Sentences with phrase «big moment scenes»

The ending is one of those «big moment scenes» where the protagonist does something brave and against character to prove his love in front of a lot of people.

Not exact matches

But for the 42nd president, so long the irrepressible Big Dog of the political scene, the moment must have offered some deeper catharsis.

In my opinion, Breaking Bad (which I hated) and John Wick (which, full confession, I loved) do little more than glorify murder and revenge, while The Walking Dead Netflix's Daredevil and the mega-hit Stranger Things (which dipped into moments of full blown horror) were able to use gruesome and disturbing scenes to push the viewer to wrestle with big questions.

We love sharing our big moments with you so we wanted to share some behind - the - scenes shots from our engagement party this past weekend.

We love sharing our big moments with you so we wanted to share some behind - the - scenes shots from our...

So it was truly a heart breaking moment when you learn of her supposed defect from America to join the Soviets, and it all leading to the remarkable cut scene watching Snake kill his mentor, thus taking the name Big Boss.

At the end of a big rhinoceros battle, a male character submits to Gurira in the film's single most iconic shot, while an earlier scene in which she tosses aside a bad wig ranks as the most gay - friendly Marvel moment to date.

Moments here and there are extremely well - made, but on the whole the movie seems to consist of nothing but a whole lot of disjointed, underlit scenes of a big dude stabbing people.

There is a scene where Gonzalez, the youngest member of the cast, delivers the most emotionally raw moment in the film, and it is gut - wrenching in the best way (think Hiro's «I'm satisfied with my care» moment in «Big Hero 6,» times infinity).

Pearce has also written a well - carpentered screenplay; there are some very big scenes and big moments here — sometimes too big — but he gives us a carefully crafted dramatic setup, an intriguingly curated selection of suspects for the crime and all of it building to a fascinating, finely balanced ambiguity in the movie's climactic stages.

Portman's big scene and the most emotional moment in the movie comes during that shock - reunion.

The Atlantic looks back on the key film scenes of 2017, this time Meryl Streep's big moment in Steven Spielberg's 1970s newspaper drama.

The big train scene that appears in all the advertising has its moments, but it's run - of - the - mill by action - movie standards.

The film's outcome hinges on a big race, with the circus» dancing horse as a contestant; this scene includes an unexpected moment of high comedy, at once relieving and compounding the tension!

Streep's early scenes play like a bit of warm - up for both the character and the star, the nasty shtick beginning to take hold in loud, scurrilous moments that build until we reach the big dinner scene, a sort of decrepit centerpiece for the whole picture during which Violet insults every damn person at the table and especially aims to tear each of her daughters apart.

The moment of truth arrives when Zack and Miri finally have to do their big scene together.

Condon seems reluctant to cut a single moment from the venerable musical - theater warhorse, and the endless deluge of big, melodramatic scenes and show - stopping production numbers quickly proves exhausting.

The breakthrough moments — the first competition, their first time in the empty pool, the big party scene — are shockingly flat, with none of the elation that those moments undoubtedly had in real life.

There are some moments that deliver big laughs due in major part to the way the scene was shot by Liston.

As if that weren't punishing enough, roughly the same scene is restaged moments later with Adams, in front of yet another tribunal of character actors who get to decide whether she nabs a big promotion.

It makes the later scenes where Emma Stone is asked to all too briefly adopt true emotion, leaving comedy at the door for a moment, that it isn't too a big a leap to ask for.

As T'Challa / Black Panther, Chadwick Boseman commands every scene he is in whether it's the smaller intimate moments dealing with his father's death or the big action sequences.

The rest of the film is battle scenes, CGI and stunt doubles delivering the same stuff we see time and time again, making sure each of the 12 franchise characters have at least one big moment.

The home entertainment release of The Big Sick features all - new bonus content including two behind - the - scenes featurettes, audio commentary with cowriters Kumail Nanjiani and Emily V. Gordon, producer Barry Mendel, and director Michael Showalter, the 2017 SXSW panel, deleted scenes, jokes that didn't quite make the big screen, and bonus footage from The Big Sick Comedy Tour featuring hilarious stand - up performances, Q&A s, and backstage momenBig Sick features all - new bonus content including two behind - the - scenes featurettes, audio commentary with cowriters Kumail Nanjiani and Emily V. Gordon, producer Barry Mendel, and director Michael Showalter, the 2017 SXSW panel, deleted scenes, jokes that didn't quite make the big screen, and bonus footage from The Big Sick Comedy Tour featuring hilarious stand - up performances, Q&A s, and backstage momenbig screen, and bonus footage from The Big Sick Comedy Tour featuring hilarious stand - up performances, Q&A s, and backstage momenBig Sick Comedy Tour featuring hilarious stand - up performances, Q&A s, and backstage moments.

Nolan and cinematographer Hoyte van Hoytema («Interstellar») shot the film using 65 mm and IMAX cameras, and while the big scenes of spectacle are unquestionably sweeping and impressive, it's the smaller moments that stayed with me more, whether it's those cascading leaflets in the opening scene, the terrifying majesty of a fighter plane gliding with its engines off, or a harrowing sequence involving a downed plane that will doubtless be used by English teachers to illustrate what poet Stevie Smith meant when she wrote «Not Waving but Drowning.»

Read the rest of Gunn's commentary from the Q&A, in which he and a few guests like brother and actor Sean Gunn give a behind - the - scenes insight about what went into some of the film's biggest moments.

He gets great performances from both Stanton and an eclectic supporting cast that includes Ed Begley Jr., Tom Skerritt and, best of all, the one and only David Lynch, whose big scene with Stanton is one of those magical moments that deserves to be put in a time capsule.

Little moments are big on this DVD, as when von Trier reveals that it was Paterson who had Catherine Deneuve say «Whoof» in one of film's most interesting scenes.

Villeneuve doesn't pack his films with several big moments allowing those few special scenes to really stand out.

The cast are excellent as you'd expect; Clooney, once again, shows nice comic touches and expressions, Spacey is under - used but still manages scene stealing moments and Bridges is absolutely brilliant as the spaced out, hippie commander Bill Django — which is a little reminder of his iconic portrayal of «The Dude» from «The Big Lebowski ``.

For more on Star Wars: The Last Jedi, check out what director Rian Johnson previously had to tell us about Luke's most controversial moment, Leia's relationship with the Force, that big scene with Supreme Leader Snoke, why we didn't see more of Captain Phasma, and what Porgs eat.

They imbue their scenes with such emotion that it's hard to believe that a big green man is going to enter the frame at any moment, probably to say something inane like «Hulk smash!»

It provides unused bits from the big star - studded party scene (including lots more of various cameo - makers), additional red carpet footage from the Golden Globes (with appearances by Al Roker and Carson Daly), more from the mid-end credits wedding, more of Hyde (and Ari watching it), and a couple of unseen moments from Drama's awkward audition.

Stanton also does well in staging the action scenes, with big and exciting moments that manage not to become too overblown (some even feel cut short).

Deadpool 2's big post-credit scene is just purely enjoyable in the moment.

«Free State of Jones» has numerous scenes, segments and even performances that are deeply moving, important aspects of history I haven't seen on the big screen, with moments that left cold chills on my arms.

The sights here are sometimes marvelous, like the big moment when a whale pops out of the ocean and lands right at the door of a pirate tavern or the scenes of the misfit band's ship (It's only a model) set to sail on the high seas with the aid of computer animation.

We watch him meet Chewbacca, a hilarious scene reminiscent of Luke's tangles with assorted beasts in assorted arenas in the original trilogy, and a big joke moment from «Thor Ragnarok.»

Mary Elizabeth Winstead gets even less screen time as Sutter's sister, but boasts one of the films most moving scenes while Dayo Okeniyi steps out of the «Hunger Games» shadow and proves he's got some serious talent, taking his character's quintessential big man on campus persona and peeling back the layers during an unforgettable moment with Teller.

Like most of the big 1960s musicals, I tend to think it's a bit overproduced, but it still has a lot of great moments and catchy songs making it a fun time (though a surprisingly brutal one in a couple of scenes).

Even if it's unlikely that Martin Scorsese — a big Jia fan — actually lifted the coda for The Wolf of Wall Street from A Touch of Sin's final scene, the two sequences are similar enough that they suggest an epic double bill: two morbid millennial visions with moments so hopeless that you're not sure whether to laugh or gag.

Gleeson's big scene with Wilmot, who proposes to kill him but (of course) finds himself outsmarted by the beguiling big fella, is the film's strongest moment (Mark Strong as Clive Cornell, pictured below).

Indeed Sidibe's Jamaican sass - monster character seems to disappear for the last 20 minutes of the heist itself (which is jarring since there's a shot that seems to set up a scene that we never see), but there are a couple of physics - defying moments in the big set piece that managed to keep the audience gasping (and would have been heart - stopping on an IMAX screen).

I can almost tell that her scene is going to be a big sorta lead up moment and then she'll knock it outta the park with but a small amount of screen time.

When he infuses a scene of solitary discovery with bulk - sized acting, the performance turns so big, so over-the-top that it's left to Danny Cohen's beautiful photography to keep the pic's signature moment from coming off as satire of awards - bait.

The film's biggest moment is a deeply harrowing, unfathomably moving scene where Brenda helps a group of at - risk high school girls to talk about their sexual abuse as a children, and it's there that the skill, power and importance of Longinotto's film is cemented.

Traditional publishers, especially the Big 5, have been dragging their heels, not to mention kicking and screaming in protest, from the moment the first e-book appeared on the scenes.

Finding the perfect balance of plot continuation, over-arching Big Bads, but enough minute interest in the details of the individual scenes and moments in the books has been a struggle.

No, I may begin my book with a big conflict scene, then, move a few chapters over to a big revealing scene or romantic moment between two characters.

• The Library Lounge & Pool Bar Like a living room in one of Argentina's big estancias, the comfortable, relaxed atmosphere of The Library Lounge invites you to enjoy a special moment at any time of the day, from a frugal breakfast or traditional afternoon tea to the bubbling social scene of the Buenos Aires night — where you can hear the greatest exponents of Porteño music every evening.