Sentences with phrase «big time artist»

Even if you're not a big time artist, talking about small successes like getting into a major gallery or launching a Web site can be a big boost.
While supporters have pegged the amphitheater as a way to draw big time artists and boost the economy, others say they believe shows will largely benefit the performers rather than local businesses and residents.

Not exact matches

how bout everyone joins reality and stops going to church to play make - believe - time, lets give political credibility to the biggest scam artist on the planet.
Your post made me chuckle a few times and there is certainly some truth in it, particularly from the production - line style artists (I'm generally thinking the big church praise bands) who seem to produce so much stuff that it's become incredibly generic.
The destination festival will also feature live, in - ring matches with WWE ®'s NXT ® Superstars, as well as interactive experiences and art installations such as Big Bully, artist autograph signings at the Monster Energy Hospitality Rig, theMonster Energy viewing area with beverage sampling, The Crazy Dave's Music Experience, Jack Daniel's Experience, Jäger World, It's Miller Time VIP Lounge, Zippo Music Experience and more.
Big Sur in California is a top destination of adult artists, but it's also a great place to spend some valuable time with your family, including your younger kids.
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Whether you have an escape artist on your hands or just a soon - to - be too - big kid, these five tear - free tips will have your little dreamer sleeping in their very own bed in no time flat!
Robin Sheldon is an artist and therapist, currently staying at home full time with her big kid twins, new baby, and two cats while her husband hunts and gathers.
Her 2007 album This Is The Life charted at number one in six countries and she is one of the five biggest selling artists of all time in Switzerland.
This family - fun event features midway games and rides for all ages, favorite fair food and old - time sideshow acts under the big top, from sword swallowers and fire eaters to escape artists and other exciting acts.
Stars can grow no bigger than 150 times as massive as our sun, according to a study of the dazzling «Arches» cluster near the center of our galaxy — shown here in an artist's impression.
TOO BIG, TOO SOON Supermassive black holes that are actively feeding on gas and dust, like the one shown in this artist's rendition, have been spotted in the early universe — before they should have had time to grow.
I never know who any pop stars are, it takes a long time for me to work out who the big artists are (more than a year before I worked out who Lady Gaga was - not kidding).
Instead, spend a little time with the artists below who are making their way to a few festivals each — so remember, there's a lot of big talent off the main stage.
I won't really get into the details but I've been through some stuff that severely damaged me as a person, but at the same time inspried me big time as an artist.
One of Ireland's biggest blogging stars, and a full time make - up artist, stylist and model, Joanne Larby, The Make Up Fairy, is passionate about empowering women to both accept themselves, and to strive to be everything they want to be.
The film is a deep character study of Riggan Thomson played by a moving and stellar Michael Keaton a once - time big movie star struggling to regain importance in his contemporary setting while trying to establish himself as an artist worthy of praise and to get rid of his «Birdman» image.
In The Disaster Artist, a young San Francisco actor, Greg Sestero (Dave Franco), takes classes and dreams of the big time.
The most famous «stolen» movie of all time, The Magnificent Ambersons is still considered a classic example of the negative impact big studios can have on real artists and their work.
«When I founded the Institute in 1981, it was at a time when a few studios ran the industry and an artist's biggest concern was whether their film would get made,» said Robert Redford, Founder and President of the Institute.
Voiced by Ginnifer Goodwin («Once Upon a Time»), the eager rookie police officer forms an unlikely partnership with con - artist fox Nick Wilde (Jason Bateman) to solve the case of a missing otter, only to uncover a bigger mystery.
The guys are appearing on the big screen for the first time since their cult classic The Room in 2003, which became the inspiration for the Oscar - nominated movie The Disaster Artist.
Will Arnett plays an Italian artist who chases Beth back to New York, Jon Heder a street performer who dreams of the big time, and Dax Shepard a male model more obsessed with Beth than his miraculous abs.
Snubbed: The Current War, Lady Bird, Get Out, Frantz, Split, A Cure for Wellness, The Killing of a Sacred Deer, The Meyerowitz Stories, I, Tonya, Good Time, The Square, Brad's Status, BPM, A Ghost Story, Cars 3, Wakefield, The Glass Castle, From the Land of the Moon, Jane, It Comes at Night, Okja, The Little Hours, The Lovers, The Foreigner, Hostiles, Thor: Ragnarok, The Big Sick, The Disaster Artist, Betting on Zero, Take Me, The Lost City of Z, Berlin Syndrome, Crown Heights, Lucky, Baby Driver, Guardians of the Galaxy Vol.
That true story: Well into his career, the folk songwriter Steve Tilston received a letter written to him decades earlier by John Lennon, who urged him to follow his heart whether he hit the big time or remained a starving artist.
Briefly, it's time consuming, 99 designs takes a big cut, and there's variable cover artist experience levels.
«You would find a hundred artists, give them each $ 100 grand worth of studio time and one music video, then you would throw all one hundred acts kind of out there and see which one or two began breaking big.
Artists by the likes of Ke $ ha, Pitbull, Rascal Flatts, Big Time Rush, and Victoria Justice by their new Skydrive accounts.
They spoke about the following topics: E-mailing Kickstarter and getting advice before starting your campaign, creating an e-mail lists of fans, how much to ask for, what your biggest expenses are, how much to pad out your time and money requests due to unforeseen problems, how much are kickstarter and credit card processing fee's, paying an artist, the design and layout of the Kickstarter page, putting images and videos on your page, getting background music for your video, when you should start your campaign, for how long you campaigns should be and what to avoid, what awards to offer, the emotional rollercoaster that comes with a kickstarter campaign, social media advertising, the logistics of mailing out all the books and more.
For some artists, rolling out a complete painting in a short period of time is no big deal, and some people do work better under stress.
Towards the end of the Times review Mr. Sepinwall notes that, «As «the middle - class movie» — which couldn't «be made on the cheap or guarantee an opening weekend of $ 50 million or more» — became increasingly difficult to get made, artists who might once have gravitated to the big screen moved to the little one».
The complete list of exhibitors is an impressive array of publishers and artists; like any big event the only real downside is there likely won't be enough time to visit all the ones you want!
The software development community has been under siege from so - called «patent trolls» for several years, and it is only a matter of time before a bunch of lowlifes find out that indie publishing is big business and there's money to be stolen from the hard work of artists via the legal system.
Most don't have an online presence and are too busy to engage online — many are chefs, restaurateurs, travel industry pros, and creatives (musicians, designers, artists, writers etc)-- yet they are loyal readers who send us long letter - like emails from time to time telling us about the big trips they've planned and asking for travel tips, yet they'd never leave a comment on the site.
If you ever wanted to have the coolest music from the biggest franchises in the history of video games then you'll soon have that chance — EMI Classics, Video Games Live and IMG Artists will release an album celebrating some of the best known, most popular video game music of all time.
- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects
Only time will tell if rappers will keep the big talk on the timelines or if more artists will step into the tournament ring.
The volume of assets was too big for just 2 artists and pixel art takes time.
From April till Launch, was a very busy time for Disney Infinity 2.0 and one of the biggest events of the year was the first ever Toy Box Summit, which took place at the Avalanche studios in Utah, where they flew out many of the top Toy Box Artists to take part in a 24 hour challenge to show off Disney Infinity 2.0.
The aspects of the athletes were recreated through a structured light 3D scanner, slightly bigger than a classic DSLR, which reads the curves and color of their faces and gives a real - time 3D model, later refined by the artists.
Your educational background — some artists are self taught, some went to big time art schools, most are somewhere in between.
With previously obscure artists like Ashley Longshore and Donald Robertson rocketing to fame, and sales, because of Instagram, Vogue outlines how big - time art dealers and auction houses are using Instagram to sell art.
It seems to me that the artists of the world are spending so much time commiserating with other artists about how hard it is to make it as an artist, that we fail to see the opportunity to play a bigger game.
I have been showcasing my art on Facebook, Google, Twitter, Pinterest, Tumblr, YouTube and other social networks for years, but with little success — I guess the overall amount of artworks and artists on the net is so large, that it has become very difficult to get noticed at all, and even harder to make sales at all... I have changed my artworks and my gallery appearance several times over the years, adjusting to the latest SEO trends, but the big success is still waiting... http://www.artprintsposter.com/
Artists, both famous and unknown, spend a lot of time waiting around for «The Big Yes Moment» to arrive.
The place is full of these people - artists killing time, drinking the free wine, working the room, trying to hide their fear and doubt, trying not to look desperate, trying to look like players, trying to feign relevance, trying to be as interesting and confident and amusing and networked as possible, all waiting around till their Big Yes Moment hopefully one day lands on their lap from an unknown direction.
2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration
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