Sentences with phrase «bigger gallery space»

One of them is its original «Kubikulo», a project space with only 4x3m, with no restrictions but its size, for artists to intervene and complement the obviously bigger gallery space.

A $ 3 million expansion, overseen by New York - based architects HWKN, includes a remake of the interior of its library, while one of its big gallery spaces will become a new archive, designed by the British conceptual artist Liam Gillick.

Not exact matches

Trade show: Craft Reviewed by: Katie Spragg from Studio Spragg Sectors covered: Handmade craft Dates: 12 - 14 January Venue: Earls Court, London (moving to Olympia next year) Cost of stand: # 780 (including VAT) Size of stand: 2m x 1m space (space is priced by m2) Who were the buyers: A big mix of buyers, from small independent shops and galleries to larger shops such as Heal's.

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Since then she has more or less permanent space for her work in a local gallery and a number of sales through the gallery, a website to sell prints, and has gotten a big commission with prospects for couple more commissions.

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

The space — and the ambition — was influenced by Charles Saatchi's big gallery in Boundary Road in north London, which opened in the mid-1980s, and initially showed work by pioneering American conceptual artists like Sol LeWitt and Donald Judd, both of whom influenced Hirst.

2016 — Invitation, Northern, Southern Gallery, Austin, TX 2014 — A Catalog, Tiny Park Gallery, Austin, TX 2013 — Two Person Exhibition with Jamie Panzer, Tiny Park Gallery, Austin, TX 2013 — Friends and Family, Gallery Black Lagoon, Austin TX 2013 — Oil & Water, Gallery Black Lagoon, Austin TX 2012 — Tenses of Landscape, University of Arkansas, Fayetteville, AR 2010 — Scape, Nicole Villeneuve Gallery, Chicago IL 2010 — Journeymaker, 1539 West Haddon, Chicago IL 2010 — Midnite Snacks ‐ Chicago, 1366 Space, Chicago IL 2009 — Big Youth, Corbett Vs. Dempsey, Chicago IL 2008 — Faculty Show, Harrington College of Design, Chicago IL 2008 — Somewhere, Elsewhere, Linda Warren Projects 2007 - 2010 — Art Chicago, Linda Warren Projects 2006 — MFA Show, G2, Chicago IL 2005 — Love 8, SUGS Gallery, Chicago IL 2005 — Nova Young Art Fair, Devening Projects, Chicago IL

Filled with some two dozen wire - woven openwork sculptures by Ruth Asawa, the big second - floor gallery at David Zwirner's West 20th Street space in Chelsea looks like a basketry forest, or a subaqueous garden, or a cloud of microbial life.

Pedder BuildingSome of Hong Kong's biggest galleries (including Gagosian, Hanart TZ, Lehmann Maupin's Rem Koolhaas — designed space, and Pearl Lam) are located in the 1924 neoclassical Pedder Building in Central — a must - visit for anyone interested in the city's commercial art world today.

He's back in a big - time way, commanding both Mary Boone Gallery's downtown space and Galerie Perrotin's recently opened Manhattan base.

The new gallery is based around a different bunch of paradoxes: from being a big fish in a small pond to another gallery in a vast sea of art; from having a deluxe art space to a more modest one.

With an exhibition area of 1,800 sq metres, the Tanks are more than half as big as the not - small Turbine Hall, and exceed the display space of entire regional galleries, such as the Turner Contemporary in Margate.

I guess big Chelsea galleries have to find some use for all that space.

The 11th incarnation of Frieze is more manageable than most, with better lighting, wider aisles and a bigger spread of behemoth mega-galleries and startup spaces, young galleries and old lags.

JMcK: You play with the gallery space just as Capability Brown played with the landscape, both big steps in conceptual terms away from the strictures of the picture plane, and from easel painting.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

For one, the dominance of brick walls, wood floors, big windows and frequent columns of its repurposed 19th - century factory buildings is the apotheosis of SoHo, whose small - industry loft spaces were taken over by commercial art galleries in the 1970s.

And certain people who might help pay the gallery bills — collectors, big - museum curators — keep not showing up except at a handful of spaces with social cachet and publicity machines.

Among Langsam's other activities, she is curator of such exhibitions as Color as Structure at Frederieke Taylor Gallery in NYC and The Big Bang at SPACES Gallery in Cleveland, OH.

The weekend in January that saw two big art fairs and a spate of new exhibitions across the Bay Area also left us with something more permanent: Three new gallery spaces opened in San Francisco over three days, Jan. 12 - 14.

Hauser & Wirth opened its second location here in January, in the gigantic former Roxy, and is starting on a great big L.A. space, has hangar - size rooms in Zurich, and will next launch an entire arts center in England, adding to the three galleries it already runs there.

Mr. Chamberlain, having recently joined the Gagosian franchise, is making a stunning debut at that gallery's West 24th Street big - top space.

The Hester Street location, formerly the home of Lu Magnus Gallery, is about three times bigger than the Eldridge Street space, and has a soaring ceiling, a big change from the two previous homes of the gallery, which focuses on conceptual work with an interest in institutional crGallery, is about three times bigger than the Eldridge Street space, and has a soaring ceiling, a big change from the two previous homes of the gallery, which focuses on conceptual work with an interest in institutional crgallery, which focuses on conceptual work with an interest in institutional critique.

A success story in its own right, the park is also part of a bigger one, a golden triangle of art spaces all within 30 miles of each other, completed by the Hepworth Wakefield Gallery and in Leeds, the Henry Moore Institute and Leeds Art Gallery.

It would be hard to conjure a bigger contrast than that between the Saatchi Gallery's majestic four levels and FOLD's modest basement space.

Ileana's office was a small room just off the main gallery, and from that space you would often see her sitting behind a big desk.

In January 2013, the gallery moved to a bigger space at the trendiest part of Hollywood Road, with over 2,000 square feet of newly renovated exhibition space.

Be it the rebound of the real estate market, continued financial hard - luck of Gen - Y» ers or the proclivity of New York City to run on pretension, permanent project spaces and artist - run galleries remain few and far between in the Big Apple.

For his most recent venture «Big Mind Sky», the Swiss - born artist Ugo Rondinone packed 12 gargantuan and grotesquely grinning busts — each named after a month — into the cavernous space of Matthew Marks Gallery in New York.

It wasn't just the fact that the small social space that adjoined the gallery — a big table in the middle, and a bar to one corner seemingly constantly stocked with beers straight from the crate — looked like a sauna that made this artist - run initiative unique.

Press Releases: 9/19/17: Space to Create Artists Open Their Studios 6/7/17: New Space to Present in Midtown Inaugurated With Two Shows 5/22/17: Chashama Gala and After Party: Artists Take Over Times Square 5/18/17: Women in Art Today: BIGGER, BOLDER, BETTER 4/18/17: A Defective Longing for Perfection: «Lolita's PTSD» 4/13/17: New Space to Present Opens at 470 Vanderbilt 4/12/17: Announcing the 2017 Gala Honorees 3/30/17: Teen Art Gallery: Do You Mind?

2009 Dress Codes: The Third ICP Triennial of Photography and Video, ICP, New York, NY JIGSAWMENTALLAMA, David Cunningham Projects, San Francisco, CA Splendid Isolation, Athens Biennale, Palaio Faliro, Athens This is Killing Me, MASSMoCA, North Adams, MA Chaperone: Eight Artists, Eight Movies, EFA Project Space, New York, NY BIG APPLE, Galerie Nordne Zidoun, Paris, France Celebration, Galerie Isabella Bortolozzi, Berlin, Germany Talk Dirty to Me, Larissa Goldston Gallery, New York, NY Butt in Ass, Asia Song Society, New York, NY

His video, photographic, and installation works have been presented internationally at such venues as ConFlux2009 and Proteus Gowanus in New York; Para / Site Art Space and the Microwave Media Festival in Hong Kong; Gallery M in Berlin; BaseKamp in Philadelphia; Big Orbit and the University at Buffalo Art Gallery in Buffalo; Impakt Festival in Utrecht; Invideo Festival in Milan; OneTake Film Festival in Zagreb; FLEXFest in Gainsville; and Mess Hall, 7/3 Split, Dogmatic, Video Mundi, Onion City, CUFF, Hyde Park Art Center, and Gallery 400 at the University of Illinois at Chicago.

This exhibition was arranged in two parts, with the large - scale sculptures displayed on heavy - duty warehouse shelving that turned the gallery into a big box warehouse and another gallery space that contained his models and drawings.

2016 Light, Form, and Symbol, Williamsburg Art & Historical Center, ブルックリンー ／ NY 2016 Synaesthesia Playground, Spectrum NYC, New York, NY 2016 * New York Electroacoustic Music Festival 2016, Abrons Arts Center ／ NY 2014 * Long Island Biennial 2014, The Heckscher Museum of Art, ハンティングトン ／ NY 2012 * Made in New York 2012, Schweinfurth Memorial Art Center, オーバーン ／ NY 2012 * BIG QUEENS DRAWING SHOW, W.P.M.Jr.Gallery, ジャマイカアートセンター, クィーンズ ／ NY 2011 個展 «Takafumi Ide» The Gallery （ オノンダガ ・ コミュニティ大学 ） シラキュース ／ NY 2010 個展» Life is fleeting; therefore, life is beautiful» AC Institute チェルシー ／ NY 2010 個展» Emotional Echo: Separation» イセ文化基金ギャラリー ソーホー ／ NY 2010 個展 «observe» Sunroom Project Space, Glyndor Gallery, Wave Hill ブロンクス ／ NY 2010 個展 «decipher» Second Street Gallery シャーロッツビル ／ VA 2009 Mapping Memories: Beili Liu and Takafumi Ide, Castle Gallery （ ニューロッシェル大学 ） ／ NY 2009 * Alpan International 2009, アルパンギャラリー ハンティングトン ／ NY 2009 Young Artists Exhibition, タマダプロジェクト 、 イセ文化財団 ／ 東京 2009 個展 «propagate» Hartnett Gallery （ ローチェスター大学 ） ／ NY 2008 In Residence, EFA Project Space Elizabeth Foundation of the Arts ／ NY 2007 Projects «07, The Carriage House アイスリップ美術館 ／ NY

«We can divide the main gallery into eight spaces and give a reasonable size for everyone to work in... we want it to be part of an ongoing process which means we want them to get to know each other, show in each other's spaces, in the future develop contacts, and really build a much, much bigger integration of the art scenes here and in Berlin.

Sundaram Tagore a descendant of the illustrious Tagore family, himself an art historian, collector and connoisseur moved from his big gallery in Soho to an even bigger space - a 100 - year - old garage in Chelsea.»

Some of Hong Kong's biggest galleries (including Gagosian, Hanart TZ, Lehmann Maupin's Rem Koolhaas — designed space, and Pearl Lam) are located in the 1924 neoclassical Pedder Building in Central — a must - visit for anyone interested in the city's commercial art world today.

With seventy thousand square feet of gallery space to fill, Heyler's biggest logistical problem at the moment is finding works to replace those leaving Eli and Edythe Broad's house.

The lineup for the show is extensive and impressive to say the least, a much bigger and better line up of artists than last years Space / / Form exhibition at the same gallery.]

Commercial galleries tend to be a lot more fluid than public ones, finding bigger and better spaces on a regular basis.

I haven't seen the new Zwirner gallery, but if it's anything like the old one, with its three miserable spaces pretending to be one big space, then I'm out of luck!

The London and Berlin galleries have big spaces and they'll be showing a number of the monumental works.

Gallery Director Brian Holcombe and Assistant Director Christina Caudill have decided that the conventional big - box space doesn't work for them any more.

Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily Views Chicago Film Examiner Chicago Film Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western Exhibitions What's Going On?

As always big thanks to Russell Herron 10 Private Views below; 1 Nettie Horn, Kate Street, Little Death, 6 - 9 pm, info: www.nettiehorn.com 2 Hales, Jane Harris, Space Opera, 6 - 8 pm, info: www.halesgallery.com 3 The James Taylor Gallery, Collent Street Matter of Time, group show info: www.fivestoreyprojects.com 4 Elevator, In Its Wake, group show, 7 - 9 pm, info: www.elevatorgallery.co.uk

It's impossible to guess what the interior is like by exploring the outside of this huge, reddish metal mass that fills most of the biggest space in the warehouse - like Gagosian Britannia Street gallery near King's Cross.

Recent solo shows include There's No Place Like Home, CGP (The Gallery) & CGP (Dilston Grove), London, UK (2017); The Biggest Fear Is That Someone Will Crawl Into It, Space, London, UK (2017), Jonathan Baldock, OneWork Gallery, Vienna, Austria (2017); and The Skin I Live in, Nicelle Beauchene, NYC, USA (2016).

There are two galleries and we have painted big stripes all around the first room and built two little rooms — 5 × 5m — in the middle of that big space, which is decorated with the modules from the first room on the outside.