Sentences with phrase «bit about any of the characters»

The dialog isn't much better, so I didn't care one bit about any of the characters aside from the Prince.

Not exact matches

@Godpot... (God — pot... I'll have to try that... seems Dad has been holding back...) and that Moses character... I'll wager there was more than just a bush burnin» up there... (wouldn't know... me and that bird were trying to figure out the physics of stuffing «God» into a human womb right about that time... I'm thinking all these characters, not just me, were a bit «touched» as my child «Reality» likes to say...: 0)

Dahl then zeroed in on television coverage: «Voters are asked to make judgments about the character of the candidates — without real discussion, with advertising and sound bites that trivialize their differences and give limited and prejudicial information.

but, im ok with this vardy transfer... it shows us many things: 1) wenger is changing, something some of us have been demanding for a long time; 2) it shows that wenger is taking risks: think about it, he is buying a men for a not cheap price, knowing he could not getting anything after, with a future sell i mean... this is an act that shows wengers intentions to win something, the buy is not motivated by any financial or economic reason but only for a «get the f epl once again» reason... this is an act that shows us hungry, even if we fail, we could said we try... first ever, we really try; 3) finally but very important... vardy is the kind of player we need... he is a warrior, a fighter... he has character... look at how he celebrate his goals... full of energy... he, like alexis, can motivate the team when the things are not going in our way (something wenger cant do because of his age and because he has never been an active coach on the pitch)... the vardy transfer, if it finish well, is a demostration of a change, and a good one... lets take care of winning things and do nt look the economic side for once... vardy is a bit old, but we can give a chance to welbeck after maybe, or akpom... u are not thinking about the future when we talk about ibra... guys: u complain when wenger do nt spend or because he is always looking for the bargain when u are the guys who has to pay the very expensive tickets... u complain when wenger buy the always for the future guy... like morata... stop to complain for everything and be consequent with yourself... i would love auba, but it is not going to happen... lukaku is awesome but the asking price is stupid... lets try with vardy, give us the throphy..

I was gonna give you a bit of a speech about character and loyalty in men like T Adams, J Terry, & S Gerrard.

Love what you say about styles, I agree, my style is quite eclectic as well, it's the fun bit of dressing up, being a different character every day!!

It's about Denzel Washington's homophobic character learning a little bit of tolerance and respect from his interactions with Hanks.

And while the film definitely has a silly side to it (McConaughey's character even has a nasty run of bad luck with animals biting him), it's hardly comparable to a genre classic like «There's Something About Mary.»

Labor Day has a familiar vibe to it, I have seen bits and pieces of the story before, and I have seen similar characters on the big screen and on the small screen, but it is all about the direction and how the director decides to create deep characters, effective story and a heartbreak,

The last few years of moto gp games have not been the best 2015 was ok but not great but this yrs has gotten a bit better but still has alot to do to be as strong as f1 2016 graphics are good the bikes sound great but the lack of commentary during races sort of makes the last corner over take less fun the main selling point of the game is reliveing rossi's career in the challenge mode its fun to see the video of him talking about it before you try recreate it but its easily cleared in less then an hr and theres some great races left off the list overall it has many different modes now the drift and rally are nice the dirt bike section is fun and the career is your character going through the vr46 riding team to moto gp its fun and id advise fans of motogp to buy it

As intrigued as I am by Sutter's willingness to bite off something bigger than his character's tongue to tell a story about the true costs of SAMCRO's business dealings, I'm not sure this is the time, or the place.

The only negative I have is that, to me, it seems that so many significant characters end up dead that is spoils the realism a bit and I really didn't like the way the final show of the 6th season ended (I could change my mind about this after the 7th season starts.)

For the rest, he hired a screenwriter to build a story around these bits of business, along with characters the audience would care about.

This Spider - Man entry gives the hero and the audience a little bit of breathing space, giving us a lively ensemble that focuses less on reflecting series iconography and more on giving the audience characters to care about.

Odd to see a character that was just a one - note bit part get his own movie, but Steve Carell (Little Miss Sunshine, Over the Hedge) continues playing the quirky newscaster from Bruce Almighty, oh, for about a couple of minutes.

The bit in question involved about six of the film's young cast members, and I imagined each of their characters as I spotted them — the voluptuous, dark - haired Slut; the porcelain Ingénue; the hunky Boyfriend.

The powerful film from director Gavin Hood (Tsotsi) and writer Guy Hibbert is a nail - biter as characters argue over the rules of engagement and the legality and morality of war in making a decision about a drone strike in Kenya that targets the Al - Shabaab militant group.

Man in the Dark — Stephen Lang, who is absolutely brilliant in the film, talks a little bit about his character and how he thinks of the Blind Man almost like an urban legend.

To me as a huge fan of superheroes, I feel the movie is a bit of an insult to what I love about the mythology of the characters.

Though it's a bit of a wobbly mess at times, Hacksaw Ridge ultimately winds up being a deeply moving character study about an unlikely American hero.

Sookie's dimples, her delightful chirp, and her unrelenting sunniness could have sunk the character as a little bit of a sap, but McCarthy carried it off, using about 10 percent of what she turned out to be capable of.

Joan probably remains the most opaque character in the film — The Squid and the Whale is in part about the children's re-discovering of their mother after all — but Linney puts in a heartfelt performance every bit as good as the one we witnessed in You Can Count on Me.

For those of us who know at least a little bit about the character of Deadpool, this is what you would expect to some degree.

A news report out of Detroit has a few big bits of information about Zack Snyder «s Batman v Superman, and the biggest report is that a character long - speculated about will finally appear in the film.

Its systems feel smart and well - considered, but visually and artistically it feels a bit devoid of character, a crazy thing to say about a game that has so many iconic characters and influences to draw from.

I don't usually complain about developing the backstory of a character, but this was a bit much.

After creating a hyper - stylized art deco backdrop and playing with a bit of straightforward character development that makes Rogers something resembling a human being before pumping him full of mysterious chemicals that transform him into a super version thereof (The irony of using genetic experimentation to create a race of supermen to fight the Nazis is lost on just about everyone here), the movie gradually loses its design flair and human element for hastily assembled sequences of derring - do.

But it turns out they also opened the official website, which features some details about the Story, Characters, and a bit of Gameplay.

There's a clever bit of character building that occurs in the verbal sparring matches between M and C, too — we see M's sense of honor and order and C's inability to care about people either as individuals or collectively.

I'd even dare call The Wedding Plan a biting and often somber character piece about the failure of people to capture the imaginary ideal of «happily ever after.»

That's the setup, and while Bell's screenplay doesn't exactly dig into anything unique or revelatory about crumbling relationships, there is at least a bit of honesty to these characters, despite how broadly drawn they are.

From the little bit I'd seen and read about «20th Century Women», I felt heading in that this film was going to be a dialogue - driven, light melodrama about characters dealing with the meaning of their lives.

There's a bit in the film where he's listening to one of the characters droning on about something and he falls asleep because he's so drunk.

The group makes it over the wall, but not before two of the series» prominent characters of color — played by Mekhi Phifer and Maggie Q, who are each given virtually no dialogue as a parting gift — are gunned down, likely to make room for the new influx of white actors we're about to meet (Daniel Dae Kim shows up for a second too, another minority bit - part designed to create a false sense of diversity).

We were introduced to Cyborg, Aquaman, and The Flash very briefly in Batman v Superman, but despite a bit more information on each character, Justice League relies on its audience to already know something about them, which is a mistake given that many non-comic fans are walking into the film without background knowledge on any of the three new characters.

THE PASSION OF THE CHRIST (Grade: C --RRB-: Mel Gibson's arty, controversial chronicle of the last 12 hours in the life of Jesus Christ has turned out to be every bit as gory and contentious as its pre-release enemies feared: It's basically two hours of watching a guy we never really get to know as a character being tormented by a blood - thirsty Jewish mob and tortured by Roman sadists, interspersed with occasional, fortune - cookie sound - bites about «loving your neighbor» or whateveOF THE CHRIST (Grade: C --RRB-: Mel Gibson's arty, controversial chronicle of the last 12 hours in the life of Jesus Christ has turned out to be every bit as gory and contentious as its pre-release enemies feared: It's basically two hours of watching a guy we never really get to know as a character being tormented by a blood - thirsty Jewish mob and tortured by Roman sadists, interspersed with occasional, fortune - cookie sound - bites about «loving your neighbor» or whateveof the last 12 hours in the life of Jesus Christ has turned out to be every bit as gory and contentious as its pre-release enemies feared: It's basically two hours of watching a guy we never really get to know as a character being tormented by a blood - thirsty Jewish mob and tortured by Roman sadists, interspersed with occasional, fortune - cookie sound - bites about «loving your neighbor» or whateveof Jesus Christ has turned out to be every bit as gory and contentious as its pre-release enemies feared: It's basically two hours of watching a guy we never really get to know as a character being tormented by a blood - thirsty Jewish mob and tortured by Roman sadists, interspersed with occasional, fortune - cookie sound - bites about «loving your neighbor» or whateveof watching a guy we never really get to know as a character being tormented by a blood - thirsty Jewish mob and tortured by Roman sadists, interspersed with occasional, fortune - cookie sound - bites about «loving your neighbor» or whatever.

So far the trailers for The Angry Birds Movie have mostly been about Red, the character voiced by Jason Sudeikis who has a bit of an anger management problem.

As a result, the film is looser and less intense than Yates» previous films, but it will most likely please Rowling fans, who are still likely to complain about a great many things that may have been left out from the text, a bit more now that the balance of character touches and plot are a bit more representative of the style of the book.

There were plenty of extra panic rooms packed with supplies and survivors I could have unlocked and pillaged had I searched for their keys, blueprints for even more imaginative weapons that I could have tracked down, and cell phones and newspapers containing additional bits of information about peripheral characters and the world they inhabit.

As far as the «getting away» goes, I'll admit to being a bit less impressed: clocking in at nearly two hours long, Logan Lucky limps to the finish line, dragging out the finale for an artificially happy ending that takes altogether too much time tying up loose ends of characters we simply do not care about.

Crossfire Edward Dmytryk, USA, 1947, 35 mm, 86m This adaptation of writer / director - to - be Richard Brooks's novel The Brick Foxhole, about a group of vets, led by Robert Mitchum's Sergeant Keeley, searching postwar Washington for their amnesiac friend (George Cooper) so they can clear him of a murder charge, embodies the essence of what has come to be known as «film noir» — moody, troubled characters; nocturnal action; chiaroscuro cinematography; low - key acting spiced with bits of bravura eccentricity; and a plot so crazy that it feels like a nightmare.

It is no sin to baldly foreshadow, but it is a bit of a sin to treat that foreshadowing with a sagely knowing nod, a belief that this will blow its audience's mind when just about anyone, including its dumbfounded lead character, should have seen coming.

I harp on about Joss Whedon's one note depictions of these characters quite a bit, but The Avengers was undeniably a huge undertaking, and the result was one of the most engaging and joyful theater experiences in recent years.

The screenplay by Scott Neustadter and Michael H. Weber (based on the book by John Green), which does such solid work in presenting one character, falters quite a bit when it concentrates on the bond between Hazel and Augustus, which centers on an adventure in Amsterdam to speak with the reclusive author (Willem Dafoe) of Hazel's favorite book about what happens to the story's characters after its abrupt ending.

I'm kind of thinking of going with a male character again in Ultimate but still waffling a bit about it.

Just as the plot in noir inevitably climaxes as all of the deceptions pile up, The Man Who Wasn't There mounts to an anticlimax — the final irony — where a sort of fatalistic joke on the main character finally brings about order, even if it is a bit distorted.

You'll need to have a good bit of patience yourself in this nearly three - hour feature (the 70 mm roadshow presentation, now playing, features an overture showcasing legendary composer Ennio Morricone's terrific score and a roughly 15 - minute intermission), particularly since the first half or so is all about building tension, establishing characters and setting all the pieces in motion.

Included is Sho Kosugi: Martial Arts Legend, a new 21 - minute interview with the actor about him and his career; The Making of Black Eagle, a 36 - minute featurette with Sho Kosugi, director Eric Karson, screenwriter Michael Gonzales, actors Doran Clark, Shane Kosugi, and Dorta Puzio; Tales of Jean - Claude Van Damme, a 19 - minute featurette with many of the same people speaking about their experiences working with Van Damme; The Script and the Screenwriters, a 27 - minute featurette with Michael Gonzales and Eric Karson discussing the film's development; a set of 11 deleted and extended scenes, all of which are in the extended cut and offer up a tiny bit more story and character development more than additional action or carnage; trailers for the film itself, D.O.A.: A Rite of Passage, Attack of the Killer Tomatoes, and Savannah Smiles; a fold - out poster; and a DVD copy of the film, which offers up all of the same extras.

The exploitation is that he is used for a very clunky bit of exposition, and this is doubly irking because this is a character who makes a sly salient point about race, because though black, he is African, and both mystified and a bit non-plussed by the boisterous black culture that thrives in Rowena's house.

Yesterday, comics fans got into a bit of a tizzy (some of us got into a bigger tizzy than others) about a variant cover for the upcoming first issue of Invincible Iron Man featuring Riri Williams looking way too sexualized for a 15 - year - old character.