Sentences with phrase «big wall of windows»

Not exact matches

In terms of in - store innovations, the company made a big splash last year by launching and then heavily hyping two stores — a massive 140,000 - square - foot Canadian Tire in south Edmonton and a Sport Chek in midtown Toronto — that came fully loaded with all manner of screens, simulators and other forms of digital eye candy, including interactive video walls, window shopping using glass screens that display products, and community boards that give customers access to local sports clinics, league registrations and fitness classes.

Microsoft previously sold a similar collection of Windows and Office software to big companies that is now rebranding as Microsoft 365 Enterprise, the Wall Street Journal noted on Monday.

On the big glass wall that fronts his hotel lobby, a window washer is spraying a stream of water.

I'm in the car with my best friend, and we've just had lunch at this quiet, quaint restaurant with huge windows so close up to the Old City walls it'll make you gasp - hippie bowls of grains with roasted vegetables and a big, oil - slicked plate of glossy green lentils her baby couldn't stop grabbing.

At first, he won't be able to see anything more than a foot away from him in great detail, but he'll nevertheless enjoy the delicate play of shadows your window blinds project onto a nearby wall, a bright curtain gently fluttering in the breeze, and the varied shapes and colors of a big houseplant or an outdoor tree or bush.

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I played quite a bit of musical furniture around here this winter, and the mantel I refinished ended up fitting perfectly on this little wall between the big picture window and the front door.

In The Red Book, her touching, provocative, whip - smart romp of a novel where The Big Chill meets Mary McCarthy's The Group, Kogan begins with the Red Book entries for a group of roommates from the class of 1989 who are all headed for their 20th reunion weekend just as the financial and professional walls are crumbling around them: a self - made, childless securities broker, recently pink - slipped, eager to conceive a baby before her fertility window closes; a blue - blood «artist» and former lesbian, married to a writer's - blocked male novelist, living disingenuously and beyond their means off a no - longer - viable trust fund; a former actress, the star of every school production, who has become the stay - at - home wife to a famous Hollywood director; the adopted war orphan, now a foreign correspondent clinging to her dying industry, whose war journalist husband has recently been killed.

That would account for the jumbled look of the place, with small rooms giving on to bigger ones, and windows facing blank walls, and low ceilings throughout.

They run this cool, classy little wine bar - cum - eatery with just the right amount of Italianissimo verve — candles, a big wine fridge, old Italian posters and a handful of wooden tables and chairs scattered about two small, air - conditioned rooms with burgundy walls, arched windows and concrete floors.

The other things I really liked about this hotel, which consistently ranks among the top two Honolulu hotels on TripAdvisor: Free, fast and easy wi - fi, desks that face windows instead of a wall, and big bright bathrooms bathed in terrazzo with walk in showers.

They have brightly painted walls and big windows that let in lots of light.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

For one, the dominance of brick walls, wood floors, big windows and frequent columns of its repurposed 19th - century factory buildings is the apotheosis of SoHo, whose small - industry loft spaces were taken over by commercial art galleries in the 1970s.

«My studio has white walls, a grey painted wooden floor, a big window with a view out to the garden and lots of space to put / store stuff.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

He said, «I've always loved Spanish houses with those big, plain, stark facades, with a dark doorway cut out of the expanse, or say, two windows beautifully cut out of a magnificent whitewashed wall.»

Tomorrow I'm moving to a new studio in one of Bushwick's older artists» buildings.The space features a beautiful view to the east, convenient location near the L train, two big white walls, a sink, plenty of windows, heat and AC, and a freight elevator steps away.

I recommended big windows with cross-ventilation, high ceilings, walls with tons of thermal mass.

Development in the 50's created acres of homes with features like spacious bedrooms, big picture windows, fireplaces, and walls paneled with Philippine mahogany.

If you have any tiny or boring windows that could use a little something to bulk them up, you can put shutters around the window (or even cover the entire wall) to give the illusion of a much bigger window!

The picture on the wall in the dining room is a copy of Francis Bacon «s Study of A Nude With Figure In A Mirror and is so big it had to be hoisted into the apartment through a window.

The reason I suggest this is: 1 — curtains are supposed to be a «regulation» height above the window (as on your adjacent window) and it could look odd to see that big amount of plain wall above the window (especially since it will mostly be open, is that right?)

Bedroom Talk about seaside comfort; tousled linens on an unmade guest bed beckon the sleeper to crawl back in; Peggy's bedroom is washed in pale light thanks to a great big window, soft blue walls, a vaulted ceiling with exposed beams and just a whisper of colour on the bed and rug.

One of the biggest transformations I saw using wall art was in a finished basement with no windows.

I'll post pics of the new kitchen floor when we're done sealing it next week, and in the meantime, I'm going to call around and get some estimates on the next big redo we'd like to save up for and tackle - a wall of windows!

I am at the final stages of a kitchen remodel — my original goal was to get bigger windows in the wall overlooking my backyard - so I understand your «view»!.

I do not have the window on the wall opposite the doorway (the other window is bigger, with a baseboard heater underneath), but the closet is to the right of the door and there is a bump - out to the left (it is the opposite of yours — with a little nook right in the corner).

This homeowner's bedroom is washed in pale light thanks to a great big window, soft blue walls, a vaulted ceiling with exposed beams and just a whisper of colour on the bed and rug.

I totally agree with you on the curtains... it instantly made the window feel so much bigger and added a ton of softness to that wall.

«If hanging curtains really high will make a crazy big blank wall space above your window, you may want to bring the curtains down a bit otherwise your windows may end up looking dwarfed and awkward instead of larger» or a large window on an 8 ′ wall adjoining a patio door on a vaulted wall, or a funky half - bay arrangement with 2 windows too close together to hang anything above them at all without having a custom curved rod designed.

-- one whole wall would be shelving (fabric etc. storage) and that shelving would have sliding doors with mounted foam boards (covered in white felt or flannel), so they would double as design walls — BIG center table for cutting and larger ironing surface on one side (smart storage underneath it all)- sewing machine cabinet next to it and small ironing place right next to it — enough space for the long - arm (or mid-arm) quilting machine - big desk in one corner — for drawing, sketching, computer work (preferably next to the window with that great view — big inspiration board on one wall — to pin all kinds of stuBIG center table for cutting and larger ironing surface on one side (smart storage underneath it all)- sewing machine cabinet next to it and small ironing place right next to it — enough space for the long - arm (or mid-arm) quilting machine - big desk in one corner — for drawing, sketching, computer work (preferably next to the window with that great view — big inspiration board on one wall — to pin all kinds of stubig desk in one corner — for drawing, sketching, computer work (preferably next to the window with that great view — big inspiration board on one wall — to pin all kinds of stubig inspiration board on one wall — to pin all kinds of stuff!

The cabinets end in the middle of a wall, and I was thinking of continuing the subway tile backsplash (2 × 8 white glossy subway tile) onto the wall (about a 9 ′ x 9 ′ area but there is a big window in the middle) Yet everyone on HOUZZ says they don't like it.

So, while I don't have a photo of the big mirror over the bed, stacked framed sheet music hanging above each of the nightstands, the candles on the wall, or the new bedding and window treatments in place - I promise to snap some as soon as Sarah's husband will let me back in the house!

Also the fact that there are not a lot of big windows — the 2 tone wall theme along with the proposed batten finish will be too heavy.

I moved the window and sink to the left wall, put in a bigger door that opens up to a short little deck and pebbled dining area, and moved the oven and refrigerator to the right wall (which I jack - hammered rotting plaster off of till the brick foundation came through).

I have gotten rid of the chalkboard wall and added board and batten, and my plan was to find a big «window» type mirror to put on the back wall to reflect some light since there is no windows back there.

«We couldn't make the window bigger because of its lintel, but with no curtains or blinds (we're not overlooked), the room is bright enough, even with the grey walls,» says the owner.