Sentences with phrase «big scene where»

And all that builds up to this one big scene where * spoilers *... Ah, hell, it's in the trailer.

There was a Christopher Priest run that was pretty heavy, there's a big scene where Panther's fighting Kraven, Kraven the Hunter.»

Not exact matches

Details of where those scenes fit into the movies remain unclear, but insiders say Leia was to have been a bigger part of «Episode IX» than «VIII.»

The big city with a small town vibe is known for its music scene, and for being home to the South by Southwest (SXSW) conference and as well as the Whole Foods HQ, but where it really shines is in its culinary scene, which ranges from barbecue that people wait hours in line for to all kinds of tacos.

If you've seen the movie The Big Short, you may remember the scene where right before one of the funds was getting ready to increase the size of their bet against the mortgage industry, they were a little bit concerned.

«We can't always do something about the bigger picture, the national scene, but we can do something locally, we can do something on our streets and in our churches and in the places where we live in our community.»

I suppose there are lots in London but Bath where I'm currently living is very «English» and there's sadly not a big international scene

Leaving the Big East, on the other hand, is evidently like fleeing a crime scene — you don't care where you go, as long as you get out of there quickly.

He's been a big enough distraction this year — drinking and causing scenes at the Hope and the PODS, where he pounded beers at the Hooters stand while his round was delayed by a storm.

I don't really know anything about anime, but every time I watch Ace Sanders here (and I've watched this, like, 40 times, easy), I think about one of those anime scenes where the guy with the dinosaur hair has his arm explode and turn into an even bigger arm that's actually a nuclear bomb and there's all this FLASHING and SQUEALING going on and a factory turns into a robot that knows how to turn its arms into nuclear bombs and the backgrounds are all just PINK SPEED LINES and nothing makes any sense and everyone's SCREAMING.

which is the opposite of Spanish big 2 clubs where they do have inexperience managers but their supporting them with players recruitment and they always wins something big within 2 years.The only hope i have is behind the scene changes towards next season i mean sven and Sanllehi and wenger to leave Arsenal at the end of this season otherwise is not gonna work because of chemistry

The winner of 30 Emmy Awards for his work on Super Bowls, World Series, the Olympics, and a host of other big - time sporting events, he presides over the behind - the - scenes world of golf production from his center chair in extremely close quarters inside a nondescript trailer parked far from where the golfers ply their trade.

But the big climactic scene where the invading alien forces drop the hammer on the zombie hordes?

Another form is change blindness, where a person fails to notice big differences in a picture or scene — sometimes even when someone in that scene has been substituted.

It was a talent search not unlike the one that unfolds every night in the bars and converted dance halls of Portland's famous music scene, where locals listen for the next big sound.

It doesn't help matters that the big finale is yet another mindless fight scene where all the characters do battle in order to wrap up the story quickly.

There is a scene where Gonzalez, the youngest member of the cast, delivers the most emotionally raw moment in the film, and it is gut - wrenching in the best way (think Hiro's «I'm satisfied with my care» moment in «Big Hero 6,» times infinity).

Mr. Kingsley gets a big, chilling scene near the end, and the film comes full circle to a concert of the Schubert quartet, where Paulina and Gerardo spot Miranda.

Fighting an unlikely quest for glory in her downtrodden hometown in Jersey where her life is falling apart, Patti tries to reach the big time in the hip hop scene with original and affecting music.

As a fiction editor at a publishing house, we are treated to scenes where Ana is scolded by her husband for not changing her work email address to her newly married name, and her editorial notes consist of «make the font size two points bigger.»

One of the biggest issues the franchise is that the attractive female characters (which is most) are reduced to sexual conquests for Kirk, there is even a scene where it's alluded to Kirk has been sexually harassing crew members like nurse Christine Chapel.

There's a scene in The Knick where characters are blown away watching «The Big Swallow» in a kinetoscope.

By the time the movie gets to the final climax, basically where every last character is suddenly together in a big obviously - in - a-warehouse-set with an impending action scene pitting them all against each other, I had completely lost interest in the story.

The biggest draw here is Biehn himself, yesterdecade's star of James Cameron blockbusters The Terminator, Aliens and The Abyss — and while there is no doubt that The Victim is something of a vanity project, there is also a strange, nostalgia - tinged melancholy to be found in the scene where young, buxom Annie (apparently no longer traumatised by her bff's very recent death) beds Biehn's Kyle every which way in a softcore - graphic manner harking straight back to Biehn's Eighties heyday (complete with rocking score).

One of the first big breaks for him and his brother was as co-writers on the infamous Seinfeld episode «The Virgin,» which introduced the Marla character played by Jane Leeves and gave audience the scene where Elaine discusses her diaphragm.

While the action scenes are a bit rough (to the point where I'm a bit dubious about Affleck being able to tackle a big budget superhero film), everything else is stunning.

Following the opening of his series where he shot a bad guy from across the Texas / Mexico border, fans began wondering if we would see a similar scene on the big screen.

This is a scene where Hulk is on the loose, running for his life from some well - armed fighter helicopters, tearing up the desert landscape, and culminating with a tour - de-force of special effects that sees the streets of San Francisco potentially undergoing the destructive force of «the big one» once and for all.

Miss Peregrine's Home for Peculiar Children also reunites Burton behind the camera with his Dark Shadows and Big Eyes cinematographer Bruno Delbonnel, whose knack for creating glossy visuals through his film work (by utilizing soft shadows / focus shooting techniques) looks to serve Burton's upcoming film well - in particular, during those scenes that take place in the fantastical setting where Miss Peregrine and the «Peculiars» live.

It makes the later scenes where Emma Stone is asked to all too briefly adopt true emotion, leaving comedy at the door for a moment, that it isn't too a big a leap to ask for.

It overstates the emotion of each scene, sticks out like a sore thumb where it should be subtle, and often sounds like something from a made - for - TV movie rather than a big studio film.

Alice lands a job as a paralegal at a big law firm where she makes fast friends with a flamboyant co-worker (Rebel Wilson) eager to show her the ropes both around the office and the Manhattan dating scene.

Which is great, and leading to few amazing scenes, like the one where Quiet dances under the shower for Big Boss.

Now, these guys never disappoint... if memory serves... one movie that made me laugh EACH TIME as if it were the first I watched it, is BIG LEBOWSKI... that is what you call a GEM of a character... The scene where he incidentally looks at himself in a mirror designed to look like a TIME MAGAZINE cover made me have to pause the film and laugh for a couple of minutes at him in that thing.

Perhaps that explains the episodic flow of the action, with big events followed by weepy scenes where Craven imagines he's seeing his daughter, still a little girl.

He has become a component of that bigger universe of super-powered characters, where heroes pop in and out of other heroes» movies (mostly during post-credit scenes) for little reason other than to set up an unstoppable team of superheroes.

Wan splits these two events up in a way where, us as the audience, get to take a breather and it's not just one big massive exorcism scene.

The scene we saw where the two use sticks to show members of their family is hearbreaking as a cute way to communicate the size of their family turns into the reveal of that they too lost parents (Not a big spoiler, it's Disney remember?).

And while it is a simpler and more straightforward story, it is structured at least to the point where you don't need to listen to the Blu - Ray commentary or watch a deleted scene to understand the big picture.

There is even a scene where Kobayashi summons a big red button, which is a hilarious mirror of Trump touting the size of his button on Twitter.

It's just that Beast, as always, when he blues - up, looks like a Smurfy Teen Wolf and he's hampered here even further by being basically a big blue lapdog / enabler for Prof X. With his only interiority coming via occasional moony eyes made over Jennifer Lawrence «s Mystique and one scene where he makes a (really obvious) breakthrough based on watching the television news, mostly all he does is repeat exposition, go to turn the power back on and fail to lift things off Prof X. Oh, and occasionally fly a plane.

The ending is one of those «big moment scenes» where the protagonist does something brave and against character to prove his love in front of a lot of people.

Beatriz at Dinner Rated R for language and a scene of violence Rotten Tomatoes Score: 78 % Salma Hayek is a masseuse whose car breaks down at her client's home, where she is invited to a big dinner with the very Trump - like John Lithgow, a greedy real estate developer with a very differing political, ethical and moral point of view from her own.

I think in our midseason finale, we were building to that climax to where Sophia comes out of the barn, remember that was a twist on already a big scene.

Scott is a big believer in creating an authentic atmosphere in his films and a lot of the ships scenes and explorations where actually sets and locations as opposed to lazy green screen.

Yet for a movie with such a resourceful young hero, Big Game doesn't have enough scenes like the one where the president and Oskari end up using a freezer as a raft in dangerous rapids.

Given what we know about the Captain Marvel movie, the biggest question we have about that Infinity War's post-credits scene is, «Where has Captain Marvel been for the past 20 years?»

Ninja Gaiden 3 Razor's Edge reminds of the big Crazy 88 fight scene in Kill Bill where Beatrix Kiddo is jumping around waving her sword painting the floor red and littering it with dismembered body parts, the fact that it's kinda difficult like a Ninja Gaiden should be is an added bonus, whats not to like?

Many of these creatures are wonderfully designed — as is the Big Apple of yore — though I was disappointed that the one scene where we see them all in one place suffers from a certain visual artificiality, as if the green screen had not been properly keyed out.

And, if you're up for some unintentional humour, look out for the big - boned Daley Thompson look - a-like appearing on screen for a split - second as Murphy's double in the scene where Foley throws Maitland's henchman over a restaurant table.