Sentences with phrase «biggest film yet»

Tyler Perry's gun - toting Atlanta grandmother Madea returns in her biggest film yet, along with Eugene Levy, Denise Richards, and Romeo Miller.

Veteran Oscar - winning actor Anthony Hopkins has said that the latest installment in the Transformers series, Transformers: The Last Knight is his biggest film yet.

But since ABC seemingly cancelled the show before it had even begun airing, why would Marvel risk their inclusion in what's possibly their biggest film yet?

Fresh from terrorising Keanu Reeves in Knock Knock (and needing his help in Exposed) Ana de Armas is taking on what will be her biggest film yet.

Not exact matches

But, wait, there's yet another «taste community» rallying to «Ozark,» says Yellin: fans of the 2015 film «The Big Short,» which deals with Wall Street dirty tricks, have been found to respond to the money monkeyshines that animate «Ozark.»

Versatile playmaker, great numbers at the combine, big on film study, yet due to average coaching still has a ton of room for growth.

We should be thankful that Darwin's life story has made it to the big screen, yet even before Annie has died, the film shows its scorn for the ability of the audience to appreciate the subject matter.

I've yet to get the chance to go and see this film, but I really do want to — if only to see the dress up on the big screen which is just GORGEOUS!

Amanda Barratt has been the Law Librarian at the... Retallack returned to the site with the study's coauthors, including UO science... Samson — the online press kit implies it's their biggest budgeted film yet, which

Amanda Barratt has been the Law Librarian at the... Retallack returned to the site with the study's coauthors, including UO science... Samson — the online press kit implies it's their biggest budgeted film yet, which Online Dating Sites Delhi Ahmedabad, Bengaluru, Chandigarh, Chennai, Delhi - NCR... survey today.

Reservoir Dogs: Bloody Days by Big Star Games is a third - person top - down shooter with few connections to Quentin Tarantino's film other than it being about gangsters with color - coded names; and yet Bloody Days partially succeeds in its aspiration to revive a classic for crime and gangster films, while offering a time - rewind mechanics that helps the game distinct itself from the pool of titles in the top - down shooter category.

Second only to The Big Sleep as the best of the love birds» quartet of films together (the others were Dark Passage and Key Largo), it's yet another gem from Howard Hawks, still the most underrated of all great American directors.

And yet, amid all that overdue and well - deserved scorn, the lone aspect of Deadpool 2 that is treated with gravid, wet - eyed sincerity — the thing the film wants us to care most deeply about, that acts as the plot's triggering action — is itself the biggest, oldest, dumbest and most useless superhero - genre cliche of them all.

Directors Joe and Anthony Russo (Captain America: Civil War) have managed to take their balanced approach from Civil War and The Winter Soldier and inject even more characters into the mix; we're talking well over 30 big names all mashed into one nearly three hour film that briskly flies by as characters we've grown to love over the years embark on their most important (and personal) battle yet.

Captain America: The First Avenger is one of the finest movies yet from Marvel Studios, and a big departure in tone and storytelling from most of the films they've made so far.

Plutarch should have been in the first film but it's not a big deal that he was left out, his important work is yet to come.

Of these the most prominent is Wonder Woman, who may not have been in her own big - screen adventure yet but could be launched as part of Warner Bros. cinematic DC universe in preparation for a standalone film.

At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.

Although the film has not yet been reviewed, Blunt brings the necessary ingredient of being a popular, big star.

Iannotta doesn't have a feature film to his name yet, but he's got a credit that isn't just handed to any man or woman with a movie camera — his documentary short, My Big Red Purse, was selected to play at last month's South by Southwest Film Festival, beating out hundreds of competitors in the process.

The buzz: Word on the film itself has yet to circulate, though the sheer weirdness of the premise, plus the mix - and - match big - name cast, ensures it's being awaited with more curiosity than most of its Competition rivals.

Held April 26 - 29 at the historic TCL Chinese Theatre complex, Egyptian Theatre, Cinerama Dome and poolside at the Roosevelt Hotel, the classic movie marathon expanded this year to 120 films and events, «making it our biggest festival yet... creating four days of movie magic along Hollywood Boulevard,» said festival director Genevieve McGillicuddy.

Evidently Nicolas Cage, who (big spoiler if you haven't seen the film already) died in the original film, may return in the form of a cameo, which we would assume would be flashbacks (though Cage's people claim he hasn't received an offer yet).

But we'd had good vibes about his seventh feature, «Moonrise Kingdom,» in the run up to its release, and Wes delivered with a film that was simultaneously like the most Wes Anderson - y Wes Anderson film he's made, and yet also the biggest departure.

After breaking out big in the early 1990s, actor Jim Carrey took on his most challenging role yet - playing Andy Kaufman in the film Man on the Moon.

Nostalgia and movie sequelitis are the two main ingredients that invite back the majority of films from yesteryear looking to make a big screen impact yet again.

Based on Naoki Urasawa's thick manga, the film trilogy is likely one of the biggest efforts yet by the Japanese film industry.

He's only made four independently financed feature films, and his fourth is his biggest and best yet.

This big, bruising, viscerally violent yet also often moving film should be judged on its merits.

Mission: Impossible Fallout may well be the biggest, baddest entry yet in this long - running franchise, and I can't wait to see how all this madness plays in context when the film opens on July 27th.

«Justice League,» starring Ben Affleck, Gal Gadot and Henry Cavill, has finally reached the big screen, yet it opened lower than the previous four films in the DCEU.

Arguably the most divisive Marvel movie to date, Iron Man 3 contains some of Tony Stark's best banter yet thanks to the work of director and co-writer Shane Black, but many still hold a grudge for how the film handled its big Mandarin reveal.

As challenging, as Amy was, Newton hadn't yet gotten the scripts for Season 2 of Big Little Lies when she filmed the miniseries.

Taken from a script by John August and based on a novel by Daniel Wallace, Big Fish speaks directly from Burton's sensibility — it may be the most personal film he's yet made.

And a new trailer is here giving the biggest peek yet at what is one of the fall's biggest films.

In just a handful of films the young actor has already proven he's got quite the range and The Fantastic Four is set to be one of his biggest and most anticipated projects yet.

The filmmaker is also coming off one of his better - received films in recent years in Big Eyes, so his X-Men-esque tale of super-powered outsiders might yet prove to be another fine addition to his larger body of work - not to mention, another memorably weird, yet heartfelt Burton movie about the experience of being an «unusual» outcast in our world.

Yet to argue the emptiness of the film and its bland protagonist as subtext is to miss the big picture: American Gigolo is not even about its protagonist; it is about what he wears.

When: August 1st Why: A few months ago, most people had never even heard of «Guardians of the Galaxy,» but that's quickly changed following the launch of the film's marketing campaign, which suggests that director James Gunn (perhaps Marvel Studio's biggest risk yet) has absolutely nailed the offbeat tone of the comic book.

Its opening film is the British - produced mountaineering thriller Everest, featuring Anglo - American glamour in the shape of Jake Gyllenhaal, Keira Knightley and Josh Brolin; its competition strand has an impressive list of international auteurs, including Tom Hooper (The Danish Girl), Alexander Sokurov (Francofonia), Luca Guadagnino (A Bigger Splash) and Charlie Kaufman (Anomalisa); and a number of authentic coups, including the world premiere screening of Black Mass, the much - hyped gangster film featuring Johnny Depp as James «Whitey» Bulger, and a first look at Beasts of No Nation, the African - set war thriller that represents Netflix's most serious shot yet across Hollywood's bows.

And yet there's more to learn, and the presentation of the film today featured some big cast announcements.

With each film Anderson and Linklater make, their toolbox gets a little bigger without compromising their eclectic and pridefully offbeat styles, one vastly different from the other, yet hauntingly similar.

In this fifth installment of the franchise, dancers from the pervious films all step up to be in yet another big competition.

By far the best sci - fi film I've seen yet this year, and proof that international films make for more interesting dynamics, Snowpiercer is easily the original action film a summer full of big budget explosions needs.

The Big Short is a rare film that is entertaining yet informative.

Arrival possibly takes itself more seriously than any Villeneuve film yet — it's about a big topic, the possibility of our saving the world through mutual understanding and a mixture of quiet compassion and lucid logical thought.

The Moore Egyptian Theatre performed heroically and made their Third Seattle International Film Festival the biggest yet; that it wasn't the best says as much about the enervation of the international film scene as it does about the festival programming, but even at that, the Moore served up more of the year's most satisfying and / or provocative films than anyone else.

There are many big laughs (a musical orientation video from a maximum security prison in Norway brings down the house), and yet the film is also tremendously sobering in its cumulative impact, illustrating with acute clarity how the corporate greed fueling our economy has resulted in an anti-humanist society of disastrous proportions.

Yet King is more concerned with remaining faithful to the source material than pandering to every conceivable target demographic, and in short this is a big part of what makes his film is so successful.

Another big question mark is Quentin Tarantino's Django Unchained, though Tarantino has yet to make a bad film so odds are pretty good that Django will at least land a Best Picture nomination.