But your film does have something in common also just more broadly speaking with something like Transformers, because it is
a big studio film in a sci - fi wrapper.
Newcomer Alice Englert, does not have as strong a resume, but the daughter of director, Jane Champion, clearly demonstrates why she was entrusted with such
a big studio film after having only acted in a few indies.
Quote: «It wasn't fun at all but it was a way to get involved in
a big studio film.»
I am excited to see what he does with his first really
big studio film, though.
It overstates the emotion of each scene, sticks out like a sore thumb where it should be subtle, and often sounds like something from a made - for - TV movie rather than
a big studio film.
Black Panther, the first
big studio film from Ryan Coogler (Fruitvale Station, Creed) is just such a film.
Two of
the biggest studio films of the year in the awards race are both from Paramount, and both will be challenging for mainstream audiences — Silence and Arrival.
I really wish that I could create a petition that states «Miles Teller may no longer act in
big studio films, but instead act solely in independent projects.»
On
big studio films, it's more laid - back, «but the food is much better.»
«In the face of massive marketing for
big studio films, it is the ultimate underdogs who have emerged as critic's darlings and fan favorites,» said Tim Gordon, president of WAFCA.
This year's SXSW film line - up features a lot of
big studio films such as Paramount's A Quiet Place, Universal's Blockers, and Fox Searchlight's Isle of Dogs but there are as always a lot of smaller films that are worthy of your attention too.
A leviathan that has temporarily ducked back under the surface after pulverizing multiplexes all summer long, Christopher Nolan's symphonic blockbuster is not only one of
the biggest studio films of the year ($ 523.7 million worldwide for a historical epic about one of modern history's greatest non-events), it's also one of the best.
We'll have a better idea of maybe how the Oscar race is going to go — whether it will confirm the race thus far, or completely rewrite it to include
the bigger studio films that make money and drive viewers to the telecast.
I've worked on
big studio films, I've done four of Brett Ratner's movies.
The year ended with some wonderful smaller films packing a punch (Spotlight, Carol) and
big studio films that were finely executed and loved by a diverse crowd (The Martian, Star Wars: The Force Awakens).
Mississippi Grind concludes a run of smaller, more auteur - oriented movies — Tarsem Singh's Self / less, Atom Egoyan's The Captive, Marjane Satrapi's The Voices, and Simon Curtis's Woman in Gold — for Reynolds, who says his flight from
bigger studio films was mostly unintentional.
Not exact matches
The
studio has two more
big Marvel releases (Guardians of the Galaxy 2 and Thor: Ragnarok) as well as a live - action version of Beauty and the Beast, two new movies from Pixar Animation Studios (including Cars 3), and a fifth installment in the Pirates of the Caribbean franchise (two of the first PotC
films grossed more than $ 1 billion apiece).
So, the
studio's
biggest question mark of the year will be November's Justice League, which will bring together several superheroes from that universe of
films, including Wonder Woman as well as Batman and Superman.
Of course, some of the nominated
films are still in theaters, and winning a
big haul at the Academy Awards is known to result in a bump at movie theaters, which is all the more reason for
studios to pull out all the stops in their awards - season marketing efforts.
«The
studios are doing fewer
films and
bigger global tent - pole
films.
But for Paramount, the
studio's success will largely be defined by movie ticket sales as well as the number of
big blockbuster and tentpole
film franchises it can churn out.
Much like the success of last year's Warner Bros.
film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how
studios approach
big - budget stories about characters of color.
Film
studios have learned which
films to release in 3D, and evidently those movies are the
big action blockbusters.
Fox is one of just two of the «
Big Six»
film studios that can actually boast of improving on last summer's receipts.
So Paramount, in the wake of a disappointing 2017 that saw
big budget
films like Transformers: The Last Knight and Ghost in the Shell underperform while the
studio's would - be Oscar hopefuls Suburbicon and Downsizing were DOA at awards season, is looking to make some changes in 2018 and selling God Particle off to Netflix may be a cushy deal.
This would be a
big shift in the business model of feature -
film distribution for both the major
studios and the theater chains.
If the movie theaters ever make a
bigger profit, even from concessions, the
studios can just raise the price of
film rental.
A decade after «The Passion of the Christ» surprised Hollywood, rankled liberals and raked in $ 600 million worldwide,
big studios are backing a flotilla of faith - based
films.
Moviegoers are finally about to get a break from all of the
big - budget summer blockbusters and superhero action movies, as
studios move away from large - scale spectacles in favor of award - season prestige
films.
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big brother of Datint
film studio, proposed to a Chinese TV presenter 1.
I think if the
studio realized the
film had the potential to be this
big, it would have been released in lots more markets simultaneously — in the U.K. they have to wait till October!
As it turns out, «'' Amy»» entrepreneur Banky Edwards (Jason Lee) has sold the
film rights for his «'' Bluntman & Chronic»» comic book — which is loosely based on Jay and Silent Bob — to Miramax, and the
studio greenlit a
big - budget production.Before it even begins, though, the pending «'' Bluntman & Chronic»»
film provides more than enough fodder for a new wave of hate - mongers who prowl the Internet, namely pimple - faced geeks who slam anything they can type about on a series of movie gossip websites.
If Harrison Ford had listened to the advice of
studio heads early in his career, he would have remained a carpenter and never gone on to star in some of Hollywood's
biggest films and become one of the industry's most bankable stars.
The number of women directing
big -
studio films has finally surpassed single digits.
And looking at the trailer, this might be a
big mistake by the
studio, since the
films looks to have a very dark palette — an unfriendly look in 3D, if you ask me.
Director Ryan Coogler (Fruitvale Station & Creed) enters «the
big leagues» with Marvel's Black Panther, a somewhat monumental feat for the
studio that has mostly featured
films that skew towards the white male demographic.
That
film was also the year's
biggest box office flop from a major
studio, boasting one of the worst opening weekends in history ($ 306,367) for a nationwide release.
Just on a technical level, the
film represents such a
big jump forward for Saulnier that you should expect the
studios to immediately start arguing over which giant soulless franchise should occupy his time in the near - future.
It will be extremely hard for the
studio to match those figures in 2016, as many of its
biggest franchises are sitting out the year and Universal's planned 21 -
film slate doesn't feature any sure - thing blockbuster hits aside from (maybe) a still - untitled Bourne sequel.
They were also better than those of any other major
studio, leaving Disney the only one of the seven majors to receive a grade higher than a C. Interestingly, Disney's three Marvel - related
films (including
Big Hero 6, which is not part of the Marvel Cinematic Universe) were not just the
studio's highest - grossing releases, but were also the highest - scoring Disney
films with critics.
After making his name with three independent
films in Shotgun Stories, Take Shelter and Mud, director Jeff Nichols approaches his fourth feature with a
bigger budget, making it his first
studio production and allowing him to operate on a slightly more ambitious and grander scale.
On some of those fronts, the
film wildly misfires, but for a wide
studio release headlined by one of Hollywood's
biggest stars, Red Sparrow is an admirably bold effort.
The
studio chose to release the
film slowly on a regional basis — but when the box - offices began to bulge, Warners gave the
film a major
big - city push.
And the
studio scored its
biggest - ever year at the box office, thanks in part to Lee Daniels» The Butler, the fifth TWC
film to date to pass $ 100 million.
The
film was one of MGM's
biggest hits in 1942 — indeed, one of the
biggest in the
studio's history.
Not as
big a moneymaker as Harold's starring features of the 1920s, the RKO
film nonetheless turned a tidy profit for the
studio.
A
big - budgeted
studio film about a black action superhero with a nearly all - black cast is a huge step forward.
Seldom making a liveable income in
films, Miller remained an unknown entity so far as the «
big»
studios were concerned — but his teenaged fans were legion, and he was besieged on the streets and in public places for autographs.
Almost
big enough now to qualify as a major
studio, Lionsgate shouldn't be confused with some of the art house distributors on this list; its
films clearly target a wide audience.
Even though Sony released only one positively reviewed
film in 2010 and managed to boost that total to six
films in 2011 (led by best picture nominee Moneyball), its overall Metascore still dropped nearly two points last year, while the
studio's average Metacritic user score was also the lowest among the
big six distributors.