Not exact matches
But to suggest when we walked out through those
big claret
painted doors for the last time we somehow agreed to writing off the
history of our great club is simply not true.
Whether you're looking for an affordable apartment, applying for a credit card, or trying to secure a personal loan of any amount
big or small, it's that ever present albatross around your neck
painting a sad portrait of your financial
history.
Go to the end to take a picture of the
biggest graffiti in the city,
painted between 1989 and 1992, reflects the
history of the city and part of the Andean cosmovision.
New York
painting from the late 1960s and early»70s — when the medium supposedly was dead — is one of the
biggest elephants in the room of recent art
history.
Whether it's the making of a school of
history -
painting around the literature of Shakespeare and Milton, as opposed to Ovid and the Bible, or later on with the pre-Raphaelite movement, drawing on Arthurian legend and medieval artisanal values, which in turn has a
big international influence on Symbolist
painting throughout Europe.
Before we get to the exhibitions, a little
history to help explain why the reputations of these two painters have careened so much over that time — they've been celebrated, passed over for
big shows, and become dark horses, all while helping to shape the current charismatic
painting moment.
2015 Geometry of the Absurd: Recent
Paintings by Peter Halley, Santa Barbara Museum of Art, Santa Barbara, CA (catalogue) Diagonal
Histories, Art + Text Budapest, Budapest (with Imre Bak) Galerie Xippas, Geneva Sommer Contemporary Art, Tel Aviv
Big Paintings, Florence Griswold Museum, Old Lyme, CT (catalogue)
Scottish National Gallery of Art, Edinburgh 24 March — 16 September Jenny Saville graduated from Glasgow School of Art in 1992 and has spent the past 25 years
painting and drawing
big, fleshy, female bodies from angles that art
history would perhaps prefer not to see.
Galleries on the fourth floor present Abstract Expressionist
paintings, sculptures, prints, drawings, photographs, films, and archival materials in a display subtitled The
Big Picture, marking the first time in the
history of the new Museum building that a full floor has been devoted to a single theme.
Witty though they are, these works are too
big, too flat, and suffer the same mechanical failings as grand 18th - and 19th - century
history paintings.
2012Moments, A
History of Performance in 10 Acts, ZKM Museum of Contemporary Art, Karlsruhe, Germany, with Adrien Piper, Marina Abromovic and Yvonne Rainer, Catalogue Newtopia — Curated by Katerina Gregos, Mecheline, Belgium State of Mind, UC Berkeley Art Museum & Pacific Film Archive, Berkeley, CA A
Bigger Splash,
Painting After Performance, curated by Cahterine Wood, Tate Modern, London Under the
Big Black Sun, MOCA, Los Angeles The Deconstructive Impulse, Contemporary Arts Museum of Huston, Texas
The 18th - and 19th - century
paintings line up favorably with American Art
History 101, although a number of
big names are missing.
One of the
biggest collections of
paintings by Cole and other members of the Hudson River School can be found at the Wadsworth Atheneum in Hartford, Connecticut, while others can be seen in many of the best art museums in America, including: the Metropolitan Museum of Art, the Brooklyn Museum, the New - York Historical Society, the Frances Lehman Loeb Art Center, the Newark Museum NJ, the Detroit Institute of Arts, the National Gallery of Art Washington DC, Smithsonian American Art Museum Washington DC, the Albany Institute of
History & Art, the Gilcrease Museum Tulsa, and the Westervelt Warner Museum of American Art Tuscaloosa.
These are the polar opposite of what and how she previously
painted, now with gently rendered forms in bright colors in non-linear narratives that are about
history, myth, the natural world, war, sexuality, death — pretty much all the
big themes.
19th century romantic
painting and Ukiyo - e prints from Japan have been my
biggest influences, partially from the technique, but mostly from the context within art
history that they were created.
Finally, the thing — me, my attitude, the
history of the work, the
paintings themselves — because its mass is so
big, it starts moving, ever so slowly shifting.»
Alas, his complete misjudgment of the aesthetics and painterly qualities of these early Impressionist
paintings, has gone down in
history as one of the
biggest gaffes in French
painting.
That was the first time I'd seen his
paintings, those
big grand
paintings, the
history paintings with the straw, felt like nothing I'd ever seen.
Western academia's supposed «97 % consensus» — a form of revanchism against growing skepticism of global warming and AGW theory — is the
biggest backfire in
history if in the end it
paints 97 % of academia as hopelessly clueless.
Google has traditionally operated with a go -
big - or - don't - go - at - all strategy, and Thursday's event in New York was no different, with Google executives
painting a picture of wireless NFC - based mobile payments on Android phones as the most significant shift in transactional
history since coins gave way to paper money.