Sentences with phrase «biggest painted space»

Not exact matches

The biggest space to paint (four gallons.

It also has a big chalkboard that is easy to clean and a holding space to keep all drawing and painting supplies to create less mess.

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A space filled with natural light looks even bigger and brighter painted white.

I have big exciting plans for this space coming up, but for now I just kept it light and bright with some greenery, textured cushions, and my painting.

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I LOVE the big impact all the painting provided to your space.

We love that the homeowner chose to paint this room white, except for the treads of the stairs — which helps the narrow space feel bigger and brighter.

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In that building he started his studio, an open work space where scenery as big as the prow of a ship could be built, erected, painted, and then broken down and shipped off to the city for load - in.

Rewards given to bigger purchasers include 1,250 treasury notes, 500 storage space slots and 10 gun paint kits.

Other big likes: Louise Bourgeois's cast bronzes and carved marbles; Franz West's lumpy, painted organic form - on - a stick; Antony Gormley's hanging metal sculpture, whose linear materials — and certainly its shadows — functioned as drawings in space.

I still, I was painting representationally when I moved into the big space.

Riflemaker only has a small space, so they can't show any of my big major works, but they are showing one major work, called The Butterfly Test Plates (1973 - 74), which comprises five plates that chronicle my studying china painting in preparation for The Dinner Party.

JMcK: You play with the gallery space just as Capability Brown played with the landscape, both big steps in conceptual terms away from the strictures of the picture plane, and from easel painting.

Hosted by Vladimir Restoin Roitfeld, the show will mark her return to the Big Apple with 24 new paintings and drawings from the SF - based artist that deal with «ideas of balance and harmony through color and space.»

2007 Langsam, Julie, catalogue essay, The Big Bang, curated by Julie Langsam, The Cleveland Institute of Art 2004 Cohen, Joanne, & Langsam, Julie, catalogue essay, It's A Wonderful Life: Psychodrama In Contemporary Painting, curated by Joanne Cohen & Julie Langsam, SPACES 2002 Langsam, Julie, catalogue essay, Arte Povera American Style: Funk, Play, Poetry & Labor, curated by Julie Langsam & Bruce Checefsky, The Cleveland Institute of Art

The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist's native state.

Iglesias, F.Meisenberg, B.Ruais, K.Thorne, J.VanDyke / Abrons / 466 Grand / thru 12/20 Kaari Upson / Ramiken Crucible / 389 Grand / thru 12/14 Matt Connolly / Essex Flowers / 365 Grand / thru 1/4 Opening 11/21 Keumnin Lee / Shin / 322 Grand / thru 11/30 Ulf Puder; Bettina Blohm / Straus / 299 Grand / thru 12/12 Amy Lien & Enzo Camacho / 47 Canal / 291 Grand — floor 2 (new location) / thru 12/21 Bright Matter: LAb [au]; Numen / For Use; Joanie Lemercier; Nonotak; François Wunschel / Guepin / 83 Orchard / thru 1/11 Opening 11/21 Kiki Kogelnik / Subal / 131 Bowery / thru 12/19 Brad Troemel / Tomorrow / 106 Eldridge / thru 11/30 (extended) The Contract / Essex Street / 114 Eldridge / thru 1/11 Opening 11/21 Reception 11/22 Foster Mickley / Munch / 245 Broome / thru 12/21 Opening 11/21 Robin Kang; Duhirwe Rushemeza / Tabacaru / 250 Broome / thru 12/9 Michelle Lopez / Preston / 301 Broome / thru 12/21 Alexander Tovborg / Beauchene / 327 Broome / thru 12/21 Mary Ann Aitken; John Maggie; Jonathan Rajewski / Hanley / 327 Broome / thru 12/21 Guglielmo Achille Cavellini / Whitebox / 329 Broome / 11/1 thru 11/30 Yui Kugimiya / Marlborough / 331 Broome (third NYC location) / thru 12/21 Opening 11/20 Lily Ludlow / Canada / 333 Broome / thru 12/14 Ulrike Theusner; Paul Brainard / Lodge / 131 Chrystie / thru 12/14 Cristina Vergano / Woodward / 133 Eldridge / thru 12/21 Nayda Collazo - Llorens / LMAK / 139 Eldridge / thru 11/30 James Hoff / Callicoon / 49 Delancey / thru 12/21 Noam Rappaport / Fuentes / 55 Delancey / thru 12/21 XYZ collective / Brennan & Griffin / 55 Delancey / thru 12/21 Jana Winderen & Marc Fornes / Storefront for Art & Architecture / 97 Kenmare @ Centre / thru 11/21 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 12/21 Josh Faught / Cooley / 107 Norfolk / thru 12/21 Joseph Montgomery / Gitlen / 122 Norfolk / thru 12/21 My Big Fat Painting curated by Rick Briggs; Fred Gutzeit / Morris / 163 Chrystie / thru 11/23 (extended) Closing Reception 11/20 (7 - 9 PM) Mark Joshua Epstein / Morris project space / 163 Chrystie / thru 12/20 Opening 11/20 (7 - 9 PM) Addie Wagenknecht / Bitforms / 131 Allen (new location) / thru 12/7 David Mramor / James / 143b Orchard / thru 12/7 Angelo Volpe / Krause / 149 Orchard / thru 12/8 Beatrice Scaccia / Cuchifritos / 120 Essex (SE corner of market) / thru 11/30 Tommy Hartung / On Stellar Rays / 1 Rivington / thru 11/30 Valeska Soares / Eleven Rivington / 11 Rivington / thru 11/23 Bill Traylor / Cuningham / 15 Rivington (new location) / thru 12/6 Micki Pellerano / Envoy / 87 Rivington / thru 11/23 Do the Write Thing: Read Between the Lines / Berst / 95 Rivington / thru 12/20 Guglielmo Achille Cavellini / Lynch Tham / 175 Rivington / thru 12/21 Jessica Rankin / Salon 94 / 1 Freeman Alley / thru 12/21 Red, Yellow and Orange: Ford Crull; Debra Drexler; Peggy Cyphers / Van Der Plas / 156 Orchard / / thru 12/31 AS IF: Abigail Donovan; Troy Richards; Robert Straight; Peter Williams / Novella / 164 Orchard / thru 12/6 Raquel Rabinovich / Y / 165 Orchard / thru 12/23 Opening 11/21 Tai Ogawa / Matsumiya / 153 1/2 Stanton / thru 12/31 Magnolia Laurie / Frosch & Portmann / 53 Stanton / thru 11/23 Forces at Play: S.Crider; B.Gardner; M.Keller; J.Mellon; L.Rablin / Molly Krom / 53c Stanton / thru 11/30 Valeska Soares / Eleven Rivington / 195 Chrystie (second location) / thru 11/23 Sara Goldschmied; Eleonora Chiari / Lorello / 195 Chrystie — floor 6 / 11/19 thru 1/25 Reception 12/11 Kader Attia / Lehmann Maupin / 201 Chrystie / thru 12/13 George Horner thru 12/6, Henry Mandell thru 1/10 / Charles / 196 Bowery Lili Reynaud - Dewar thru 1/25; Chris Ofili thru 2/10; etc. / New Museum / 231 - 235 Bowery Takeshi Murata / Salon 94 / 243 Bowery / thru 12/21 Heinz Mack / Sperone Westwater / 257 Bowery / thru 12/13 Notes on Undoing / Garis & Hahn / 263 Bowery / thru 12/20 Opening 11/20 Charles Dunn / Rucker / 141 Attorney / thru 11/26 Serge Alain Nitegeka / Boesky East / 20 Clinton (new, third NYC location) / thru 12/21 Matthew Fischer / Junior Projects / 139 Norfolk / thru 12/21 Pierre St - Jacques / Station Independent / 164 Suffolk / thru 12/14 Aki Sasamoto / JTT / 170a Suffolk / thru 12/14 (Performances 12/12 @ 6 PM) Sara Greenberger Rafferty / Uffner / 170 Suffolk / thru 12/21 Matt Hoyt / Bureau / 178 Norfolk / thru 12/21 Stuart Shils / Harvey / 208 Forsyth / thru 12/21 Opening 11/19 Arianna Carossa / Rooster / 190 Orchard / thru 1/4 Opening 11/25 Greer Lankon / Participant / 253 E Houston / thru 12/21 Henry Flynt / Audio Visual Arts / 34 E 1st / thru 11/23 (extended) Joel Holmberg / American Contemporary / 4 E 2nd / thru 12/19 Early Man / The Hole / 312 Bowery / thru 12/28

We have big things on big walls in large spaces, but then we have these discreet pieces, mostly paintings and prints, in small spaces.

Gilbert Hsiao, a painter of retinally invigorating canvases, many of them geometrically shaped, is one of a number of artists participating in the American Abstract Artists show at The Painting Center in SoHo this month, and at the big Minus Space show at PS1 that opens next month.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

Galleries: Small, bold works dazzle in a big space By Edith Newhall Luis Romero's obsessively constructed and painted paper assemblages and quirky line drawings easily could lead you to believe he's a self - taught artist.

I am very excited about that show, as it is a big and challenging space for my paintings.

Big Bang (and assorted minor explosions) 2007 Flameproof MDF, paint, wood, light Exhibited at: Bloomberg Space, London, England Curated by: Sacha Craddock, Graham Gussin, and Stephan Hepworth

The scale is bigger, though the paintings fit easily in Hauser & Wirth's generous space.

Ms. Mehretu searched throughout New York for a space big enough to make these paintings before striking a deal with real estate developers to use the church, just down the street from where she lives with her spouse, Jessica Rankin, and their 12 - and 6 - year - old sons.

The cavernous feel of Casey Kaplan's space on 21st Street is a good setting for big, abstract painting.

That narcissistic I is repeated in other works scattered through the house: a big black I like the sentinel that inspired 2001: A Space Odyssey, a Japanese landscape painting that belonged to Freud and is hung on its side to make — you guessed it — an I.

Staring at the big painting in the small space from below, it takes me a minute to realize the festive palette is owed to the colorful tents of a homeless encampment in the foreground.

There are two galleries and we have painted big stripes all around the first room and built two little rooms — 5 × 5m — in the middle of that big space, which is decorated with the modules from the first room on the outside.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Howard Hodgkin The luscious and lyrical master shows a single, big new painting whose brushstrokes fall like a sigh in a space pregnant with suggestion.

«My studio has white walls, a grey painted wooden floor, a big window with a view out to the garden and lots of space to put / store stuff.

Ironically, the best way to catch one's eye at art fairs these days, it seems, is to show virtually nothing at all — to eschew the big paintings, bigger sculptures, and shiny mirror pieces that fill so many art fairs, and to instead devote lots of space to just a few works.

Those big white spaces... They are only suited for enormous paintings or installations.

Whereas her larger paintings appear muddled in their intention and of their moment, the smaller paintings on paper achieve what Abrams discusses in her video, «The Paradox of the Big» in which the smaller a paintings becomes the more space and infinitude it can contain.»

But, and this is a big «but», I was thrown off sympathising thus by two things: firstly, that Diebenkorn changed tack just when things were getting interesting / challenging in terms of how three - dimensional space in his abstract painting might be tackled anew; and secondly, that the figurative paintings on show here seem to offer no furtherance to, or deliverance from, those issues.»

Collection, Cornell Fine Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet: ConTEXTS of Contemporary African - American Art, Zacheta, National Gallery of Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C. Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition, New York, NY She's Come Undone, Greenberg Van Doren, New York, NY The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY Beauty, Kravets + Wehby, New York, NY African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy New Wave, Kravets Wehby Gallery, New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space, New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem, New York, NY Black Romantic, The Studio Museum of Harlem, New York, NY 2001 It's Bigger Than Hip Hop, Rush Arts, New York, NY

«Big paintings sell and they fill space,» he says, without a trace of disdain.

As New York painters were progressively rejecting illusionistic space and moving toward a more literal space and bigger formats — which would logically lead a few years later to Donald Judd's rejection of painting in favor of sculptural space — the concept of le tableau continued to provide a conceptual framework to painters within the French idiom that would allow painting to evolve without losing the basic elements of its identity.

In New York City, be sure to see: «The Big Picture» at Sikkema Jenkins (featuring NAP alums John Dilg and David Schutter); «Breed» at Greenberg Van Doren Gallery (featuring NAP alum Eddie Martinez); «Stretching Painting» at Galerie Lelong (featuring NAP alums Sarah Cain, Kate Shepherd, and emerging Chicago - based artist, Gabriel Pionkowski); «Contemporary Watercolor» at Morgan Lehman (featuring NAP alums Nina Bovasso, Sarah Cain, Ellen Lesperance and Kim McCarty); «Yeah we are friends and shit» at Josee Bienvenu Gallery (featuring NAP alums Kirk Hayes and Devin Troy Strother); «Stand still like a hummingbird» at David Zwirner (featuring NAP alum Ruth Laskey); «In plain sight» at Mitchell - Innes and Nash (featuring NAP alum Anna Conway); «Everyday Abstract - Abstract Everyday» at James Cohan Gallery; «Painting in Space» at Luhring Augustine; «Context Message» at Zach Feuer; «Hot Tub Time Machine» at Canada; and «Braman, Buren, Falls, Heilmann, Louis, Thurman» at Eleven Rivington.

2007 Big Painting: Kimberly Trowbridge, Shane Walsh, Crawl Space Gallery, Seattle, WA Annual Juried Erotic Art Exhibit, The Kinsey Institute, Bloomington, IN Structured (In) Time, Selected group show, Ouch My Eye Gallery, Seattle, WA

Jerry Dantzic and the Cirkut Camera [catalogue unavailable] Lynn Lennon: Images from Big Thicket [catalogue unavailable] Charles Greeley / Bunny Tobias [catalogue unavailable] A Closer Look: An Exhibition of Discovery [catalogue unavailable] The Shopping Bag: Portable Graphic Art MA: Space — Time Art in Japan [catalogue unavailable] Philip Renteria [catalogue unavailable] Windows / Doors, Janelas / Portas: Photographs by Barbara Cusack [catalogue unavailable] Parameters of Space: A Photographic Environment by John Taylor [catalogue unavailable] Pat Colville: Recent Works [catalogue unavailable] American Painting: The Eighties [catalogue unavailable] Dotty Attie: Drawings 1975 — 1979 Steve Gianakos: Recent Works

The light shining in from being near the river glows into the space activating the color fields vibrating in the paintings, DoN thought about how this is the way a true artist lives, in a bright airy studio right in the hub of the lively contemporary arts scene in Old City with the energy and time to think big.

Other, less aesthetically appealing works, like Ane Graff «s marble slab sculptures, Ketuta Alexi - Meskhishvili «s abstract photographs, and Avery Singer «s big monochrome paintings, seem to serve no other purpose than to take up space.