Sentences with phrase «big painting called»
Warhol replied that the canvases were the same size «so they'll all fit together and make one big painting called Portraits of Society.
https://www.artmarketmonitor.com/ Not exact matches
But this week, several reports emerged that paint a picture of what to expect from this year's big «Call of Duty» game.
The biggest mistake that most atheists make is painting with the broadest of brushes: rather than use words like «some» or «many» or «most» re Christians, most atheists simply paint the entirety of U.S. Christianity as a monolithic group that supports everything the so - called «Christian right» (which, like the Moral Majority before it, is neither) lobbies for.
, «Clear on Calories,» Big Soda seems to think that placing calorie numbers on the front of beverage containers and vending machines equals good nutrition and «has painted the voluntary commitment as an answer to First Lady Michelle Obama's call to eradicate childhood obesity.»
If brain size had anything to do with innovation and creativity, some scientists expected to see a link between the so - called Mind's Big Bang (the emergence of bone tools and cave paintings that occurred between 50,000 and 70,000 years ago) and the emergence of modern - size human brains.
Whatever you call it, paint is our key to big impact on a small budget... * I am teaming up with some wonderful blogger friends for a Spring Home Tour and I know you're going... Read More
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A big canvas called Magic Hour is an exuberant, semiabstract landscape seen through a framework of loosely painted brushstrokes.
Simultaneously, he was developing his so - called combines, which were paintings with objects mounted on the surface, and his constructions, which were paintings with bigger objects mounted on the surface.
Riflemaker only has a small space, so they can't show any of my big major works, but they are showing one major work, called The Butterfly Test Plates (1973 - 74), which comprises five plates that chronicle my studying china painting in preparation for The Dinner Party.
As president of what he called «Mummy's museum», Rockefeller was one of the biggest backers of Abstract Expressionism (which he called «free enterprise painting»).
David Hockney's oil painting «Bigger Trees Near Warter» (also called Peinture en Plein Air pour l'age Post-Photographique) depicts a scene near Bridlington in Yorkshire.
Now, though, with the backlash against big - ticket installations, art has seen more calls for paint and personal expression — an almost Freudian obsession for Roberta Smith and Ken Johnson in The Times.
Painting's last big hurrah was 30 - plus years ago with the ascension of the so - called Neo - expressionist / New Romantic «movement.»
The four that made the biggest impression on me were a large painting of a dancing girl by Ernst Ludwig Kirchner, a watercolor by Oskar Kokoschka, Marsden Hartley's painting called the The Warriors from 1913, and Arthur Dove's painting Moon.
Painted from photographs but virtually avoiding the trend for photorealism, these works have a flatness that is very modern and akin to fashion illustration, yet also calls to mind the early work of Freud and Raho's big influencer, Alex Katz.
[52] The painting was the subject of a BBC1 Imagine film documentary by Bruno Wollheim called «David Hockney: A Bigger Picture» (2009) which followed Hockney as he worked outdoors over the preceding two years.
Two books of my photography have been published: «Ribbons Of Time: The Dalquest Research Site,» in the Big Bend area of Texas; and «The Black Place: Two Seasons,» focused on the area in New Mexico where Georgia O'Keeffe painted and produced one of her most beautiful abstract paintings called «Black Place II».
In recent years, David Hockney has become the grand old man of British painting, with a giant touring exhibition, A Bigger Picture, in 2012 and a high profile 2014 documentary called, yes, Hockney.
And two similar paintings called Big Foot are like huge flattened balloons with tiny, sad eyes.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
Joan gave me a beer and I helped them hang a big painting, a quadriptych, called «The Good - bye Door» (1980) I remember as we lifted it I thought it weighed a ton.
Between the world of spray - painted poetry and what critic Peter Schjeldahl called «New York big - painting aesthetics» lies a fantastic coming - of - age: Jean - Michel Basquiat: 1981: The Studio of the Street includes paintings and drawings on everything from note cards to sheet metal to a leather jacket and conventional canvas.
This is the biggest exhibit of my work all in one place outside of my annual October Open Studio Tour, and it's very exciting for me to put together favorite works that really demonstrate my sense of being called to paint our rural and wild places.
Around this time last year, Bernstein presented a series of big paintings at Gavin Brown's Enterprise called Birth of the Universe, which she displayed under ultraviolet light.
He had impressed Stuart Davis and others with his work, especially with Untitled, 1953, an abstract painting he called, simply, «The Big Yellow Thing.»
When Sobel called Still's daughters, he learned that there had been about 10 paintings that had been too big to photograph — among them was a great blue one, labeled 1951 B, and it's more than 14 feet wide.
That one was called «Dinner for 24 Dogs» and featured a big round table with two dozen customized place settings in an every - inch - painted room.
The colours and tones were built up with primary - coloured dots, but since his pictures were bigger than newspaper comic strips, the dots were painted through stencils and called Benday Dots, after the illustrator Benjamin Day.
Currently on view is a densely hung exhibition of figurative work called «CON - Figuration,» a big, bawdy show of digital collage, painting, woven tapestries of porn web pages, and... read more... «Lunchtime dystopia: CON - Figuration at Postmasters»
Currently on view is a densely hung exhibition of figurative work called «CON - Figuration,» a big, bawdy show of digital collage, painting, woven tapestries of porn web pages, and 3D renderings.
«Damaged,» is the artist's first big show in his hometown for almost 10 years and will include over 200 works including paintings, large - scale sculptures, interactive installations, stencils, limited editions on wood and metal — and there's even an accompanying newspaper called «The Damaged Times.»
Chris Martin: Painting Big Corcoran Gallery of Art, Washington, D.C. June 18 - October 23, 2011 (Review) «Wake - Up Call» by Nancy Princenthal in Art in America
At the unveiling ceremony, Chu called the painting his biggest and best work.
Placing large abstract paintings in these kinds of spaces was the specific aim of an exhibition at the Royal Academy in 1969 called Big Paintings for Publipaintings in these kinds of spaces was the specific aim of an exhibition at the Royal Academy in 1969 called Big Paintings for PubliPaintings for Public Places.
I don't think that idea is generally well - understood — in a recent exhibition at MoMA called «Abstract Expressionism in New York — The Big Picture,» the museum's sterile conveyor belt of images reduced big paintings made for small spaces into small paintings in big placBig Picture,» the museum's sterile conveyor belt of images reduced big paintings made for small spaces into small paintings in big placbig paintings made for small spaces into small paintings in big placbig places.
I tell the sellers that paint is going to be their most cheap investment with the biggest impact, I haven't had anyone deny that yet:) After a few months of their house not selling in the «staged» condition, I was called on to actually stage it and remedied the whole house in 2 weeks, and it sold 2 weeks later for much more than listing price.
Whatever you call it, paint is our key to big impact on a small budget... * I am teaming up with some wonderful blogger friends for a Spring Home Tour and I know you're going... Read More