PROSPECT.1 NEW ORLEANS What: A large - scale exhibit of world - class conceptual art, presented in most major art institutions and scattered locations across the city — considered by many to be
the biggest international contemporary art exhibition ever in the United States.
Not exact matches
As curator of this university
contemporary art gallery for over four years, Blackson initiated a public
art program,
international publishing house, and numerous solo
exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and
Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.
Las Vegas Weekly, The Barrick's «Plural» Teams Local and
International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best
Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash
Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art, «Aperto», David Pagel, March - April 2002
Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The
Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh
art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
art», Pam Harbaugh, 2001 Exhibit: a, «The
Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great
Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art BiDesign», p22 New York
Contemporary Art Report, Jan / Feb 2000, p. 52, illustrat
Art Report, Jan / Feb 2000, p. 52, illustration
Art Slant Chicago
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Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western
Exhibitions What's Going On?
(2009) Winzavod
Contemporary Art Center, Moscow; «Walkthrough Wardrobe», Tate Britain (2009) and Victoria and Albert Museum (2010) London; «Bird and Leaf» (2008), The Hockney Gallery, Royal College of
Art, London; «Eyes as
Big as Plates» (touring
exhibition): Greenland (2016)- Nuuk, Narsak, Aasiaat, Paamiut, Tasilak, Qaqortoq; The Greenland National Museum, Nuuk (2015); Bogota
International Photo Biennale (2015); Bemis Center for
Contemporary Arts, Nebraska US (2015); gallery FACTORY, Seoul Korea (2015); Villa Borghese, Rome (2014); the Ars Fennica
exhibition at the Museum of
Contemporary Arts Kiasma (2014); Fotogalleriet, Oslo (2014); Seibu Shibuya, Tokyo (2012); Gulbenkian Foundation, London (2012); Photographer's gallery, London (2012); The Finnish Institute in Oslo (2011), Paris (2014) and Stockholm (2015);
CA Spectral Hues, curated by Sharon Bliss, Palo Alto
Art Center, Palo Alto, CA
Art Market, with Chandra Cerrito
Contemporary, San Francisco, CA Building the
Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA
Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle
Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand
international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they are
arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY
Art Market, with Chandra Cerrito
Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA
Art Market San Francisco, (with Chandra Cerrito
Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual
Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they are
Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel
Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of
Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now th
Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of
Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now th
Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition)
Art On Paper 2012, The Weatherspoon Museum of
Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of
Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala
Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring
exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now th
exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of
Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez
Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins
Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of
Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the
Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they are
Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the
Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they are
Arts, curated by Dianne Romaine and Holly Blake,
Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland
Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still,
Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond
Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005
Contemporary Perspectives, Museum of
Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
1997 Sacred
Art, Juried
Exhibition, The
International Gallery of
Contemporary Art, Anchorage, AK
Big Drawings, TOAST Gallery, Anchorage, AK Creative Lives: Women of the Smithsonian, SITES, Smithsonian Institution, Washington, DC
State University, Atlanta GA Juror Choice Award, Ninth Annual Arizona State University
Art Museum Short Film and Video Festival, Tempe, AZ 2004 Self - Inflicted, Fe Gallery, Pittsburgh PA Flow, Sun Trust Plaza Gallery, Atlanta GA Rampant, Fe Gallery, Pittsburgh PA Painted Realities, Lamar Dodd
Art Center, LaGrange GA 2003 Film / Video GA, MOCA GA, Atlanta GA Animation Impulse: Video
Art and the Generated Image, Cheekwood Museum of
Art, Nashville, TN Animation Extravaganza, 27th Annual Atlanta Film Festival, Atlanta, GA Juror Choice Award, Seventh Annual Arizona State University
Art Museum Short Film and Video Festival, Tempe, AZ Looks Good on Paper, Second Edition, Spruill Gallery, Atlanta, GA 2002 Georgia Triennial, City Gallery East, Atlanta, GA Georgia Triennial, Museum of
Arts and Sciences, Macon, GA 2002 Georgia Triennial, Telfair Museum of
Art, Savannah, GA Georgia Triennial, Albany Museum of
Art, Albany GA Wild Life: The Other Tradition, Polk Museum of
Art, Lakeland FL 2001
Art and Science
International Exhibition, National Gallery of
Art, Beijing, China Hardware, Eyedrum, Atlanta, GA 2000 Do It, Atlanta College of
Art Gallery, Atlanta, GA Cute, Georgia Museum of
Art, University of Georgia, Athens, GA 1998 Boy Toys, Nexus
Contemporary Art Center, Atlanta, GA Scale, Relatively Speaking,
Art in General, New York, NY 1997 My
Big Back Yard,
Art in General, New York, NY
Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern
Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for
Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'
Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and
Contemporary Art Council of the Los Angeles County Museum of
Art, Los Angeles, US; traveled to Miami
Art Museum, Florida, US The
Big Nothing, Arcadia University
Art Gallery, Glenside, Pennsylvania, US Joyce in
Art, Visual
Art Inspired by James Joyce, an
International Exhibition of
Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!
The
biggest art prize in the UK, 40,000 thousand pounds, has gone to the winner of Artes Mundi, the
international contemporary art exhibition held in Wales every two years.
Past group
exhibitions and
international biennials for TPG include: Islands, Constellations, and Galapagos, Yokohama Trienniale, Japan (2017); After Darkness: Southeast Asian Art in the Wake of History, Asia Society, New York, NY (2017); Prospect.3: Notes for Now, New Orleans, LA (2014); Residual: Disrupted Choreographies, Carre d'Art, France (2014); No Country: Contemporary Art for South and Southeast Asia, Solomon R. Guggenheim Museum, NY (2013); 7th Asia Pacific Triennial of Contemporary Art, Queensland Gallery of Modern Art, Brisbane, Australia; The Unseen, Guangzhou Triennial, Guangdong Museum of Art, China; Six Lines Of Flight, San Francisco Museum of Modern Art, CA; Made In LA, Los Angeles Biennial, Hammer Museum, CA; The Ungovernables, New Museum, NY (2012); Project 35, Independent Curators International, Pratt Manhattan Gallery, NY; (2011); Projects 93, Museum of Modern Art, NY; 8th Shanghai Biennale, in collaboration with Superflex, China (2010); What's
international biennials for TPG include: Islands, Constellations, and Galapagos, Yokohama Trienniale, Japan (2017); After Darkness: Southeast Asian
Art in the Wake of History, Asia Society, New York, NY (2017); Prospect.3: Notes for Now, New Orleans, LA (2014); Residual: Disrupted Choreographies, Carre d'
Art, France (2014); No Country:
Contemporary Art for South and Southeast Asia, Solomon R. Guggenheim Museum, NY (2013); 7th Asia Pacific Triennial of
Contemporary Art, Queensland Gallery of Modern
Art, Brisbane, Australia; The Unseen, Guangzhou Triennial, Guangdong Museum of
Art, China; Six Lines Of Flight, San Francisco Museum of Modern
Art, CA; Made In LA, Los Angeles Biennial, Hammer Museum, CA; The Ungovernables, New Museum, NY (2012); Project 35, Independent Curators
International, Pratt Manhattan Gallery, NY; (2011); Projects 93, Museum of Modern Art, NY; 8th Shanghai Biennale, in collaboration with Superflex, China (2010); What's
International, Pratt Manhattan Gallery, NY; (2011); Projects 93, Museum of Modern
Art, NY; 8th Shanghai Biennale, in collaboration with Superflex, China (2010); What's the
Big Idea?
1997-07-08 04:00:00 PDT VENICE — VENICE - The primary purpose of the
big, periodic
international visual arts exhibitions - the Venice Biennale, Documenta, the Sao Paulo Bienal, the Carnegie International - is to take the pulse of contemporary
international visual
arts exhibitions - the Venice Biennale, Documenta, the Sao Paulo Bienal, the Carnegie
International - is to take the pulse of contemporary
International - is to take the pulse of
contemporary art activity.
1984 Alibis, Centre Pompidou, Paris, France Richard Artschwager, John Chamberlain, Donald Judd, Daniel Weinberg Gallery, Los Angeles, USA Idea, Tanja Grunert / Regine Tafel, Stuttgart, Germany Synthetic
Art: The
Big Show, Harm Bouckaert Gallery, New York, USA 50 Artists / 50 States, Fuller Goldeen Gallery, San Francisco, USA American Sculpture, Donald Young Gallery, Chicago, USA American Sculpture, Margo Leavin Gallery, Los Angeles, USA A Changing Group
Exhibition, Paula Cooper Gallery, New York, USA Familiar Forums / Unfamiliar Furniture, First Street Forum, St. Louis, USA Sculptors» Drawings 1910 - 1980: Selections from the Permanent Collection (of the Whitney Museum of American
Art, New York),
Art Museum Aspen, USA /
Art Museum of South Texas, Corpus Christi, USA / Visual
Arts Gallery, Florida
International University, Miami, USA / Philbrook
Art Center, Tulsa, USA Drawings, Barbara Toll Fine
Arts, New York, USA Content: A
Contemporary Focus, 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA
«Make It Now»: SculptureCenter Artforum
International; October 1, 2005; Ammirati, Domenick; 700 + words SculptureCenter's «Make It Now: New Sculpture in New York» arrived hot on the heels of two other
exhibitions that purported to clue us in about the country's two
big art scenes: P.S. I Contemporary Art Center's bloated «Greater New York 2005» and the UCLA Hammer Museum's «THING: New Sculpture f
art scenes: P.S. I
Contemporary Art Center's bloated «Greater New York 2005» and the UCLA Hammer Museum's «THING: New Sculpture f
Art Center's bloated «Greater New York 2005» and the UCLA Hammer Museum's «THING: New Sculpture from
«MAKE IT NOW» Artforum
International; October 1, 2005; Ammirati, Domenick; 700 + words «MAKE IT NOW» SCULPTURECENTER SculptureCenter's «Make It Now: New Sculpture in New York» arrived hot on the heels of two other
exhibitions that purported to clue us in about the country's two
big art scenes: P.S. 1 Contemporary Art Center's bloated «Greater New York 1005» and the UCLA Ham
art scenes: P.S. 1
Contemporary Art Center's bloated «Greater New York 1005» and the UCLA Ham
Art Center's bloated «Greater New York 1005» and the UCLA Hammer
2002 Illustraded Catalog,
Big Girl Paintings, Gagosian Gallery, Beverly Hills, CA 2001 Included in
exhibition, Mythic Proportions: Painting in the 1980's, Museum of Contemporary Art, Miami 2000 Included in exhibitions: The International Festival of Contemporary Sculpture: Contemporary American Sculpture, Monaco; The Lenore and Burton Gold Collection of 20th Century Art, High Museum of Art, Atlanta 1999 Included in exhibitions: The American Century: Art and Culture 1950 - 2000, the Whitney Museum of American Art, New York; The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, Washington; Bad - Bad: That is a Good Excuse, Staatliche Kunsthalle, Baden - Baden, Germany 1997 Included in exhibitions: The Hirshhorn Collects: Recent Acquisitions 1992 - 1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; La Biennale de Venezia: Future, Present, Past, XLVII International Arts Exhibition, Venice 1996 Release of film, Basquiat, directed and produced by Schnabel 1994 Julian Schnabel: Retrospective, at the Museo de Monterrey, Mexico; included in exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery
exhibition, Mythic Proportions: Painting in the 1980's, Museum of
Contemporary Art, Miami 2000 Included in
exhibitions: The
International Festival of
Contemporary Sculpture:
Contemporary American Sculpture, Monaco; The Lenore and Burton Gold Collection of 20th Century
Art, High Museum of
Art, Atlanta 1999 Included in
exhibitions: The American Century:
Art and Culture 1950 - 2000, the Whitney Museum of American
Art, New York; The Virginia and Bagley Wright Collection of Modern
Art, Seattle
Art Museum, Washington; Bad - Bad: That is a Good Excuse, Staatliche Kunsthalle, Baden - Baden, Germany 1997 Included in
exhibitions: The Hirshhorn Collects: Recent Acquisitions 1992 - 1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; La Biennale de Venezia: Future, Present, Past, XLVII
International Arts Exhibition, Venice 1996 Release of film, Basquiat, directed and produced by Schnabel 1994 Julian Schnabel: Retrospective, at the Museo de Monterrey, Mexico; included in exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery
Exhibition, Venice 1996 Release of film, Basquiat, directed and produced by Schnabel 1994 Julian Schnabel: Retrospective, at the Museo de Monterrey, Mexico; included in
exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery
exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern
Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS,
exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery
exhibition in conjunction with
Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in
exhibitions: Le Portrait Dans L'
Art Contemporain, at the Musée d'
art moderne et d'
art contemporain, Nice, France; Manifeste, at the Musée national d'
art moderne, Centre Georges Pompidou, Paris, France 1991 Solo
exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery
exhibition, Julian Schnabel, at the Nelson - Atkins Museum of
Art, Kansas City; included in
exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American
Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern
Art, California 1989 Traveling solo
exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery
exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo
exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery
exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel
Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo
exhibitions at PaceWildenstein, New York 1984 First solo
exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery
exhibition at the Pace Gallery, New York 1979 First solo
exhibition at the Mary Boone Gallery
exhibition at the Mary Boone Gallery, New York
His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in
Contemporary Craft and Design, Museum of
Art and Design, New York (2013); superhuman, Central Utah
Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual
Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at
Art Institute of Chicago (2008);
Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of
Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the
Arts, San Francisco (2007); 7e Biennale de l'
Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual
Art since 1970,
Contemporary Arts Museum Houston (2005); The Interventionists:
Art in the Social Sphere, Massachusetts Museum of
Contemporary Art, North Adams (2004); The
Big Nothing, Institute of
Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep,
International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of
Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for
Contemporary Art, ME, Artists Space in New York, and Mason Gross
Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective
Exhibition, Institute of
Contemporary Art at Maine College of
Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of
Contemporary Art, Los Angeles (1998).