Sentences with phrase «big screen right»

And yet my husband and I go see big special effects movies on the big screen right off, because we don't want to wait.

But no other horror property on either the small or big screen right now is telling a better story than it.

While it sounds like Annihilation will be making it out without damaging changes, it also sounds like this might be one of those instances where you'll need to make sure you see it on a big screen right away.

In the summertime, the Boston Harbor Hotel's live music and outdoor movies projected on the big screen right over the harbor are not to be missed!

The 30 - year - old actor is set to helm the forthcoming film, based on the David Barclay Moore novel of the same name, after Endeavor Content acquired the big screen rights to the project - and he can't wait to get started behind the camera.

Not exact matches

You'll see a big plus sign -LRB-» +») in the upper right corner of the screen.

He earned a Best Supporting Actor nomination for «Silver Linings Playbook,» but reuniting with Scorsese is just what his big screen career needs most right now.

This was the biggest «turn the channel, forget about the game, glance up at the little score box in the top right of the screen 20 minutes later, do a double take, turn the game back on» game of the entire tournament.

Rather than get into the right mindset for the game, Armero — who did not start the friendly in Abu Dhabi — was sat on the substitute bench watching the big screen, which had decided to focus in on some pretty hot female fans showing their support for the South American side.

The only thing you probably saw in the growth scan was the big tubby nose that's probably centralized on the screen, right?

On or off the red carpet, this big - screen star always looks effortlessly stylish and so right now!

The big silk - screen print on the right was a lucky find on (the Dutch equivalent of) Ebay.

And it's sickening because it gets that interaction exactly right, something we rarely see drawn out with such clarity on the big screen.

At long last, somebody has the style and attention to detail to bring a comic book to the big screen, and do it right!

Those include a formidable physique joined to a relaxed, self - referential sense of humor («that's a big arm, don't fight it,» he advises), a gift for green - screen sincerity and the ability to say lines like «something's not right here» and «you're making a big mistake» with a straight face.

OK, so finally bringing big budget GIANT ROBOTS to the silver screen should be amazing, right?

Playing off Margot Robbie as his wife Jane and Samuel L. Jackson as his right hand man in combat, he was able to have talent across the board, supporting his big screen appearance.

That's right — before the first «X-Men» movie was released, there was serious talk of bringing Marvel Comics «Merc with a Mouth, created by Rob Liefeld and Fabian Nicieza and first introduced in 1991's «New Mutants» # 98, to the big screen.

Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).

Focus Features are currently looking at potential casting and directors after landing the big - screen rights to E.L. James» kinky bestselling novel, FIFTY SHADES OF...

Focus Features are currently looking at potential casting and directors after landing the big - screen rights to E.L. James» kinky bestselling novel, FIFTY SHADES OF GREY, early last year.

Indeed, the smaller model's screen seems to be exactly the right size, in my opinion, given the resolution of the games weighed against the modern need for every screen to be as big as possible.

And looking at the talent involved, they've assembled the right team to bring this story to the big screen.

Right now, Wonder Woman is a box office giant after the DC Comics superheroine finally got a big screen adventure all to herself.

It was never going to be an easy job adapting «The Hobbit» for the big screen, especially after the success of the «Lord of the Rings» trilogy, and although that likely played a part in Peter Jackson's initial decision to let another director take the reins, at the end of the day, it just wouldn't have felt right with anyone else behind the camera.

In an age where inexpensive, high - quality digital cameras have nominally evened the playing field between the big and small screens, Louis CK's show is one of the precious few that has any right being called «cinematic,» unfurling as a series of short films united by their maker's curiosity regarding family, pop culture and the contours of his narrow worldview.

Never a particularly stylish or inventive director, Hudlin directs Marshall with smooth, competent, but ultimately anonymous efficiency, periodically dropping in clunky color desaturated, conflicting flashbacks better suited for second - or third - rate basic cable fare than a big - screen biopic of a Civil Rights pioneer.

Nolan, Bay or Cuaron May Helm the New Twilight Zone: Warner Bros. has the rights to bring The Twilight Zone back to the big screen and the studio is looking to put them to the best use possible.

Kinberg assures that when Gambit makes his way to the big screen, it'll (with all intent) be done the right way.

DIVERGENT Director: Neil Burger Starring: Shailene Woodley, Theo James, Ashley Judd, Tony Goldwyn, Kate Winslet, Jai Courtney, Ansel Elgort, Maggie Q, Zoe Kravitz, Miles Teller Big screen adaptations based on young adult book series are a hot commodity in Hollywood right now.

Combine that with the ongoing casting process - with rising star Michael B. Jordan (Fruitvale Station) being the only potential cast member rumored to have struck a deal already - and it stands to reason that Trank could use the additional three months of development time, in order to get Marvel's famous super-powered family unit «right» on the big screen.

When: October 2nd Why: Andy Weir's 2011 science fiction novel, «The Martian,» was one of the most talked about books of that year, so it's not surprising that producer Simon Kinberg was so quick to nab the rights to adapt it for the big screen.

Plus, to coincide with the return of everyone's favourite smart - mouthed Merc to the big screen this week (check out our Deadpool 2 review) those in the UK might want to reacquaint themselves with his first outing which is on Netflix right this very second.

The Black Widow film rights eventually reverted to Marvel, and the character made her big - screen debut in 2010's Iron Man 2, played by Scarlett Johansson.

It's been three decades since the last time we saw Annie on the big screen and with a winking poke at the traditionally (white) red - headed and cheerful moppet we're used to it lets you know right off the bat that this isn't the previous generation's Annie; it's a modernized, Twitter - ized and street smart update.

Production company A Bigger Boat has optioned the rights to Throttle, a novella from Stephen King and his son Joe Hill, with THR reporting that producer Emile Gladstone has tapped John Scott III (Maggie) to pen the script for a big screen adaptation.

Newcomer Levi, who plays Peter, ranks right there with director Joe Wright's previous discovery of Saoirse Ronan, as child actors with big time screen presence.

Brad Pitt's production company, Plan B Entertainment, has secured the rights to produce a big screen adaptation of Dark Void.

Sounds a lot like Phillips's own big screen adaptation of Starsky & Hutch, right?

The boys aren't bad either, and, in addition to Phoenix, it's exhilarating to recognise, in various disguises, hairdos and toupees, actors that have shaped both American independent cinema, Hollywood and / or cable television (The Sopranos, The Wire, Boardwalk Empire) for the last twenty years: Owen Wilson offers an understated performance as a former saxophone player who has to fake his death; the always impeccable Martin Donovan is a lawyer for the Golden Fang (he's also, by the way, Japonica's father, which serves him right); Benicio del Toro shines as the man passing as «Doc's lawyer»; Josh Brolin drew a lot of kudos for his performance as Doc's nemesis, an LAPD detective nicknamed Bigfoot with the bad habit of kicking people's door and dreams of making it to the big screen; Martin Short; Eric Roberts, Michael Kenneth Williams etc...

It seems the Fantastic Four are cursed when it comes to their adventures on the big screen, but Fox has at least done some right by them.

Paramount Pictures bought the movie rights before publication in 1993, but behind - the - scenes squabbles about budget and scripts kept The Alienist from the big screen for more than two decades.

That's right, the guy who brought us The Expendables 2 and Con Air has been tasked with bringing the all - consuming alien lifeform back to the big screen.

The curiosity factor is certainly high on the streaming service's first aspiring blockbuster, a movie that looks every bit the big - screen effects extravaganza — right down to its sickly neon glow and cacophony of slow - motion fight sequences.

The Magnificent Seven director, Antoine Fuqua, explains why now is the right time to retell the Scarface story on the big screen.

The animation itself isn't as flashy as the usual big - time anime that makes it to the big screen here in Australia, but like all good animation, it hits the right expressions at all the critical moments.

But I wonder at the way this film turns suburban schlubs like me into wise - cracking, big - screen heroes with enough of the right moves to completely shut down the cool kids.

Angrezi Mein Kehte Hain review: Simple, sincere, sweet story l Bhaskar Oru Rascal review: Falls flat both in comedy and sentiments l Khajoor Pe Atke review: Hits the right notes but lacks big screen lustre

I don't know why writers can't get him right on the big screen.

It's not a film that needs to be seen on the big screen, but Life of the Party is more light - hearted and jovial than most other movies playing in theaters right now (independent and big - budget films alike) and should please the steadfast members of McCarthy's fanbase.