Sentences with phrase «biggest effects on screen»

With adaptations of superhero comics to film, it seems that the only thing of interest to the film maker (s) is getting the shiniest and biggest effects on screen along with «kick - ass» action sequences and one - upping each other on the adrenaline level.

Not exact matches

Since the «Star Wars» prequels, in which George Lucas was heavily criticized for using too much CGI to create the worlds and characters, many big - budget movies have tried to find that happy medium of practical and visual effects to give the action on screen a more grounded feel.

They found that simple messages, displayed during load screens, can have a big effect on player behaviour in the subsequent game.

On big screen TVs the image comes alive better than any previous home video incarnation, but it's the superlative 5.1 surround remix (at 24 - bit from the 35 mm LCRS and dialogue - music - effects tracks) that most impresses.

The film looks great on the big screen, excepting when we're subjected to the disappointing visual effects.

Viewers would be forgiven for their hesitance to see another movie from the directors of the «Vacation» reboot, but John Francis Daley and Jonathan Goldstein, working from a pitch - perfect screenplay by Mark Perez («Accepted»), have crafted an ensemble comedy that lives up to its high - concept premise while giving a gang of talented actors — including the gifted Jason Bateman, so rarely employed to great effect on the big screen — fun characters and big, outrageous moments.

Again, it's not as obvious as it would be on a Switch screen, but the characters are all made of incredibly low - poly models when compared to its Switch big brother, and then when you factor in muddier textures, less visual effects and a generally blurrier overall image, it's hard to take to this version after playing it on Switch.

The visual effects are far better than the artificial ones employed on ancient - set Starz shows but they're not quite big screen - worthy as blue screen shots forging coastlines and a pitiful overhead Havana shot show their seams.

What can firstly be said about San Andreas is that largely the effects are epic and spectacular on the big screen.

(The effect was similar both on my big screen, a Sony Bravia XBR 4 LCD, and on the ancient HD - ready CRT I keep connected to my desktop computer.

More than 50 years after Madeleine L'Engle's young adult novel «A Wrinkle in Time» was awarded the prestigious Newbery Medal, the big - screen retelling of this timeless classic takes audiences on a transformative journey, exquisitely illustrated through jaw - dropping visual effects, a stirring musical score and diverse, star - studded cast.

Yes, audiences should expect a dramatically different big screen interpretation of the iconic Hasbro action figure when the film goes into production next month, mainly because it is set in the 1980s and Bumblebee will be the sole focus of the film — meaning a lot less money will likely be spent on visual effects.

The curiosity factor is certainly high on the streaming service's first aspiring blockbuster, a movie that looks every bit the big - screen effects extravaganza — right down to its sickly neon glow and cacophony of slow - motion fight sequences.

Bigger maps, more things happening on screen, like more weather effects, lighting, citizens wandering a bussling city, smarter als, and so much more.

The effect is less subtle on home video than it is on a big screen, where you're not as aware of the edges of the frame, but the message is the same: suddenly, you're adrift, unmoored, alone.

The special effects range from bad video game quality — the car chase through Venice is awful and almost comical, it must have looked hilarious on a big screen — to tolerable.

There's something inherently charming about stop - motion animation, the fussy fastidiousness of each individual shot, the hours of love and craft and care that go into making even the smallest, most minute effect appear on the big screen.

«I think it's my job as a visual effects supervisor to help tell the story that the director wants to show on the big screen.

Though some Cannes - watchers wondered if the flurry of big titles that screened on the last two days of the festival — «The Neon Demon,» «The Last Face,» «The Stranger» and «Elle» — would have a big effect on the Palme d'Or competition, it now seems unlikely that there were any real game - changers in that group.

«Not just the Super Bowl on Sunday, but all the programming on the small screen surrounding one of the biggest television events of any given year — and that can certainly have an effect on box office.»

In addition to the beauty of the visual effects, James McAvoy has called Dark Phoenix, «the most emotional X-Men we've done and the most pathos - driven,» which makes for an interesting balance and may ease the minds of fans who worry about tackling the Dark Phoenix on the big screen.

«Anatomy of a Plane Crash» (7:46) takes us behind the scenes of the film's big action set piece, touching on the influential research, the maneuvers depicted, and the effects used on a gimbal stage with green screen.

Blu - ray Highlight: The two - disc combo pack includes a collection of mini-featurettes on everything from adapting the book for the big screen, to costumes and special effects, but they're packed with so much filler that the bonus material feels like an afterthought.

Visually, it's not too bad, stretching its modest budget (still the biggest to date for Sony specialty subsidiary Screen Gems) to decent effect on endless caves, open desert, small Western town, and domed Blade Runner - style metropolis alike.

Plus, find out How Black Panther Should Have Ended instead of what we saw on the big screen, and see a visual effects breakdown show off a bunch of post-production work that went in to the new Marvel franchise starter.

If an adult likes big budget sci - fi eye - candy filled epics developed from children's stories or simply liked the cartoons when they were younger and think its cool to see them brought to life on the big screen with live actors and modern special effects, then they will probably enjoy this movie — if they can sit through it all.

The special effects and set designs are extremely well done, and to truly appreciate them one should watch this film on the big screen.

Could it be that the Infinity Stone in Guardians of the Galaxy is supposed to be red, and it just came out looking purple on the big screen after the special effects were added?

Although produced by DreamWorks» television division, the art could very well hold up on the big screen; while there is a loss in detail, the motion is fluid; the color palette is vivid; and the shading and highlighting effects are quite polished.

And yet my husband and I go see big special effects movies on the big screen right off, because we don't want to wait.

Unfortunately there is no 3D effect and even without 3D the game's frame - rate takes a big hit when battling with more than two Pokemon on screen at once.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Legendary Pictures filmed the Warcraft movie and is now working on Mass Effect for the big screen.

It's great to see it on big screen with real - time full - screen post-processing effects on whilst still retaining great frame rates.

The bigger display has had a knock - on effect in terms of the design of the OnePlus 5T, with the bezels above and below the screen getting slimmed down to provide a sleeker look and an 80.5 % screen - to - body ratio.

We haven't experienced this issue across four review devices from the Pixel 2 line, but that's the pile - on effect of a major flaw like the Pixel 2 XL's screen: other, smaller, less universal issues get amplified by the big one.