Sentences with phrase «biggest issue this film»

The biggest issue this film faces is that the main focus is almost too basic for a feature length film.

Not exact matches

By uploading an Instagram video using #SwingTheVote and starting with, «I would vote if...» young would - be voters can not only star in the film, but also ensure the issues they care about — no matter how big or small — are heard.

Things are REALLY bad and this film does a pretty bang - up job of highlighting our biggest issues.

My biggest skin care issue is finding a moisturizer with SPF that meets my super-picky criteria and doesn't feel like a layer of film on my skin.

There is, however, cake provided, and the films should get you and your date talking about the big issues in life, and eating something sweet.

I acknowledge the fact that most of his scripts have issues and that critics seem to bash every film he writes from the second it leaves the page and is translated to the big screen.

The bigger issue: How could a film with Elba and McConaughey have so little swagger?

My personal issues aside, this is very much a film worth watching, especially on the big screen which should do the grand vistas justice.

Most of his big films are also covered in the bio and show just how much swing he had during his reign, the issue he had with controversial ideas and how his close friendships with top stars of the time like Doug Fairbanks helped him.

VOD companies have swiftly established themselves as viable alternatives to the traditional big film studios, but there is still the issue of distribution.

I saw RIP TIDE (Aussie strictly Disney flick, cute for tweets but that's about it), Argento's DEEP RED (for the first time and on the big screen - was a gooey delight tripped up by the usual giallo issues), VICTORIA & ABDUL (odious and blandly crafted), and FIRST THEY KILLED MY FATHER (thankfully on the big screen since Anthony Dod Mantle's cinematography deserves it - the film is strong, even if Jolie is definitely not a subtle director).

One of my biggest issues with the film is that it wasn't nearly as funny as it should have been.

One of my biggest issues is that the last film forgot to focus on character development / relationships and these are some very cool comic book characters in the Lantern Corps., we just didn't get a chance to see this properly explored.

Most of the plots were a drag, and that's my biggest issue with this otherwise entertaining film.

The film's biggest issue is that it's too generic.

Though Warners is likely hoping that the big problems of getting classic anime Akira converted to a live - action version and up on screen are now behind it, the issues bringing the film to life haven't quite gone away.

But the more Molly's Game tries to decide what its story is about rather than just telling it, the more the film feels like it's trying to «solve» Molly rather than portray her, to the point where its two big emotional moments involve Molly being sat down and informed about her own daddy issues by one male character, and getting passionately defended by another, her lawyer (Idris Elba), while she stays silent.

With infrequent profanities and several scenes that involve sexual dialogue along with some partial, painted nudity, the film's biggest content issues are the frequent depiction of alcohol and cigarette use.

Like many big - screen dramas about serious issues, the strengths of the film come primarily from the quality of the acting and the believability of the resolutions.

Strikingly well - made on a big scale, this film takes on some important issues without ever preaching at us.

The biggest issue I had with Me And Earl And the Dying Girl is the fact that the film seems unaware of the monster it has created and is just as enamored with Greg as he is with himself.

Dead Man Walking (Tim Robbins, 1995) Any film that addresses one of the big, divisive issues of our day (abortion, immigration, homosexuality, etc.) runs the risk of being preachy.

The biggest issue found in Future Weather is how the film pushed its conservation message into as many scenes as possible, making it seem more about saving the environment than about its characters.

Remaking hit Japanese horror movies (a la «The Ring») is Hollywood's latest plan to rake in big bucks without actually having to be creative or original — and while «The Grudge» is nothing more than a cultural twist on the standard - issue haunted house movie, I will give credit to director Takashi Shimizu (remaking his own film «Ju - On») for giving me goosebumps.

Many decided to boycott based on the trailer alone, which I take issue with for one big reason: Split, contrary to whatever you may have ascertained from the trailer, is a film that actually treats mental illness with a welcome degree of care; furthermore, it depicts those who suffer not as less than, but as more than.

It's the film's biggest and most glaring issue.

The biggest issue with the film is that everything happens under the surface and it makes it difficult to sit through a film that has really unique elements but such slow pacing.

Most of the women winners — most prominently among them Nicole Kidman and Laura Dern for their performances in Big Little Lies, and Reese Witherspoon for her producing — spoke about the issues at hand when up on stage, many of them having brought women's rights advocates who work outside of the film industry with them to the show, as a sign of solidarity and support.

The biggest issue I have with a film like «Rampage» — why put so much effort into the suspense if the audience already knows Johnson always survives.

In regards to the ending, this is where I must dive briefly into spoiler territory to discuss my biggest issue with how the film plays out.

Also, the film tries to address some kind of political and social issues about big corporations in bed with world governments regarding natural resources like clean water.

When: July 1st Why: One of the biggest complaints about the first «Magic Mike» was that it was a lot gloomier than moviegoers were expecting for a film about male strippers, and Channing Tatum has addressed those issues with the promise that the upcoming sequel will be a much lighter affair.

It is impossible to discuss the best films of the year without considering some big social and cultural issues.

At the film's recent press day, Costner talked about the appeal of playing Coach White, Niki Caro's directing style, the bond that developed between all the actors during filming, the pivotal role a coach can play in a young person's life, the Jim White - type coaches who influenced Costner's life in a positive way, what he learned about Latino culture growing up in Visalia, why he waits for projects to come along that he can really respond to irrespective of genre, the biggest cultural gap he experienced on this film, and how sports movies allow us to address other issues within the wider society.

In what seemed at the outset a film facing off the left and right wings of America, it ultimately fuses both by focusing on the bigger issue.

Stone's films continue to tackle big issues, from 9/11 and the presidency of George W. Bush to Mexican drug cartels and the 2008 financial crisis.

«The whole world doesn't want to see a tennis film, but it might want to see a film about somebody struggling with the big issues in life that stretch across every continent, really,» Beaufoy continued, «about love, and about fairness and equality, and being trapped in a place where you can't be who you are.»

Stray Dog is not one of those single - issue documentaries dealing with a big public social issue, but many of these issues come up naturally, and the film presents them in a way that leaves it up to the viewers to come to their own positions.

One of the big pieces of news out of this year's SXSW film festival was the announcement of a new aggregate movie review and ratings site, meant to answer many of the issues people have with Rotten Tomatoes.

Science fiction is at its best when it takes a crazy concept and applies it to real world issues, and that's exactly what writer director Yoshio Kato does with 3FT Ball and Souls, a teeny tiny Japanese film filled with big ideas and even bigger heart.

The picture was an unexpected surprise hit, but instead of tackling big - budget franchises for an encore, Blomkamp decided to create a big - budget sci - fi film once again tackling many of the same social issues, this time hovering around healthcare and immigration.

The third act moves us away from the love story, into bigger issues of manipulation and trust, but this 90 - minute film doesn't have the patience or the experience to tackle anything beyond a fleeting teen romance.

Paul Bettany makes a strong impression with his first film as a writer - director, exploring the big issue of homelessness from a variety of pointed angles.

The film is an incredible tightrope walk between comedy and action and drama, and while there are some significant pacing issues, Black pulls it off beautifully, deftly summoning the best traits of big budget filmmaking.

Granted, the earlier films never made a big deal about characters chowing down (and I don't recall Diego taking a bite since the series began, though perhaps he has), but this time our heroes spend so much time stranded at sea that starvation and eating should be an issue.

That Coogler manages to work genuine racial issues into the film's narrative without turning it into a didactic ideological crusade is a mark of his dexterity as a storyteller and his commitment to a sense of humanism that is all too often lacking in the world of big action filmmaking.

But the bigger issue for the filmmaking team — which was led once again by director Francis Lawrence — is that the climactic and sometimes shocking twists of Mockingjay should not have spread out over two films.

One of the biggest complaints about «Magic Mike» was that it was a lot more serious than people were expecting for a film about male strippers, and producer / star Channing Tatum addressed that issue with the promise that the upcoming sequel would be a much lighter affair.

I will say thatmaking a true political - military movie for teens, and this time not shying away from the big issues of propaganda, fear, and dictatorships, shows a confidence in the audience I really appreciate, and felt absent from the first two films.

Above and beyond, this is a film of big ideas, elevated from what could be a theatrical chamber piece by the rigorous manner in which it delves into the question of artificial intelligence and the singularity, leaving you picking over its issues well after the credits roll, while also never feeling like you're sitting through a TED talk.