Project aiming to be UK's
biggest art exhibition will put pieces chosen by the public on 30,000 poster sites across the country
«
Big Art Exhibitions Enshrine Tested Tastes: Two Shows Honor the Established and Traditional,» The New York Times - Western Edition, Monday, January 21, 1963).
Not exact matches
The Hunter Museum of American
Art is our
big one — with
exhibitions with work from Eudora Welty, for instance — and it's in a beautiful building.
The Museum of Modern
Art's current
exhibition «Rising Currents: Projects for New York's Waterfront» features ideas on how to stop lower Manhattan and other low - lying parts of New York City from going under when the sea surges during a
big storm.
«Science plays a
big role in deepening our understanding of these iconic masterpieces,» said Francesca Casadio, A.W. Melon senior conservation scientist at the
Art Institute of Chicago, which is hosting a new
exhibition, Van Gogh's Bedrooms.
EN: I love
art, and some days ago I went to Ignacio Zuloaga
exhibition which highlights his Parisian experience from the perspective of what is known as «Dark Spain» and however he is considered as a
big referent in modern
art.
In addition to the many recent books, articles, and
exhibition catalogues converging on the life and
art of Johannes Vermeer, various BUILD Series NYC is a live interview series where fans sit inches away from some of the
biggest names in entertainment, fashion and business as they share
Growing in popularity and size year after year, the festival hosts concerts by some of the
biggest names in music as well as fashion shows,
art exhibitions, cinema premieres and a charity gala.
The city's
art museums continue to flex their muscles: the National Gallery of Australia's
big - ticket James Turrell survey and the National Portrait Gallery's fascinating In the Flesh
exhibition are must - sees for anyone visiting in 2015.
Set up in 1984 with the aim of fostering the study and knowledge of modern and contemporary
art, the Fundació Antoni Tàpies showcases one of the
biggest collections of his
art works but also hosts many temporary
exhibitions by contemporary artists, various
art symposiums, lectures and film sessions, and also produces publications which all complement the main activities and
exhibitions devoted solely to Antoni Tàpies.
Luckily for those outside of the
Big Apple, the museum's podcast helps you keep informed of the artists and
exhibitions making waves in the
art world while on the go.
Hockney's videos, filmed in his Bridlington studio and nearby East Yorkshire countryside, have also been included A
Bigger Picture at the Royal Academy of
Art and A
Bigger Exhibition at the de Young Museum.
2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive
Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The
Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine
Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group
exhibitions.
The gallery continues, «In his essay for the
exhibition catalogue, William Agee describes Hofmann as going against the grain of the artistic canon of the day; «His
art was too
big, too bold, to be encapsulated in a few years after 1945, the years we generally identify as the heyday of abstract expressionism.»
With more than 100 works from the original
exhibition and a
big, richly illuminating catalog, «The Armory Show at 100: Modern
Art and Revolution» at the New - York Historical Society offers an excellent opportunity to ponder such questions.
2016 — Invitation, Northern, Southern Gallery, Austin, TX 2014 — A Catalog, Tiny Park Gallery, Austin, TX 2013 — Two Person
Exhibition with Jamie Panzer, Tiny Park Gallery, Austin, TX 2013 — Friends and Family, Gallery Black Lagoon, Austin TX 2013 — Oil & Water, Gallery Black Lagoon, Austin TX 2012 — Tenses of Landscape, University of Arkansas, Fayetteville, AR 2010 — Scape, Nicole Villeneuve Gallery, Chicago IL 2010 — Journeymaker, 1539 West Haddon, Chicago IL 2010 — Midnite Snacks ‐ Chicago, 1366 Space, Chicago IL 2009 —
Big Youth, Corbett Vs. Dempsey, Chicago IL 2008 — Faculty Show, Harrington College of Design, Chicago IL 2008 — Somewhere, Elsewhere, Linda Warren Projects 2007 - 2010 —
Art Chicago, Linda Warren Projects 2006 — MFA Show, G2, Chicago IL 2005 — Love 8, SUGS Gallery, Chicago IL 2005 — Nova Young
Art Fair, Devening Projects, Chicago IL
His work has been exhibited in key historical
exhibitions such as John Szarkowski's Mirrors and Windows: American Photography since 1960 at The Museum of Modern
Art (1978), The Whitney Biennial at the Whitney Museum of American
Art (1981) and most recently, Under the
Big Black Sun: California
Art 1974 - 1981 at the Museum of Contemporary
Art, Los Angeles (2010).
2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller
Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED
EXHIBITION, Delaware Center for Contemporary
Arts, Wilmington 2002 —
ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chic
ART AT STEEPLETOP, Millay Colony for the
Arts, Austerlitz, NY 2001 —
ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chic
ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory
Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of
Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chic
Art, AL 1995 — CONFESSIONS, Woodruff
Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of
Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chic
Art, Austin, TX, curated by John Caldwell 1988 —
BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of
Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chic
Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago
Curatorial projects include Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive
Art, Piss and Vinegar: Two Generations of Provocateurs, Beautiful Beast, a contemporary representational sculpture
exhibition, The
Big Picture, and Now and Then: Drawings from the 19th Century to the Present, in partnership with the Dahesh Museum of
Art.
Visitors to a nude
art exhibition who are encouraged to get naked has proven to be a
big hit.
2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated
exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The
Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013
Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011
Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of
Art and Design Norway Visiting Artists, CASS School of
Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine
Art part time, Sir John Cass school of
Art and Design, London 2006 Foundation in
Art and Design, Sir John Cass School of
Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow
Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine
Art, Sir John Cass school of
Art and Design, London 2004 - 2005 Foundation in
Art and Design, Einar Granum School of
Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016
Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish
Hoyland's 1981 painting «Memory Mirror» has been chosen by the British public for the UK's
biggest and most democratic
art exhibition, Art Everywhe
art exhibition,
Art Everywhe
Art Everywhere.
His
biggest break came in 1975, when he had a solo
exhibition at the Albright - Knox
Art Gallery in Buffalo.
More recently, Hockney's new work has been the subject of the sweeping retrospective, David Hockney: A
Bigger Picture at the Royal Academy of
Art, London, which traveled to the Guggenheim Bilbao, Museum Ludwig, Cologne (2012 - 2013) and David Hockney: A
Bigger Exhibition at the de Young Museum, San Francisco (2013 - 14).
The prints were introduced to the public at the Royal Academy of
Art's
exhibition, A
Bigger Picture, in 2012, which subsequently traveled to the Guggenheim Bilbao and the Ludwig Museum, Cologne.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's
Biggest Museum Opens in China — Studio 360 Top
Exhibitions of 2010 — The
Art Newspaper Recent
Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football,
Arts District — FrontRow A work in progress: The Dallas
Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent
Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to
Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent
Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent
Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became
Art — NYMag Walker
Art Center to Acquire Merce Cunningham's collection —
Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The
Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent
Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over
Art Collection, 25 Years Later — NYTimes Recent
Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The
Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent
Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent
Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent
Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of
Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of
Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent
Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
Exhibition on Screen are set to release, in cinemas nationwide, the new David Hockney documentary David Hockney at the Royal Academy of
Arts: A
Bigger Picture 2012 & 82 Portraits and One Still Life 2016.
As curator of this university contemporary
art gallery for over four years, Blackson initiated a public
art program, international publishing house, and numerous solo
exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and
Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.
Thomas Keane gets an exclusive insight into Gavin Turk's new
exhibition 2012 kicked off with a controversy between two of the
biggest names in contemporary
art, with David Hockney seemingly lashing out at Damien Hirst's detached use of assistants to produce his work: «it's a little insulting to craftsmen» he was quoted as saying, while -LSB-...]
As I said, some of it was expected, but curators don't necessarily want to make
exhibitions that they know the
art community is going to have a
big fight about.
When the august and ever - expanding Museum of Modern
Art offers one of its
biggest exhibitions of all time, attention must be paid — who could merit that kind of attention, given the fact that such titans as Willem de Kooning have recently had major events at MoMA?
Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best
Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash
Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art, «Aperto», David Pagel, March - April 2002
Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The
Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh
art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
art», Pam Harbaugh, 2001 Exhibit: a, «The
Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great
Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art BiDesign», p22 New York Contemporary
Art Report, Jan / Feb 2000, p. 52, illustrat
Art Report, Jan / Feb 2000, p. 52, illustration
This
exhibition offers a
bigger view of his richly pleasurable
art.
The first major blockbuster
exhibition of 2012, and the event kicking - off the London Cultural Olympiad — David Hockney: A
Bigger Picture at the Royal Academy of
Arts.
David Hockney and friends looking at
Bigger Trees Near Warter or / ou Peinture sur le motif pour le nouvel age post-photographique, at the Royal Academy of
Arts, London, 2007 Summer
Exhibition.
For 30 years Bildmuseet has produced and shown lots of
big, small, wonderful, challenging and high profile
exhibitions and invited the world
art to Umeå.
Polly Apfelbaum's «
Big Love» will be her first
exhibition in Philadelphia since her major survey at the Institute of Contemporary
Art in 2003.
The weekend in January that saw two
big art fairs and a spate of new
exhibitions across the Bay Area also left us with something more permanent: Three new gallery spaces opened in San Francisco over three days, Jan. 12 - 14.
Highlights from his numerous
exhibitions include Portraits of Our Time (1978) at the Photographers Gallery, London; Brian Griffin (1984) at the Olympus Gallery, Tokyo; 20 for Today (1986) at the National Portrait Gallery, London; Createurs d'Images Createurs de Mode (1988) at the Museé des
Arts de la Mode, Paris; Towards a
Bigger Picture (1988) at the Victoria & Albert Museum; Work (1988) at the National Portrait Gallery, London; Beyond the Portrait (1992) at Derby City
Art Museum; Seeing Things (1992) at the Victoria and Albert Museum; People and the City (2003) at Birmingham
Art Gallery & Museum; a retrospective: Influences (2005) at the
Art Museum, Reykjavik, Iceland; and A Question of Identity (2005) at the National Portrait Gallery, London.
He's also got a major New York show — the
biggest solo
exhibition ever at New York City's blue chip Mathew Marks Gallery — and he's part of a show at the Yale University
Art Gallery.
A modest
exhibition at the Scottish National Gallery makes clear the
big impact Daubigny had on modern
art
Kelley's
exhibition was a
big influence on me, both as a curator and an
art lover.
For the inaugural
exhibition in 1977, Wave Hill borrowed 20 sculptures by some of the
biggest names in 20th - century
art — Calder, de Kooning, Moore, Noguchi — from the collection of Joseph H. Hirshhorn.
Support: Major
exhibition support for
Big Bling is provided by the Ford Foundation, Matthew Marks Gallery, Association for Public
Art, Bloomberg Philanthropies, The Henry Luce Foundation, The Jacques and Natasha Gelman Foundation, J.P. Morgan Securities and Unalam of Unadilla, New York.
2008 Abstract Painting, Galería Javier López, Madrid Joseph Albers, Donald Judd, Peter Halley, Galerie Thomas, Munich Painting: Now and Forever, Part II, Matthew Marks Gallery, New York Weight Watchers, Galerie Xippas, Paris The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, The National Gallery of
Art, Washington, DC (catalogue) Summer
Exhibition, Waddington Galleries, London Out of Storage I: Chosen Paintings from the Collection, Mudam Musée d'
art modern Grand - Duc Jean, Luxembourg Indian Winter, Albert Baronian Gallery, Brussels Totally Rad: New York in the 80s, Paul Kasmin Gallery, New York The
Big Bang, Museo Carlo Bilotti, Rome, Italy (catalogue) Abstract Vision, Thomas Ammann Fine
Art, Zurich (catalogue) Collecting Collections, The Museum of Contemporary
Art, Los Angeles Modern Prints: Classic Modern to Pop
Art, Galerie Proarta, Zurich
All our programs and
exhibitions are made possible with support from The Allen Whitehill Clowes Charitable Foundation, The Andy Warhol Foundation for the Visual
Arts (Wynn Kramarsky Freedom of Artistic Expression Grant), Buckingham, Foundation, The Christel Dehaan Family Foundation, The Glick Fund, The Efroymson Family Fund, Halstead Architects, KEJ Foundation, the Indianapolis Foundation, The Tracy L. Haddad Foundation, The Netherleigh Fund, The City of Indianapolis, the
Arts Council of Indianapolis, the Murphy
Arts L.L.C., Penrod Foundation, and
Big Car
Art + Design.
All our programs and
exhibitions are made possible with support from The Allen Whitehill Clowes Charitable Foundation, The Andy Warhol Foundation for the Visual
Arts (Wynn Kramarsky Freedom of Artistic Expression Grant), Buckingham Foundation, The City of Indianapolis, The Christel Dehaan Family Foundation, The Glick Fund, The Efroymson Family Fund, Halstead Architects, The Herbert Simon Family Foundation, KEJ Foundation, the Indianapolis Foundation, The Tracy L. Haddad Foundation, The Netherleigh Fund, the
Arts Council of Indianapolis, the Murphy
Arts L.L.C., Penrod Foundation, and
Big Car
Art + Design
The
Big Picture
exhibition supported by the Hall Foundation in honor of curator Keith F. Davis at The Nelson - Atkins Museum of
Art with a sighting of a beautiful Elisabeth Hase print!
Top galleries eager to woo blue - chip artists, collectors and a more diverse public are increasingly turning to
big - name museum professionals to mount
exhibitions of depth that would look at home at the Met or the Museum of Modern
Art.
The Royal Academy of
Arts Summer
Exhibition, as traditional a British summer fixture as Wimbledon, the Derby and underwhelming weather, will next year be bigger than ever before and accompanied by an exhibition charting it
Exhibition, as traditional a British summer fixture as Wimbledon, the Derby and underwhelming weather, will next year be
bigger than ever before and accompanied by an
exhibition charting it
exhibition charting its history.