Sentences with phrase «bigger concern for red»

Not exact matches

My biggest concern is that based on both game tape and combine reports, he appears to be playing more because he's good at playing than because he likes playing, and that's always a red flag for me.
Conley's shins were not a red flag before the draft — he didn't have any injury related concerns Karl Joseph's red flag was a torn ACL, his NFL injuries have been to his big toe and groin And DJ Hayden sucked for reasons unrelated to his heart injury
Many years ago I used something from YSL that was similar to this, almost like the glow shots, had a gel / whipped texture with slight shimmer - I would get asked what foundation I was using by so many and I'd tell them... of course when you like something it goes away - When I saw this in the Chicago Social magazine I wanted to give it a try - Unfortunately YSL is the only place it's sold currently, so I had to go by swatches of YSL shades to guess what I should use - I got B40, I have olive skin - tone, with neutral undertones, in Armani Luminous Silk I am 5.25 - I could have gone to B30, but I like the glow it gives me - The only difference from this foundation to the one I mentioned I used years ago is there no shimmer in this formula - When tested on my hand against the Armani Luminous Silk, the YSL doesn't move as fluidly, however on my face it went on very easy over my Omorovizca Gold Rescue Cream, which is very heavy - I think with less moisture on my face it will look more matte, but I prefer a very dewy finish - It does cover up any imperfections, for me it's maybe an area that is a tad red, and so far as held up well - It's not like I am some outside laborer, I work inside behind a computer so it shouldn't start melting or anything... if so I'm concerned for my well being in general - It does give more coverage than Luminous Silk, so I think most will be happy with that, as well seems to adhere to the face pretty well - I can see this being a pretty big hit for Spring foundations and even the summer - I applied this morning with a brush and it took the lovely blast of 18 * while walking to my office, walked in looking dewy so cheers to All In One Glow for keeping me glowy as I pretend to enjoy working -
January 24: Charles Atlas's Torse presented by Sam Frank and David Velasco January 31: Yvonne Rainer's Kristina Talking Pictures February 7: Jennifer Reeves's Chronic + Sadie Benning's Flat Is Beautiful February 8: Trinh T. Minh - ha's Naked Spaces — Living Is Round February 21: D.A. Pennebaker's Elizabeth and Mary presented with MoMA's Documentary Fortnight February 26: Shinsuke Ogawa's Narita: The Peasants of the Second Fortress March 10: Three Tapes by Carole Roussopoulos presented by Ridykeulous and Stuart Comer March 13: Tony Buba's Lightning Over Braddock introduced by LaToya Ruby Frazier April 11: Sara Gómez's De cierta manera April 21: Jean - Luc Godard and Anne - Marie Miéville's France / Tour / Detour / Two / Children April 28: Thom Andersen and Noël Burch's Red Hollywood introduced by Lucy Raven May 8: Scott Bartlett's OffOn + Kinji Fukasaku's The Green Slime May 14: Andy Warhol's Paul Swan introduced by Douglas Crimp June 9: Alberto Grifi and Massimo Sarchielli's Anna introduced by Dennis Lim June 12: Michael Thomas's Meat Rack June 23: Ed Pincus's Diaries (1971 - 76) introduced by Nicolas Rapold June 26: An Evening with Cinenova July 3: René Clair's The Crazy Ray + Robert Frank's C'est vrai July 17: Shirley Clarke's The Cool World introduced by Amy Taubin July 24: Nathaniel Dorsky + Susan Howe August 26: For Chris Marker September 9: Michael Snow's La Région centrale introduced by Chantal Akerman September 18: Todd Haynes's Assassins: A Film Concerning Rimbaud + Todd Phillips's Hated: G.G. Allin and The Murder Junkies September 25: Michael Almereyda's Another Girl Another Planet October 8: Esfir Shub + Hito Steyerl October 12: Darmstadt / ISSUE Project Room at Light Industry: David Grubbs + Anthony McCall October 16: James Benning's 11 x 14 introduced by Julie Ault October 17 - 20: Light Industry Benefit Auction at Miguel Abreu Gallery October 23: The Interface Effect a lecture by Alexander R. Galloway presented with Triple Canopy November 13: Alexander Kluge's Artists Under the Big Top: Perplexed introduced by Gary Indiana November 19: Tony Bicât's Skinflicker + Arthur Johns's Solarflares Burn for You presented by William Fowler November 27: David Hall + Marlon RiFor Chris Marker September 9: Michael Snow's La Région centrale introduced by Chantal Akerman September 18: Todd Haynes's Assassins: A Film Concerning Rimbaud + Todd Phillips's Hated: G.G. Allin and The Murder Junkies September 25: Michael Almereyda's Another Girl Another Planet October 8: Esfir Shub + Hito Steyerl October 12: Darmstadt / ISSUE Project Room at Light Industry: David Grubbs + Anthony McCall October 16: James Benning's 11 x 14 introduced by Julie Ault October 17 - 20: Light Industry Benefit Auction at Miguel Abreu Gallery October 23: The Interface Effect a lecture by Alexander R. Galloway presented with Triple Canopy November 13: Alexander Kluge's Artists Under the Big Top: Perplexed introduced by Gary Indiana November 19: Tony Bicât's Skinflicker + Arthur Johns's Solarflares Burn for You presented by William Fowler November 27: David Hall + Marlon Rifor You presented by William Fowler November 27: David Hall + Marlon Riggs
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