Make sure to find a powder that doesn't have
big pieces of glitter.
Not exact matches
It took me AGES to figure out how I will style day one,
GLITTER, as although I found the glitter item easily enough, like a lot of the other pieces it was MILES too big for me and needed al
GLITTER, as although I found the
glitter item easily enough, like a lot of the other pieces it was MILES too big for me and needed al
glitter item easily enough, like a lot
of the other
pieces it was MILES too
big for me and needed altering.
Instead we are presented with an absolute turd
of a film with shockingly bad «action» set
pieces (despite not actually requiring major action set
pieces for the plot), dreadful visuals that might as well be that «Gladiators» TV show complete with
glitter and sparkles, a god awful thrash / heavy metal soundtrack just in case you forgot this film was suppose to be tough and your obligatory dire
big name cast hot
of the heels
of other poor major blockbusters (yeah stick him / her in it,
big name, can't go wrong, doesn't matter if they actually fit the role or not pfft!).
Chris Martin contributes a massive paint and
glitter - saturated canvas; Mary Weatherford provides a
big piece with blue brushstrokes overlaid with white neon light; Sterling Ruby adds a jumbo spray - painted landscape; and Stanley Whitney displays one
of his colorful geometric abstractions.
Not many art appreciators were there to block my view
of Rob Pruitt's hilarious installation:
big fancy abstract paintings twinkling with the artist's signature
glitter, innertube objets encrusted with more sparkly «action painting,» and (literally) heavy - duty floor
pieces composed entirely
of cement - filled jeans (Levi's, Sasson, brands from every price point): Five stuffed pairs «sitting up» created a starfish; a snakelike lineup
of several more doing splits straddled the floor like a team
of torso - free cheerleaders; denim couples, oozing cement cellulite, spooned, mounted each other, and / or tempted one to sit on them like furniture.