Sentences with phrase «bigger audience while»

Later in an interview, Estenson said that CNN is looking at around an 18 - month time frame in which CNN will help Zite scale its infrastructure to handle a much bigger audience while Zite helps CNN improve the quality and quantity of personalized content that it offers through its mobile products.

In other words: Sony actually tries to make VR a succes and wants to bring it to a bigger audience while MS is waiting for it to get succesfull to jump in.

Not exact matches

Contests are a great way to increase your Facebook fan count while getting your brand's name in front of an audience through your biggest advocates, your fans.

«When visitors see big gaps in your blog frequency or it's been a while since your last post, it sends the wrong signal to your audience and will certainly not help you achieve your content marketing goals.

Original content has proven a big draw for video - streaming platforms such as Netflix, Amazon, Hulu and HBO GO: HBO's Game of Thrones alone scored the network its largest audience ever, while Netflix's original series of Marvel's Daredevil grabbed nearly 4.4 million viewers in its first 11 days.

While this may seem like you're leaving a big opportunity, in reality if done right this will give you a vast and more loyal audience.

But that doesn't mean Google + doesn't have an age - diverse audience — while most platforms see a pretty big gap between what most age groups expect and what those over 60 expect, the oldest cohort sits just 1 % off from the median when it comes to Google +.

While some investors have raised their eyebrows about the sustainability of mushrooming live streaming apps that secured less than 10 million downloads in China last year, the wanghong business itself is getting bigger and is now targeting for content - hungry niche audiences.

While it's broad - based programming isn't exactly a swashbuckling fantasy epic, it knows how to draw big audiences.

While many sustaining - time programs have had as large or larger audiences than paid - time programs, what has made a big difference in the disproportionate growth of paid - time programs has been the differences in the nature of the audiences between the two types of programming.

It took a while for her to get jumpstarted, but the Stars Nike EYBL No. 2 - ranked player off the bench on this list saved her best for the biggest audience of college coaches.

And while playing for their boyhood club for the entirety of their career in front of an adoring audience remains the dream of many a young footballer, the opportunity to improve and grow as a person and challenge for the biggest titles available is a hard carrot to resist for many.

Snap's first year as a public company has been marked by hurdles, including the loss of its heads of product and engineering, while Facebook copied some of its most popular features for bigger audiences.

While dominated by big name, mass audience...

While dominated by big name, mass audience sites, like Match.com and eHarmony, a growing number of niche sites are finding success targeting singles looking for something very specific.

Still, this adaptation differs significantly from the book, but the only similarities that audiences will even care about are the big ones contained within the title; that is, Popper and his penguins are indeed front and center, and the protagonist learns the value of family while also amusing very young kiddies in the process.

But the film also has too many memorable vignettes to count: Haven Hamilton's prickly recording session, where he mercilessly browbeats a hippie pianist; Barbara Jean's squirmily uncomfortable, rambling psychological meltdown while performing live for an impatient, unforgiving audience; Sueleen's conflicted ambitions when her «big break» devolves into a cheap striptease act; gentle Mr. Green's quiet suffering at the hands of his flakey niece; John Triplette's negotiations with various talent, buttering each of them up with compliments while at the same time insulting the musical form (and its admirers) in which they practice.

This expanded version of the promo, which had audiences applauding at CinemaCon a couple of weeks ago, ramps up the emotional beats while also allowing for a few more shots of the big guy doing his destructive thing.

The director of the Captain Marvel movie has a big responsibility: they have to introduce a character who isn't particularly well known outside of comic book shops to a wide audience while also shouldering the burden of making the first solo female superhero movie set in the Marvel Cinematic Universe.

While comparisons to other sunbaked stoner detective stories The Long Goodbye and The Big Lebowski are apt, Inherent Vice's ability to not only recreate a bygone era but to make the audience complicit in its intoxicating mood recalls nothing more than the masterful boondoggle that is Terry Gilliam's Fear and Loathing in Las Vegas.

Final thoughts: Finding Dory has been able to dominate the box office because of its appeal to both adults and children, and while The Secret Life of Pets won't have as big of an appeal, it should be able to find a big audience.

Theaters are begging audiences to come back with pricey amenities (big comfy seats, food and beverages, reserved spots) while most viewers, when asked, only request better movies and less expensive tickets.

While it is incumbent on the audience watching any Indiana Jones film to accept a degree of supernatural power and treasure hunting mystique, the degree to which credulity is stretched coupled with the loss of character at the hands of big action scene artificial imagery means the heart of the film is lost.

While this was also the case with many of the big films from those glory days (and perhaps is part of this production's mocking of that era), I'm not sure modern audiences will be bamboozled enough to overlook that deficiency.

Of course, as with film versions of «21 Jump Street» and «Starsky and Hutch», the target audience isn't really those who watched the original TV series, but rather the group of big - spending millennials who seem to thrive on raunchy humor, while placing minimal value on a coherent or interesting story.

While both stars of the big and small screen were present, our focus was zeroed in on those who made a splash in cinema and of course, the skewering of stars by host and comedian Ricky Gervais who was just as bored as audiences and attendees.

Both «Dark Shadows» and «Frankenweenie» underperformed, while his last outing, the Oscar - baiting «Big Eyes,» completely missed with critics and audiences.

The kind of uber - intelligent films which challenge audiences to examine their own choices while also asking very big (often unanswerable) questions about the world around us.

WHAT I LIKED While I am an outspoken critic against Catherine Hardwicke and not a fan of the «Twilight» series she first brought to life on the big screen, I applaud any chance to bring genre fiction to a wider audience.

Some big - budget projects that seemed guaranteed to find audiences didn't, while independent films that «weren't particularly strong on the page» turned out «beautifully» (but didn't always find audiences).

While a scene in which Mark gets laxatives slipped into his drink draws out the sure guffaws for those who titter at bathroom humor, that scene is also the last laugh to be had for most of the viewing audience, who will likely grow impatient for the next 30 minutes wondering when the next big gag is going to come into play.

While plenty of audiences in the United States are obsessed with comic book adaptations like Iron Man, Thor and The Avengers from the Marvel universe (with DC Comics playing catch - up, beginning with Man of Steel), the people of Spain have another big comic book adaptation with adventure and excitement.

The recent PT Barnum musical The Greatest Showman, a big - top passion project from Hugh Jackman, was considered rotten by critics, with a 55 % rating on the Tomatometer, while its audience score is a much healthier 91 % (from around 18,000 reviews), which would seem to chime with its remarkable ongoing box - office run.

Cinema suffered a great loss when Jonathan Demme died in April, but at least audiences can cherish the films he made while he still inhabited this big, confusing planet.

With that in mind, and hot on the heels of our ten picks for actors on the rise yesterday, we've chosen ten actresses who, while yet to be household names, have wowed audiences and casting directors in recent years, and look like strong contenders to headline the big movies of the future.

Freed either by working with the man responsible for her breakout role or by the chance to use her actual accent for once, Collette makes a triumphant return to the big screen, reminding audiences of how much we've missed her while she toiled away on Showtime's «United States of Tara.»

While Murphy had acted in small roles on television and in film, this was the first time he had taken charge on the big screen — and been seen by American audiences.

They say the numbers are evidence that there's still a big audience for prestigious adult dramas, as long as they are critically acclaimed and distinctive while also appealing to a broad audience.

Clooney has proved — notably with 2005's «Good Night and Good Luck» — that, as a director, he can be very adept at exploring big ideas while still entertaining his audience.

The «oohs,» «ahs,» and «yucks» when students are called on stage to help hold up a large snake, the shrieks from the audience while a teacher encases a student in a large soap bubble, and a four - year - old dressed in chemical goggles too big for her face.

While online training begins as efficient internal programs for target audiences, organizations realize the efficacy of marketing their online courses on a bigger platform.

He keeps track of developments in the world of non-fiction, offering bespoke book recommendations to our business book club clients, while also managing projects with our publishers, ensuring that their stock of crime, thriller and commercial fiction titles reach the biggest audience possible.

Laurence keeps track of developments in the world of non-fiction, offering bespoke book recommendations to The Pigeonhole business book club clients, while also managing projects with our publishers, ensuring that their stock of crime, thriller and commercial fiction titles reach the biggest audience possible.

While bigger names from some of the bigger publishers often get some help in the PR department, authors generally have a lot of work to do in order to get their books in front of audiences.

While some of your traditional comics readers are starting to read comics digitally, it seems a lot of this can be a new audience because the titles that are selling best for us are the big licensed tie - ins: «Star Wars,» «Mass Effect,» «Buffy» and the Whedon titles, more than the creator - owned titles like «Hellboy» and «B.P.R.D.»

While it's important to introduce your book with a big bang, the key to a strong campaign that reaches the right audience is persistence and time.

While it's important to introduce your book with a big bang (lots of press releases, book signings, etc.), the key to a successful campaign that reaches the right audience is persistence and time.

While Kobo might not be as big as Amazon, it has an audience out of North America — something Amazon hasn't quite dominated yet.

For the most part, stores have found that while virtual events can be successful for big - name authors, it can be hard to entice a large audience to interact virtually with lesser known authors.

Charlie won $ 4,000, a big trophy and an audience of 20 million who watched the two - hour broadcast on NBC while someone else cooked.