Not exact matches
Lang, dressed in the red - and - black high - tech Ant - Man suit, faces a parody of
big - screen destruction in an
architectural model, dukes it out with the
big bad inside a tumbling briefcase, and dodges a creepy, eye - swiveling Thomas The Tank Engine on a train set.
First of all is the «subversive design» of Ettore Sottsass for the Studio Memphis followed by the graphic design of Peter Saville and Neville Brody;
architectural models and rendering, together with preparatory drawings by Philip Johnson for the AT&T skyscraper (1978); works by Robert Rauschenberg, Cindy Sherman and Ai Weiwei; the 1986 stainless steel bust of Louis XIV by Jeff Koons; the reconstruction of the monumental work by Jenny Holzer «Protect Me From What I Want» (1983 - 85); performances and costumes, including the «
Big Suit» worn by David Byrne for the documentary «Stop Making Sense» of 1984; extracts from films such as» The Last of England» by Derek Jarman (1987); music videos of Laurie Anderson, Grace Jones and New Order; and also surprising objects such as the dinner services designed by architects like Zaha Hadid, Frank O. Gehry and Arata Isozaki.
This room, entitled White
model for a
big still life, consisting of various sculptural and
architectural elements, blurs the lines between environment, architecture, painting and installation by creating a monochrome space that functions, in a sense, like the artist's own creative mindscape.