Sentences with phrase «bigger prints draw»

Generally, bigger prints draw attention and smaller prints camouflage.

Not exact matches

That was a big draw for Nina Interlandi Bell, owner of Tweedle Press, a custom letterpress print shop in Chicago.

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If, for your child, the big draw of potty training is actually getting to wear some big - kid knickers, as it is for Clare, print out the boypants or Girlpants sticker sheet on adhesive paper and either cut out shapes or punch with circular craft punch (I cut mine square and used a Fiskars Round Corner Punch.)

While I am not generally a big fan of prints, let alone clashing prints, there is something about this dress that draws my attention.

The big draw on their program is the «Print on Demand» feature.

Usually I have one or two big paintings going, and I offset that by working on smaller things — drawings and prints.

-- into their checklists, including Reality Check: Representational Paintings from the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's criteria.

Coen and Kahn's presence in Mexico is a reminder of the magnetism of the country for leftist artists in the 1930s, drawn into the orbit of the «Big Three» (Diego Rivera, David Alfaro Siqueiros and José Clemente Orozco) and excited by the aesthetic and political possibilities of mural painting and print media.

Galleries on the fourth floor present Abstract Expressionist paintings, sculptures, prints, drawings, photographs, films, and archival materials in a display subtitled The Big Picture, marking the first time in the history of the new Museum building that a full floor has been devoted to a single theme.

The show will be a big one with more than 150 works including sculpture, drawings and prints.

One big decision the curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries for drawings and prints; paintings and sculpture; photographs; and film and video — in part because they felt that artists today think and produce across different media.

«Breathe, Feel, Suffer and Love: Prints & Drawings 1894 - 1930» has media excluded from the big museum show but that the artist considered central to his concerns.

Bob Rennie was among several who named his mother — though, unlike some collectors from storied families, his memories draw on more modest questions like «which Robert Wood print from Sears she would acquire and the big decision between wood frame or gold.»

2003 The Invisible Thread: Buddhist Spirit in Contemporary Art, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Snug Harbor, New York, USA Breathless, Neuberger Museum of Art, Purchase, USA Roads Taken: 20th Century Prints and Drawings From The Collection, University of Virginia Art Museum, Charlottesville, USA Museum of American Art, New Britain, USA Simple Marks, Cheim & Read, New York, USA Larger Than Life, Woman Artists Making it Big, Susquehanna Art Museum, Harrisburg, USA Lewitt's Lewitt's, Collection of Carol and Sol Lewitt, New Britain, USA

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Gellert's screen prints and a May Stevens «Big Daddy» drawing are currently on view in the Whitney Museum's inaugural exhibition, America is Hard to See.

This week we check out Rene Ricard's big,»80s - style canvases peppered with seemingly arbitrary images and nearly nonsensical inscriptions; Nadia Khawaja's carpal tunnel - inducing rhythmic, abstract pen drawings; and Peter Blake's cheery, butterfly - covered prints.

This «big, bold» show features over 100 prints from Frank Stella's repertoire of innovations in abstract art, drawn from the collections of Jordan D. Schnitzer and his Family Foundation.

Previous exhibitions and publications at the include Workshop: the Kenneth Tyler Collection (2015) with Jaklyn Babington, Emilie Owens, Julia Greenstreet, and Gwen Horsfield; Impressions of Paris: Lautrec, Degas, Daumier (2014); Robert Motherwell: at five in the afternoon (2014); William Kentridge: drawn from Africa (2013); Toulouse - Lautrec: Paris and the Moulin Rouge (2011 — 2012); Degas: master of French art (2008 — 2009); James Rosenquist: Welcome to the Water Planet (2006); An artist abroad: the prints of James McNeil Whistler (2005); After image: screenprints of Andy Warhol (2003); The art of collaboration: the big Americans (2002); Intimate Matisse (1999); Dance hall days: French posters from Chéret to Toulouse - Lautrec (1998); Picasso and the Vollard Suite (1997); Paris in the late 19th century (1996); The wild ones (1995); The prints of RB Kitaj (1994); Pop!

The takeaway I got from it seemed to be that yes, 3d printing will be a big deal, and has the potential to drastically change manufacturing (one example being an 80 % weight reduction in an aircraft part, another being a reduction in turn around time from drawing board to fabricated model from 8 weeks to 1.