Sentences with phrase «big museum survey»

In October, The New Museum is presenting Peyton's first big museum survey, «Live Forever: Elizabeth Peyton,» which will feature over 100 pieces made over the last fifteen years.

Not exact matches

The city's art museums continue to flex their muscles: the National Gallery of Australia's big - ticket James Turrell survey and the National Portrait Gallery's fascinating In the Flesh exhibition are must - sees for anyone visiting in 2015.

Paul Schimmel, chief curator at the Museum of Contemporary Art, Los Angeles, is overseeing the behemoth survey «Under the Big Black Sun: California Art 1974 — 1981.»

Outside of Italy, the work of Guglielmo Achille Cavellini (1914 - 1990) has long been a well - kept secret — it's missing from major museum surveys of Italian postwar art, never featured in big auctions or flashy collections and rarely if ever referred to... Continue reading →

2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago

When I heard that he'd cooperated with these dueling shows, just a year before the Whitney's big 2014 survey of his work, I thought the museum should cancel the whole thing, and let MoMA put Koons in a box with a sleeping Tilda Swinton and a staring Marina Abramovic amid a yard sale in the atrium and be done with it.

To get into the topic at hand — his big survey show at the New Museum, «Raymond Pettibon: A Pen of All Work,» through April 9 — you have to go sideways, since this artist always has something uncanny in his peripheral vision.

It is the museum's third big excursion into Bourgeois's world following a 1982 retrospective, and a 1994 print survey and it is the best yet.

Solo survey exhibition Laurie Simmons: Big Camera / Little Camera at the Modern Art Museum of Fort Worth, Fort Worth, Texas.

It's a big year for Carmen Herrera, an abstract geometric painter who was born in Havana in 1915, has worked in New York since the mid-20th-century, and now, at 100 years old, is being honored with a Whitney Museum survey (this coming fall) and the inaugural exhibition in Lisson Gallery's new Chelsea branch (opening during Frieze Week).

In tandem with an independently organized retrospective at the Neuberger Museum of Art, Purchase College, State University of New York, this hometown survey of Fishman's fifty - year - long career features the painter's esteemed large - scale gestural abstractions alongside a selection of intimate studio investigations — an assortment of miniature paintings, sketchbooks, and small sculptures — that share the same physicality and unapologetic emotional punch as her bigger, iconic works.

DBy I think the biggest challenge is not to do a survey, which implies a necessarily broad census - taking that captures peaks not valleys (and conjures the featureless roundups of midcentury big American museum shows — Recent Painting and Sculpture from France, Italy and Germany for instance).

This year presents more artists in more parts of the state than ever before, with Blue Star Contemporary Art Museum in San Antonio housing the main survey exhibition, Ballroom Marfa co-commissioning an artist project from The Dallas Collective, Lawndale Art Center in Houston showcasing recent work by four Texas Biennial «stars» with the Texas Biennial Invitational, and Big Medium in Austin featuring past biennial entries and recent work by selected Texas Biennial artists in New and Greatest Hits: Texas Biennial 2005 - 2011.

These Were the Biggest Exhibitions of 2012 — The Art Newspaper has released its annual museum - attendance survey, with the biggest contemporary shows including Daniel Buren outside Paris's Grand Palais (6,498 per day), Francesca Woodman at the Guggenheim (3,501 per day), and Cindy Sherman at MoMA (5,700 visitors peBiggest Exhibitions of 2012 — The Art Newspaper has released its annual museum - attendance survey, with the biggest contemporary shows including Daniel Buren outside Paris's Grand Palais (6,498 per day), Francesca Woodman at the Guggenheim (3,501 per day), and Cindy Sherman at MoMA (5,700 visitors pebiggest contemporary shows including Daniel Buren outside Paris's Grand Palais (6,498 per day), Francesca Woodman at the Guggenheim (3,501 per day), and Cindy Sherman at MoMA (5,700 visitors per day).

The big news here is that although the museum has more than 5,000 square feet of gallery space to host the group survey, the single venue installation created a need for more exhibition space.

This survey, which is titled «The Map and the Territory» and will later travel to the Reina Sofia Museum and the Jeu de Paume, will be one of the biggest Ghirri shows to date.

Collection, Cornell Fine Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet: ConTEXTS of Contemporary African - American Art, Zacheta, National Gallery of Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C. Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition, New York, NY She's Come Undone, Greenberg Van Doren, New York, NY The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY Beauty, Kravets + Wehby, New York, NY African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy New Wave, Kravets Wehby Gallery, New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space, New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem, New York, NY Black Romantic, The Studio Museum of Harlem, New York, NY 2001 It's Bigger Than Hip Hop, Rush Arts, New York, NY

One of the biggest stories in the art world in the past two or three years has been the rapidly growing number of female artists who are getting solo shows, career surveys and retrospectives at well - known museums.

Second Nature represents the first survey of Los Angeles sculpture from this period — and a bigger commitment to sculpture for the Hammer, following the museum's significant 2005 exhibition Thing: New Sculpture from Los Angeles, in which several of the artists in Second Nature made an appearance.6 It also marks a sort of «snapshot,» as Valentine describes it, of a decade of exceptional, medium - intensive artistic production in Los Angeles.7

Two big San Francisco exhibitions of new work by about 50 established and emerging locally based artists open Saturday: «Bay Area Now 2,» a survey show at Yerba Buena Center for the Arts that casts a wide stylistic net, and «Museum Pieces: Bay Area Artists Consider the de Young» at the M.H. de Young Memorial Museum.

Ed Templeton recently opened his biggest museum show ever in Belgium at S.M.A.K with over 1200 works from all over the world serving as a mid-career survey for the American photographer and contemporary artist.

Since the 1970's, Kaltenbach's work has been included in many conceptual art surveys including «1965 - 1975: Reconsidering The Object As Art ``, Museum of Contemporary Art, Los Angeles, CA (1995), «The Quick and The Dead», Walker Art Center, Minneapolis, MN (2009), «1969», PS1, New York, NY (2010), «Under the Big Black Sun», MOCA, Los Angeles, CA (2011), «State of Mind», Orange County Museum of Art, Newport Beach, CA (2011) and Berkeley Art Museum / Pacific Film Archive, Berkeley, CA (2012), «ENDS OF THE EARTH: Land Art to 1974», MOCA, Los Angeles (2012), Brooklyn Museum (2013).

Since the 1970's, Kaltenbach's work has been included in many conceptual art surveys including «1965 - 1975: Reconsidering The Object As Art ``, Museum of Contemporary Art, Los Angeles, CA (1995), «The Quick and The Dead», Walker Art Center, Minneapolis, MN (2009), «1969», PS1, New York, NY (2010), «Under the Big Black Sun», MOCA, Los Angeles, CA (2011), «State of Mind», Orange County Museum of Art, Newport Beach, CA (2011) and Berkeley Art Museum / Pacific Film Archive, Berkeley, CA (2012), «ENDS OF THE EARTH: Land Art to 1974», MOCA, Los Angeles (2012), «When Attitudes Become Form: Bern 1969 / Venice 2013», Prada, Venice, Italy (2013), and «Materializing «Six Years»: Lucy R. Lippard and the Emergence of Conceptual Art», Brooklyn Museum (2013).

Among the big temporary exhibition tickets: A definitive retrospective of works by Abstract Expressionist Mark Rothko at the Museum of Fine Arts, Houston (the show's sole U.S. venue); bold paintings by the Impressionist Gustave Caillebotte at the Kimbell Art Museum in Fort Worth; the largest - ever survey of Jackson Pollock's work at the Dallas Museum of Art; and an important show of Joan Miró's works at the McNay Art Museum in San Antonio.

So the de Young Museum's survey, though not an exhaustive, will surely be the biggest show of the coming season.

JASPER JOHNS has been the subject of so many career surveys, narrowly conceived museum exhibitions, and critical / theoretical writings that one might be forgiven for some initial skepticism regarding the need for a big show focusing on his use of the color gray.

-- Roberta Smith «The New York Times» Spiders, bodies, and the New York sky: the big and small genius of Louise Bourgeois... In «Louise Bourgeois: An Unfolding Portrait» at New York's Museum of Modern Art, a survey of the sculptor's works reveals the roots of her practice and her inner pain and joy.

If a big museum were to give Washington Color School painter Jules Olitski a survey, people would be absolutely gobstopped by the crazy range of his work, including these paintings from the 1980s (the top one is on Plexi).

The last big New York overview of his work was a survey of drawings at the Museum of Modern Art, organized in 1988 by John Elderfield.

Spiders, bodies, and the New York sky: the big and small genius of Louise Bourgeois... In «Louise Bourgeois: An Unfolding Portrait» at New York's Museum of Modern Art, a survey of the sculptor's works reveals the roots of her practice and her inner pain and joy.