When a person asks
the big identity questions — Who am I?
Not exact matches
«I have some friends who've retired [for whom] the
question of self -
identity was a
big issue.
Although the sequence of events connecting dark matter to dinosaurs, or even comets, is still pretty tenuous, it is intriguing because it brings together two
big open
questions: the
identity of dark matter and whether there is a pattern to comet strikes on Earth.
This fun, colorful book grapples with
big questions about
identity and gender.
There are still a lot of
question marks about FF, perhaps the
biggest being that the
identity of the company's CEO remains a guarded secret.
They asked me all kinds of
questions to verify my
identity, including mother's maiden name (not a
big deal), the address of my last residence (which was 10 + years ago), the name of one family member I live with (I never told them who I live with), and I was asked to name a landmark near my house (there are none, so they settled with cross streets).
Highlights from his numerous exhibitions include Portraits of Our Time (1978) at the Photographers Gallery, London; Brian Griffin (1984) at the Olympus Gallery, Tokyo; 20 for Today (1986) at the National Portrait Gallery, London; Createurs d'Images Createurs de Mode (1988) at the Museé des Arts de la Mode, Paris; Towards a
Bigger Picture (1988) at the Victoria & Albert Museum; Work (1988) at the National Portrait Gallery, London; Beyond the Portrait (1992) at Derby City Art Museum; Seeing Things (1992) at the Victoria and Albert Museum; People and the City (2003) at Birmingham Art Gallery & Museum; a retrospective: Influences (2005) at the Art Museum, Reykjavik, Iceland; and A
Question of
Identity (2005) at the National Portrait Gallery, London.
«It's very powerful work, in terms of dealing with
questions about gender and sexuality and
identity, all of which are
big, front - and - center important issues,» Mr. Proctor said.
She tackles the
big questions surrounding:
identity in a time of mass, overpowering consumerism; privacy in an era of surveillance; the interfacing of humans and machines; the relationship between real and virtual worlds; and new bio-ethics surrounding practices such as growing parts of the human body from DNA samples.
She tackles the
big questions surrounding:
identity in a time of consumerism; privacy in a era of surveillance; the interfacing of humans and machines; the relationship between real and virtual worlds; and growing parts of the human body from DNA samples.
On view through Dec. 16 in the
Big Medium Gallery, Skin Thick references «certain material surfaces that have a specific relationship to the body» through which Ingram unites his printmaking and sculptural concerns, as well as creative writing and making objects, to
question the process of
identity construction.
Art that started to tackle this controversial theme emerged from the
bigger cultural spectrum of the 1980's and the
questions about AIDS opened significant debates on the politics of
identity in relation to one's sexual behavior.