Sentences with phrase «bigger picture of the building»

Authors who scramble to buy attention or publicity would often do better focusing on the bigger picture of building marketing momentum effectively and meaningfully over a span of years.

Thanks for another great article — it's far too easy to get stuck analyzing «the deal» and forget to look at how it plays into the bigger picture of building wealth: cashflow buys time so you wait to exit until it's strategic.

Not exact matches

Marine Debris Tracker allows you to enter the marine debris you find into a global database so we can start to build a bigger picture of this problem around the world.

You can rinse and repeat as often as you like to build a much bigger picture of your market and how your product would be used by different micro-segments.

Conservative wonks like to dangle images of companies taking advantage of the big new influx of funds to build factories and hire workers, because that paints an appealing picture of what the strategy amounts to.

If you connect every financial account, you'll have the big picture of your finances you need to build all of the financial statements below.

Building in a salary (even just a small one) for yourself from the very beginning will not only make your personal finances more manageable, but it will also help you to keep accurate financial records and see the big picture of your company's wellbeing by establishing a clearer picture from the start of what the company costs to run.

European religion is phony actors inside big Ugly goofy buildings built by retard Gentile European who think king David was a red headed European who spoke Latin as his birth language in the middle east.European religious people are like a 400 pound anchor dragging in the sand wanting the 12 Hebrew Isrealite Tribes to all sing kombiyah at their lame hang another picture up cannonized a lame Gentile fake leader of a has been lame their whole life

does anyone think the reports of us getting psg's youngster rabiot are true and if yes is he what we need atm i guessing as he is a big lad he's probably diaby long term replacement i have seen a picture of him and he doesn't look like a very strong build but i am sure a year in the gym will sort that out he would add much needed height to our midfield and he doesn't seem to be a injury prone as diaby he has a good general skill set am sure wenger can convince him with plenty of game time any young french player knows wengers rep with youngsters he should jump at the chance to work with wenger NOW with a bit of strength work he could be a handy d / m also if wenger could mould him to play there,

I remember some of you posted pics of our midfield and praised ev some drew comparison with lucho, ev has a style that is very similar to the Barca way, but he loves defensive stability and because we lack the true Barca MF to do it we are like this, we all agree some players must go, but carefully looking at things you see that most of what ev does was done by pep (of course not as boldly) but his style looks ugly and boring, guys let us give him a chance it hurts but let us do it, let us see the big picture, he may not be capable of beautiful football but at least while we build we are confident of results which we need, when we rebuild then let us fire him, but if this is down to the players then we are making a mistake, I am not asking anyone to change but just stop insulting and criticising ev, patience is the key.

«But looking at the bigger picture in terms of confidence and building as a team, we can take a lot of confidence from putting in a performance like that against an opponent with the quality that Chelsea have.

«You start in a state of incredible ignorance, and you find bits of knowledge here and there and you try to build up a big picture.

With enough such discoveries, researchers could reach statistical conclusions and build up a big picture of trade routes, migration and warfare throughout history

«We're gradually building a picture of one of the biggest black boxes in ecosystem interaction with climate change,» says Chris Field of Stanford University in California.

She hopes the UAE Mars probe will inspire others to undertake more such «smaller, nimbler missions that complement the big ones and really help us build up a picture of our neighboring planet.»

The co-leader of the study, Catherine Heymans of the University of Edinburgh in the UK adds: «Unravelling what has happened since the Big Bang is a complex challenge, but by continuing to study the distant skies, we can build a picture of how our modern Universe has evolved.»

All evidence of the big bang, this remarkable edifice of theory and observation that we built up over the past century, that has produced this cockamamy universe but one that we think we understand very well, all the data is consistent with a single picture of the universe.

They do this by looking at the electrical activity of individual neurons in a live mammal brain to build a bigger picture of its function as a whole organ.

Besides allowing you to get progressively stronger and build thick, rock - solid slabs of muscle, this way of training builds the ultimate mental and physical toughness — it's literally the best way to teach your mind to push through the last mental barrier and squeeze out those last few reps.. In the bigger picture, your high intensity, low volume work will minimize the time you spend in the gym while maximizing your gains.

Just as with helping in the kitchen, adding children to the mix may lengthen your shopping experience and make for a tiny bit more work, but remember to look at the bigger picture: we are building their food philosophy that will serve them for the rest of their lives.

The book Building Bone Vitality provides an awesome big picture of what you need to know for bone health.

The film spends enough time on building Killmonger and that includes taking T'Challa out of the story for a while but it serves the bigger picture.

To that end, the filmmakers produced a series of big theatrical stunts over the summer, in which they shined pictures of endangered animals on the facades of buildings in New York City.

Streep's early scenes play like a bit of warm - up for both the character and the star, the nasty shtick beginning to take hold in loud, scurrilous moments that build until we reach the big dinner scene, a sort of decrepit centerpiece for the whole picture during which Violet insults every damn person at the table and especially aims to tear each of her daughters apart.

This big moment, which won't be spoiled here, is a masterful touch that turns The Drop into a deceptively meticulous picture that builds a lot of little moments up into something special that can only be fully appreciated once you see the full scope of Lehane's script.

It builds a connective tissue between the prequels and the original trilogy, but also leads to a bigger picture, disheartening issue of «the Marvel - ing» of this franchise.

A spinoff, Monster Hunter Stories, stepped off the beaten track by introducing a simple yet satisfying narrative, and now Monster Hunter World solidifies that step by using the building blocks of previous narrative concepts to deliver a well - paced experience that spends more time focusing on the bigger picture.

I must say that this was one of the worst movies I've ever watched, «Evil Dead» was better than this mound of shit... Gareth Edwards should be banned from directing hence forth, and now I hear he's directing the new Star Wars spin - off... I'm not one to talk down to others but let's be honest, you have to be retarded to like this movie... It made absolutely no sense, the script (the most important piece to any movie) was terrible, the plot was stupid, the acting was horrible and it seemed that the actors who were chosen were acting for a different movie all together... Where was the sense of urgency, I mean there were 300 foot tall behemoths walking through buildings and all you could show us was who was going ride with the little boy on the school bus... Maybe if all the main characters died and they just let Godzilla do his thing from there on out an eyebrow could've been raised but unfortunately, there isn't one good thing to say about this movie... I'm shocked the WB handed over one their biggest names to Legendary Pictures... Let's not forget what they've done with Superman Returns... This is shameful...

We focused a lot on the big picture: building a strong culture among and between staff and students, laying a solid instructional foundation, and focusing on the holistic needs of the student.

Children research in a holistic way building up a bigger picture of life the time period and then present their creations providing you with an assessment opportunity and a chance to decide the winners.

Children research the era in a holistic way building up a bigger picture of life the time period and then present their creations to the class providing you with an assessment opportunity and a chance to decide the winners.

Children research in a holistic way building up a bigger picture of life the time period and then present their creations providing you with an assessment opportunity.

Guest blogger Joe Hirsch, teacher leader and curriculum developer, describes the jigsaw method of cooperative learning and how it naturally builds empathy as students rely on each other to share pieces of a bigger picture.

Nashville Big Picture High School shares many ways to build intentional relationships with students — strategies that can work at schools of any size.

If you want to create a culture where your students feel supported, appreciated, and safe to open up to you, here's how you can adapt Big Picture's philosophy of building intentional relationships, both inside and outside of advisory.

The one many of the people I work with seem to dislike the most is Twitter, which is just fine, because it's more effective for relationship - building, networking, and positioning, all big picture strategies that don't contribute to book sales quickly.

If we are building a community, there is no end to the new ways we can generate income and the method we use for publishing is a small component of the big picture.

I can view the big picture of a work, suggesting improvements in narrative pacing, scene - building, foreshadowing, backstory, theme, character motivation, and dramatic tension that will capture and retain your readers» interest.

And over the long run, you'll have a bigger picture of each little step you took to get from Point A on your platform building to Point B.

If you connect every financial account, you'll have the big picture of your finances you need to build all of the financial statements below.

Speaking of the end, while there are a few «variables» present in the main story there doesn't seem to be much in the way of multiple endings; Lost: Memories isn't built to be as far branching as Code: Embryo was and is instead meant to solidify the story and draw you the big picture.

If you don't know, most JRPG assets, especially those for scenery, are built of individual squares that are patched together to make bigger pictures.

Some of the ideas go back 15 years and at the time I never thought I was building this grand universe but when I channelled it all into Blade Kitten it just all fit together like this massive jigsaw puzzle that I could finally see the big picture for.

Take a look at the library home screen in Big Picture mode for an idea of what the revamp will look like — Kroll says Valve are aiming to build on this.

The people building a game can lose track of the big picture over time, he cautioned.

Looking back, I can see now that my biggest problem was that I literally just kind of stumbled into the ketubah business, rather than starting with a clear picture of what I really, really wanted, and then working to build it.

MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21

Her work has been part of various international group exhibitions including L'Autre visage: Portrait & expérimentations photographiques, Centre photographique - Pôle Image Haute - Normandie, Rouen, France (2016); Out of Obscurity, Flowers Gallery, London (2016); A Verdant Summer, Taymour Grahne Gallery, New York (2016); Art Bandini, Los Angeles (2016); Metamorphosis, Flowers Gallery, London (2015); Any Human Measure, M+B Gallery, Los Angeles (2015); Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton (2015); Me and Benjamin, Galerie Xippas, Paris (2014); Foam Talent 2014, East Wing Gallery, Dubai (2014); Aggregate Exposure, George Lawson Gallery, San Francisco (2014); Foam Talent 2014, Westergasfabriek, Amsterdam (2014); Foam Talent 2014, l'Atelier Néerlandais, Paris (2014); One Step Beyond, Galerie Christophe Gaillard, Paris (2014); Fixed Unknowns, Taymour Grahne Gallery, New York (2014); Soft Target, M+B Gallery, Los Angeles (2014); Big Pictures, Public - art exhibition organized by the Cincinnati Art Museum (2014); Surface (s) / Prise (s), Galerie Christophe Gaillard, Paris (2014).

Galleries on the fourth floor present Abstract Expressionist paintings, sculptures, prints, drawings, photographs, films, and archival materials in a display subtitled The Big Picture, marking the first time in the history of the new Museum building that a full floor has been devoted to a single theme.

Using a window screen as the central point of focus in each image, simple snap shots are broken down into complex blocks of colour, each becoming a building block for the bigger picture.