
2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.
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