Sentences with phrase «birch panel»

Cut paper on birch panel with UVA varnish.

In Iruka (pigment and acrylic on birch panels with liquid polymer, 2013), for example, the artist manipulates the digital elements so that they take on a configuration and sense of organic power that is strikingly similar to the effect of the ocean waves in Hokusai's seminal print The Great Wave off Kanegawa from the series 36 Views of Mount Fuji.

Strauss Bourque - LaFrance, Still at Whole Foods, 2016, oil, acrylic, watercolor, wood stain, wood fill, wax stick and ink on shaped birch panel

Shane Campbell Gallery is pleased to announce Like a Rare Morel, an exhibition of graphite and metalpoint works on birch panel by Michelle Grabner.

Oil, acrylic, enamel, paper, Arches W.C. paper, linen, and birch wood on Baltic birch panel.

De Balincourt paints views and people and maps and words, pretty much always on birch panels using thin oils.

Acrylic on 2» depth birch panel; wired and ready hang.

Interior birch panelling, which will be retained, was removed to get at the beam, and at no other time did Heritage Park carpenters come closer to their predecessors than when Zech gently pried the panelling away, revealing the signatures of five men and the words Montreal, Quebec hidden on the backside.

Her very reliance on strict geometry, with thin paper strips across birch panels, align her paintings with an architect's studio practice.

Take a close look at concentrated surfaces within the carved birch panels of Andy Saftel, Suzanne Stryk's altered mirrors, Gavin Zeigler's mixed media work, and encaustics by Robert Treat, Raphaëlle Goethals, and Cheryl Goldsleger.

Heidi Spector's Love Is Our Resistance is composed of acrylic paint as bands of color on birch panel meticulously coated with a seductive, glossy resin.

A series of intimately scaled graphite and metalpoint drawings on black - ground birch panels, each work marries a classic Modernist grid to a schematic suggestion of woven fabric's warp - and - weft.

He had 99 % of the architectural detail ripped out of it and actually paid for «improvements» such as drop ceilings and fake birch paneling.

Strauss Bourque - LaFrance, Smokebush Backpack, 2016, acrylic, wood fill, ink, wood stain on shaped birch panel

Deborah Grant, God's Voice in the Midnight Hours (detail), 2013 Oil, acrylic, enamel, paper, Arches W.C. paper, linen, and birch wood on Baltic birch panel.

De Salvo will be showing Second Act, a life - size enlargement of the original Small Fireplace drawn on birch panels using a wood - burning technique.

Acrylic on.75» depth birch panel; wired and ready to hang, would also look great framed.

Pictured above: The Center Can not Hold, 2011, cut paper on birch panel with UVA varnish, 72» diameter.

Deborah Grant, «In the Land of the Blind the Blue Eye Man is King,» from the series By the Skin of Our Teeth, 2007 (oil, archival ink, paper, Flashe paint, and enamel on five birch panels).

Images: Lauren Lohman, New Neighbor (2016), Archival Inkjet Photograph, 24x 36»; Tracey Ceniceros, @kinseyABC15 (2017), Oil and powdered rubber on birch panels, ink and crayon on paper, 11 x 21 x 1»; Trey Duvall, Passage (2016), Unfired Porcelain Clay, Steel, 3 x 3 x 7»; Rajab Sayed, Partition (2016), Oil on Canvas, 48 x 48»; Elise Weber, Short Leash (2015), Archival Pigment Print, 24 x 36»

Strauss Bourque - LaFrance, A Rock Worth Living Under, 2016, acrylic, wood stain, wax stick, oil stick, ink, enamel and graphite on a shaped birch panel

Strauss Bourque - LaFrance, Duck Duck Juice, 2016, oil, acrylic, watercolor, wood stain, wood fill, wax stick, collaged paper and found images on shaped birch panel

Deborah Grant: Suicide Notes to the Self, 2008 (details); oil, archival ink, paper, flashe paint, and enamel on five birch panels; 72 x 240 in.; courtesy of the artist and Steve Turner Contemporary, Los Angeles.

Strauss Bourque - LaFrance, A Cautionary Tale, 2016, acrylic, wood stain and wood fill on shaped birch panel

Annette Davidek, Untitled # 14 - 01 2014, oil on birch panel, 42 x 38 in.

This exhibition will be a collection of recent mixed media works on canvas as well as cold wax and mixed media on birch panel.

Good Busy Though, 2013, Acrylic paint, colored wire, gold leaf, 24K gold pigment, indigo dye, oil paint, and plastic screen on birch panel, 60 × 48 in

The Interwebs, 2015, Acrylic paint, holographic lenses, patterned duck tape, oil paint on birch panel, 34 × 30 in

So Rugged, 2015, Acrylic paint, faux shearling, indigo dye, leather natural fiber rope, oil paint, and upholstery tacks on birch panel, 53 × 42 in

Examples can be seen in the series titled Variations (acrylic, pearlescent latex glaze and pigment on linen) as well as in some smaller pieces, like Itadaki (gouache and pigment transfer with liquid polymer on birch panel, 2014) and Kawa (acrylic and pigment with liquid polymer on birch panel, 2014).

Acrylic and pigment with liquid polymer on birch panels, Diptych, 41 x 24 inches.

For the past year, Cody Hudson has taken his elemental compositions, typically applied to birch panels, and translated them to stretched linen, augmenting their painterliness and deepening their relationship to a painting tradition.

Acrylic and pigment with liquid polymer on birch panels, triptych, 24 x 62 inches.

He is recognized nationally for his tactile mixed media surfaces on birch panel, incorporation of found objects, and works on paper.

The painting is 20 x 20 inches on birch panel.

Heidi Spector's Mr. Lover Man is composed of brightly colored bands of acrylic paint on birch panel, meticulously coated with a seductive, glossy resin.

There's a similar sensibility at work in Inazuma (acrylic and pigment with liquid polymer on birch panels, 2013) that seems, aside from the three - panel motif, to gently echo the compositional structure of a later work by Hokusai titled Kaijo no Fuji.

Made of oil, acrylic, enamel and paper on birch panel, the work features a background of deep red geometric shapes and countless rows of tiny abstract ink markings.

25 1/2 x 36 inches Cut paper on birch panel with UVLS varnish 25 1/2 x 36 inches Included in the Purple States show at Andrew Edlin Gallery, NYC

Installation view: From left, «In the Land of the Blind the Blue Eye Man is King,» 2007, from the series By the Skin of Our Teeth (oil, archival ink, paper, Flashe paint, and enamel on five birch panels) by DEBORAH GRANT; «High Life,» 2013 (enamel and charcoal on paper) by GARY SIMMONS; (with work by DARIO ROBLETO in the foreground).

Oil, archival ink, paper, Flashe paint, and enamel on five birch panels; 72 × 180 × 2 inches (182.9 × 457.2 × 5.1 cm).

Detail of «In the Land of the Blind the Blue Eye Man is King,» from the series By the Skin of Our Teeth, 2007 (oil, archival ink, paper, Flashe paint, and enamel on five birch panels) by DEBORAH GRANT.

Deborah Grant, The Birth of a Genius in the Midnight Sun, 2012, Watercolor paper, photo paper, cardboard, brown paper, wood, canvas, linen, ink, oil and acrylic on birch panels, 24 panels; 24 × 18 in.

Pigment transfer and acrylic with liquid polymer on birch panel, 12x12 inches.