The chief characteristics of work from that decade, with its echoes of Hans Hofmann, are densely layered
surfaces and the arbitrary petals of paint so evocatively described by Mel Gooding in his book: «They flicker and flash with the chromatic brilliancy of
birds, fish or insects
against the broken light of impasto and coagulation, or like volcanic debris falling through burned air, or like bright figures of water, air and fire
against elemental grounds of pigmented earth.»