Sentences with phrase «big object in space»

When a small object orbits a big object in space, the less massive one doesn't travel in a perfect circle around the larger one.

Not exact matches

That's up to 9 kilometers per second slower than the average for bigger objects that have hit Earth over its history, says space scientist and asteroid specialist William Bottke of the Southwest Research Institute in Boulder, Colorado.

Now Alexander Kashlinsky of the Goddard Space Flight Center may have peered all the way to the most remote objects in the universe: the primordial stars that first lit up a pitch - black cosmos 200 million years after the Big Bang.

At 45 metres wide, the space rock is the biggest object in recorded history to swoop this close to Earth.

GODDARD SPACE FLIGHT CENTER, MD — The James Webb Space Telescope (JWST) is NASA's top priority science mission launching in this decade and will have the capability to «look back towards the very first objects that formed after the Big Bang,» said Dr. -LSBSPACE FLIGHT CENTER, MD — The James Webb Space Telescope (JWST) is NASA's top priority science mission launching in this decade and will have the capability to «look back towards the very first objects that formed after the Big Bang,» said Dr. -LSBSpace Telescope (JWST) is NASA's top priority science mission launching in this decade and will have the capability to «look back towards the very first objects that formed after the Big Bang,» said Dr. -LSB-...]

On January 10, 2005, astronomers using the infrared Spitzer Space Telescope announced that the dust disk is bigger than previously estimated and was probably created by collisions of protoplanetary objects as big as the planet Pluto, up to 2,000 kilometers (about 1,200 miles) in diameter (press release — more below).

«The chameleon field is light in empty space but as soon as it enters an object it becomes very heavy and so couples only to the outermost layer of a big object, and not to the internal parts,» Holger Muller, an assistant professor of physics at the University of California, Berkeley, and a faculty scientist at Lawrence Berkeley National Laboratory, said in a statement Thursday.

«Our new observations have greatly improved our knowledge of one of the biggest, Makemake - we will be able to use this information as we explore the intriguing objects in this region of space further.»

Overview: Page 1: Space vocabulary (word search) Page 2/3: The Big Bang Page 4/5: The Solar System Page 6/7: The Sun Page 8: Black holes Page 9: The International Space Station Page 10: Space Rubbish Page 11: Objects in Space (Comets, Asteroids and Meteors) Page 12: Fun Facts Page 13: Space Crossword Puzzle Page 14: Your thoughts about Space (Composition) The following questions are just a few examples of the aspects handled in this worksheet: - What are the planets in our Solar System?

OK, it might be a bit big to display in a cube - you need a lot of wall space for this one - but the idea is the same - Conversations that happen around the object are more interesting than the actual object itself.

«Nathalie Du Pasquier: BIG OBJECTS NOT ALWAYS SILENT, which was first presented in Vienna and will now be shown this fall in Philadelphia with a different configuration, has been conceived as a gesamtkunstwerk, following her ability to play with complex arrangements of forms, the expressive and emotive relations between things, and the space between objects and their representation.OBJECTS NOT ALWAYS SILENT, which was first presented in Vienna and will now be shown this fall in Philadelphia with a different configuration, has been conceived as a gesamtkunstwerk, following her ability to play with complex arrangements of forms, the expressive and emotive relations between things, and the space between objects and their representation.objects and their representation.»

In so doing they also remove from contention a space that in past Biennials has tended to encourage big, show - stopping, sometimes bombastic, implicitly macho art objectIn so doing they also remove from contention a space that in past Biennials has tended to encourage big, show - stopping, sometimes bombastic, implicitly macho art objectin past Biennials has tended to encourage big, show - stopping, sometimes bombastic, implicitly macho art objects.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

OSA Hybrid Platform, the provider of AI - based Big Data service for the FMCG retail, that ensures on - shelf availability of goods in retail stores in the real - time and in optimum quantity, uses the services of Neuromation for object recognition in retail space.