Sentences with phrase «big name authors who»

All these big name authors who are all multi-million bestsellers, all multi-millionaires.

I also suspect with this gone, some big name authors who have been absent in the past will be attending the conference.

At Thrillerfest, I was excited to meet some of the big name authors who I call my writing heroes.

This is big name authors who stand out very, very well.

I've spoken to some well - known big name authors who have also reversed position on this.

Every big name author who writes bestselling books has a website / blog where people can go when they search for that author on Google.

Not exact matches

While the rest of the industry battles it out to be the biggest names with the flashiest systems and lure the most authors or books, Wattpad has quietly been amassing a user base of forty million registered users who actively engage in the site's content and communities.

While the rest of the industry battles it out to be the biggest names with the flashiest systems and lure the most authors or books, Wattpad has quietly been amassing a user base of forty million registered users who actively... [Read more...]

You see authors with several books out, who have all manner of credentials to their name, and platforms as big as those of a rockstar.

Back when BEA was ABA, the Book and Author programs mixed big name authors with emerging authors, who often became the buzz of the show.

«Author Marketing Club comes as a boon to those who wish to be independent authors in the already overloaded tough world of literature, competing with big name publishers with deep pockets to promote their stable of established writers.

For every big name six - figure - earning indie author, there are dozens of writers who earn money by looking toward local opportunities.

He's a big name, with big name First Class authors, and thus he thinks the rest of the writing world is livestock who he's happy he doesn't have to pay attention to any more.

We've heard from some pretty big name authors here who don't like newsletters either, It is possible to be a successful author without one.

So lovely to hear of an author who's had a great experience with traditional pubbing and a big - name publisher.

There are other reasons for the authors who fall between these extremes; all are stigmatized against by the big name publishers and chain bookstores.

Do Google the name to make sure it doesn't belong to another author, anybody who already has a big Web presence, or is wanted for a heinous crime.

Hello, I am a new Author at amazon.My book on Paperback is called Desire Of Obsession12, its about a women Emlya, who is desperately in love with a man named Jason.Emlya finds out that there is a big secret after secret.With twists and turns, and about true happiness.

There are so many authors, even the big names, who are only selling their ebooks on Amazon or BN.

However, two of her neighbors and acquaintances are big - name TV people who have interviewed authors in the past, and the subject matter / themes in my novel are ones they're interested in.

But as the experts at Indie Author Fringe will tell you, authors and publishers who lack big name recognition, will also need to focus on making good first impressions.

After all, all of the fancy Big 5 buildings, expense - account lunches and fat cat salaries are being paid for by those big - name writers because it's sure not the developing authors who are supporting thBig 5 buildings, expense - account lunches and fat cat salaries are being paid for by those big - name writers because it's sure not the developing authors who are supporting thbig - name writers because it's sure not the developing authors who are supporting that.

The truly hilarious thing about this sentence is that if Leonard is right — that Amazon is starting a «class war» between authors, then Leonard is deliberately siding with the «one - percenters» of the publishing world — the Turows, Prestons, and Kings, rather than the ninety - nine percent of authors who can only dream of the volume of sales enjoyed by those big - name authors.

SIBF Director Ahmed Al Ameri has worked closely with the UK's Midas Public Relations to build SIBF's status on the world stage and securing an author like Brown shows just how far the fair has come; last year the SIBF had Jeffrey Archer — another big name, but not in the same league as Brown, who has never attended BEA, or the Frankfurt or London book fairs.

And just like Pulp Fiction authors who went on to be big names in publishing, we're already seeing indie authors blazing their own trails to fame and fortune (and sometimes infamy).

Be skeptical of all of these, because in case you haven't noticed, exactly none of the big selling indie authors who have broken out in the last 3 years did so because they put «Author» after their name, or fired off an endless stream of spam at prospective readers, treating them as dolts.

Authors who already have familiar names, big followings and big back lists are crowding out the little guy.

What that platform looks like, or how it works, varies from author to author: Some are big names who can attract attention with any book they release, others have figured out how to harness a local or regional fan base to spread word of mouth, and still others know how to use digital media for visibility.

I often speak with authors who want to hire us to get them early endorsements for their book and are ready with the wish list of big names.

We have the wagons filled with authors who think that they are going to break big because they read someone's work that sort of sucked (but who is a household name) and they think, hey, my crappy book doesn't suck any worse than theirs, maybe I'll throw it up on Amazon and see if it finds an audience.

A pitfall there is that an author who publishes a full novel may never see that novel in print under a label name, as Indie and Big Five presses — like most companies — don't want to compete against themselves.

The big name authors and the celebrities whose books don't perform to expectation are untouched; the author who gets a reasonable advance and whose book sells much better than expected are the ones who suffer the greatest loss.

That ignores that Amazon also pushes the books on folks who couldn't give two toots about the publisher's big name authors, and only tried them out because they were suggested.

I believe that many of the big - name authors from the past who succeeded as traditionally published authors could also thrive in today's market as indie authors if they had been writers in today's world instead.

Many of these are by big - name authors who have become complacent and take their audience for granted.

Also out there are numerous exchanges between newer pros and neo-pros who are, to varying degrees, afraid their inability to attend the same conventions as Big Name Authors and Editors will permanently and irrevocably damage their ability to thrive in traditional publishing because they're not connecting properly.

That remains to be seen, but last weekend (September 20th) an annual secret soiree held in New Mexico for big name authors and hosted by Amazon was missing some invitations — significantly, invitations to Hachette authors or those who have publicly shown support for Authors authors and hosted by Amazon was missing some invitations — significantly, invitations to Hachette authors or those who have publicly shown support for Authors authors or those who have publicly shown support for Authors Authors United.

Unless you are a BIG NAME or a BIG BOOK (and at a BIG HOUSE with a BIG BUDGET), 99 % of the time, the vast majority of marketing falls to the author, no matter who pays for printing.

Everyone is trying to jump on this — publishers & agents alike — and hope that some authors will think there's value in the same old same old, but I'm concerned for the aspiring author who does nt have the experience who thinks the big named agent is repping them, when not everything is disclosed.

The mainstream literary scene, like Hollywood, is constellated by twenty - five or so big - name authors with literary - auction - level fame (and among actors, by twenty - five or so who possess mega-watt star status).

As a self - published author, it's especially important to maintain a social media presence and ongoing marketing of oneself, so we are often more accessible than others who've published traditionally or are already big - name authors who don't need to maintain robust accounts.

Also, while dinosaurs, some of the big six may survive if they gut their marketing departments (or spin these off as add agencies focused on top 10 authors only), define more standard T&C s (which they will get away with with their new authors, whereas the big names who could negotiate a better deal will anyway be hiring editors by the hour and publishing direct on amazon etc) and change business model to promote not authors (who are fundamentally un-ownable now you can easily self or amazon publish) but rather their own editorial abilities.

The biggest names and highest earners in traditional publishing are overwhelmingly authors who debuted prior to 2009 and have a lot of works available.

The small handful of Big Five authors with Top - 100 UK ebooks who were also selling well in the US were names that would surprise no one: Robert Galbraith, Lee Child, E L James, Michael Connelly, Harlan Coben, Andy Weir, Jojo Moyes, and Paula Hawkins.

The only problem with this is that those authors demanding their rights back are the ones who have figured out that they can make money without having the «big name publisher» putting out their e-books.

I was joking with some of the people there and saying, «Look, you know, instead of this early Sunday morning indie author alternative panel, we need to have the superstars of hybrids panel with some of these big - name authors who at the moment are keeping it quiet.

Thankyou for showing me that it is not just me who feels that indie authors are as valid as the ones with the big name publishers.

Despite the fact that the package usually includes the work of big name authors rather than indies, it is up to the reader who decides which distributing channel can broaden the sales revenue and the quality of the content delivered by hardworking authors that will ultimately attract new readers.

Just think about how a great book by an unknown will compete with a brand name author... Yes, life is tough, but again... why doesn't Amazon address the fact that it makes most of its money off of the same old same old, books that are either «built» by big publishers or by indies who often combine formulaic storytelling with full on marketing.

It is a great opportunity to explore new authors who don't get the recognition from the big name publishers.