Sentences with phrase «big paintings hanging»

And even though we just used a bunch of words that mean there are big paintings hanging at Regen Projects this month in Lari Pittman's «From A Late Western Impaerium,» there are also highly detailed drawings and paintings that also suck you into their mysterious language and context.

Not exact matches

All that big pagentry is something I remember Jesus holding as important... I hear he loved hanging out in elaborate buildings and admiring the millions paid to paint the ceilings and line the walls with gold... while the poor sat in the streets begging for help..

The cheery atmosphere, with brick walls (sporting an artfully patchy paint job), hanging plants, and turquoise school chairs, invites you and a big group of friends to settle in and over-order off a menu that can't go wrong.

We painted the fireplace opening surround with charcoal chalk paint to match the canister lights on the ceiling, and I painted a big letter «N» that I've had hanging around here for years with the same paint, as well as a small shelf so that a few things match.

(12/25) BIG EYES Remember those cheesy, big - eyed paintings your aunt had hanging in her bedroBIG EYES Remember those cheesy, big - eyed paintings your aunt had hanging in her bedrobig - eyed paintings your aunt had hanging in her bedroom?

Just find a box, tape, wire hangers, markers, a pair of pliers, paint, and a coffee can (does ground coffee still come in big aluminum cans?)

Gilliam is best known for the paintings that came at the tail of this body of work, these big drapey paintings tie - dyed with color and hanging loosely off the wall, often made with some site specificity in mind (or so I'm told).

Other big likes: Louise Bourgeois's cast bronzes and carved marbles; Franz West's lumpy, painted organic form - on - a stick; Antony Gormley's hanging metal sculpture, whose linear materials — and certainly its shadows — functioned as drawings in space.

The Alfred Leslie painting hung in the lobby Big Green, (1957), is an example of his Abstract Expressionist period that should have been hung in this room.

In June 2007, Hockney's largest painting, Bigger Trees Near Warter or / ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, which measures 15 feet by 40 feet, was hung in the Royal Academy's largest gallery in its annual Summer Exhibition.

That narcissistic I is repeated in other works scattered through the house: a big black I like the sentinel that inspired 2001: A Space Odyssey, a Japanese landscape painting that belonged to Freud and is hung on its side to make — you guessed it — an I.

In Stephanie Strom's report on charitable giving in the NYTimes, take a look at Sean Scully's big, juicy painting hanging behind philanthropist Eli Broad in the photograph.

The Pollocks will hang in the RA's biggest room with other works, including examples of the drip paintings Pollock is most famous for.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Right up to the point where they were 29 years, 364 days, 23 hours, 59 minutes and 59 seconds old they are all absolutely, positively certain that their screenplay will be sold, their face will be discovered by a big stage producer, their paintings will be hanging at The MoMA, their photographs will be gracing the pages of Vogue etc. etc..

Joan gave me a beer and I helped them hang a big painting, a quadriptych, called «The Good - bye Door» (1980) I remember as we lifted it I thought it weighed a ton.

They are smaller paintings (24 X 36 inches), but hung in a row on one wall they make a big statement.

Currently on view is a densely hung exhibition of figurative work called «CON - Figuration,» a big, bawdy show of digital collage, painting, woven tapestries of porn web pages, and... read more... «Lunchtime dystopia: CON - Figuration at Postmasters»

Currently on view is a densely hung exhibition of figurative work called «CON - Figuration,» a big, bawdy show of digital collage, painting, woven tapestries of porn web pages, and 3D renderings.

Clare said: «The women are so excited about their paintings hanging in at Tate Liverpool, this was their dream and that is what this project is all about, helping women to realise big dreams.

The environment gets less attention, but of course it makes a big difference to the reception of the work — a difference which is in turn influenced by the work and the viewer: some paintings are less able than others to assert themselves within a challenging context, and some people are relatively immune to where a work is hung; provided they can see it, they are good at isolating the item of primary interest from its surroundings.

When my mother was extremely poor, living in a small space (read: starving artist), she filled a big round vase with branches that she painted white and hung glittery white angels on them.

I long for a room with white, airy curtains, a desk painted aqua that has been distressed, a perfect lamp with a white drum shade, a soft rug under my feet, a big, comfy chair that is slipcovered in WHITE, the radio playing music that is not on the current top twenty, pictures of my 3 boys hanging in beautiful frames that match and are hung artfully and vase filled with Nester's hydrangeas.

And if spray painting a big piece of furniture seems intimidating, you can start off my spray painting small things like I did with this Clip Board Wall that I spray painted bright colors and hung in my # 1905Cottage!

This 1971 Phoenix home had olive green carpet, gold drapes, orange velour chairs, table lamp with big shade, a hanging lamp, and wire wall sculptures (replacing the cityscape paintings of the 1960s).

We painted the fireplace opening surround with charcoal chalk paint to match the canister lights on the ceiling, and I painted a big letter «N» that I've had hanging around here for years with the same paint, as well as a small shelf so that a few things match.