Her intricate looped and tied wire sculptures sit comfortably between
the biomorphic high modernism of Brancusi, Arp, and Noguchi, and the wider world of engineering, design, and craft.
Tagged With: Bauhaus, Bedside Gun Lamp,
Biomorphic Design, blobitecture, CAD technology, Conceptual Design, Decorative Design, Ettore Sottsass, European Design Since 1985: Shaping the New Century, Expressive Design, form follows function but not always,
High Museum of Art,
High Tea Pot, Ikea, Indianapolis Museum of Art, Jurgen Bey, Kingston University, Maarten Baas, Marc Newson, memento mori, Memphis group,
modernism, modernists, Neo-Dada, Neo-Decorative, Neo-Pop, Philippe Starck, R. Craig Miller, Smoke Armchair, Surrealism, Target, Tejo Remy, terminus a quo, the Denver Art Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki Somers