Sentences with phrase «bit in the game design»

Now, that's not to say that the game doesn't fall down a little bit in the game design and writing areas.

Not exact matches

It was a sublime and unusual mobile game in that it asked players to sit down for an hour or more at a time, which was unlike most peer releases that were designed for quick, bite - sized sessions.

He did get found wanting in those games against Swansea and Sunderland though, when Arsenal pretty much forced those teams into executing their own game - plans designed to stop us (bit ironic really, lol).

If your game room could use a bit of a facelift and you're hoping to capture a symbiotic, elegant appeal, keep these design tips in your arsenal and transform the space into the game room of your family's dreams.

In a custom - designed space designed by award - winning architects Gensler & Associates, Harvest will treat guests to menu selections that include: charcuterie and artisanal cheeses and preserves; opulent vegetarian dishes; sustainable seafood cooked in a stone oven; grilled, dry - aged and grass - fed beef; organic poultry and game from the rotisserie; along with adventurous small bites, market - driven sides and a line - up of classic cocktails featuring cold - pressed juices and homegrown herbIn a custom - designed space designed by award - winning architects Gensler & Associates, Harvest will treat guests to menu selections that include: charcuterie and artisanal cheeses and preserves; opulent vegetarian dishes; sustainable seafood cooked in a stone oven; grilled, dry - aged and grass - fed beef; organic poultry and game from the rotisserie; along with adventurous small bites, market - driven sides and a line - up of classic cocktails featuring cold - pressed juices and homegrown herbin a stone oven; grilled, dry - aged and grass - fed beef; organic poultry and game from the rotisserie; along with adventurous small bites, market - driven sides and a line - up of classic cocktails featuring cold - pressed juices and homegrown herbs.

While some elements need a bit of polishing, such as the control precision in key moments and the overall level design, this is a game that opens good prospects for the Shantae series.

As for «Rampage,» the movie feels like exactly what it is: a mega-budget studio tentpole reverse - engineered from an 8 - bit arcade classic (by no fewer than four screenwriters), designed to eat dollars in much the same way the original game gobbled quarters.

Oceanhorn is a competent, budget, bite - sized Zelda - like experience that is not without its flaws, both in terms of glitches and in terms of sheer game design.

A satisfying and well designed game in a genre rarely seen on consoles, lacking a little bit in variety but still suggested to god games lovers.

The modern setting is a bit awkward and some design choices made by MercurySteam can be frustrating, but Lords of Shadow 2 is a true and great Castlevania game in its own right.

Fans more interested in Sonic's 16 - bit glory days will want to keep an eye on Sonic Mania, a throwback game designed in the vein of the Genesis platformers.

If you're a veteran of puzzle games you probably won't find the levels particularly tough, especially in the beginning, but the levels are beautifully designed and there is a bit of a challenge to be had in the last two sets of notepads.

While the in - game bullet effects and enemy designs are endearing, everything outside of the engine (like the artwork) is a bit drab.

While the presentation's a bit lackluster and the campaign's level design uninspired, the real meat lies in its addictive level editor, providing aspiring game designers and playful doodlers the tools to hatch and share their own creations.

While the 1994 game featured a number of impressive systems and mechanics at the time, channeling the same design from Ultima Underworld and other first - person RPG games, much of its gameplay feels a bit outdated in today's age.

some really great points there, I really like the game and what it has to offer but also wish it was a bit more of an ambitious project with adding some sort of fulfillment other than designing like perhaps more multiplayer gameplay activities, some AC: NL type of activities in the town center and your very own personal space to personalize..

The folks beyond the wall have nicer looking lasers and flying bubble ships than the dirty trucks and machine guns we've seen in the previous installments, which is a welcome change, but one can't get over the fact that every bit of art design we see feels woefully generic, as if they were scrounged from a bin of unused video game assets.

I'd say the one place that the game falls flat a bit visually it would be in the design and details of some of the areas of combat.

Which isn't to say there aren't funny bits in Deadpool, but none of them really hit until later in the game, when the story relaxes into a bit more of a traditional progression and lets the level designs do the gag work, rather than making North beg for laughs by screaming the words «chimichanga» and «fuck» strictly for their presumed hilariousness.

I also found several places where climbing a wall as high as you can go (a common practice while hunting for secrets) resulted in an «out of bounds» death with no warning, This didn't feel intentional or well - designed, and might be a sign that edge cases of the game (likely to be found as Sonic maniacs explore every corner of it) could have benefited from a bit more playtesting.

Along with a clever production design that makes locations look like scale models and other board game bits thrown in, this was probably a hard sell to figure out how to market for any studio.

Those 8 - bit classics made Mega Man famous for challenging gameplay, clever boss designs, impressively open gameplay, and some of the best music ever heard in a game.

In the past, he says, the market was cluttered with «a lot of board games that were just overly complicated and a little bit hackneyed in their design, and they would have a lot of features that didn't add to the game.&raquIn the past, he says, the market was cluttered with «a lot of board games that were just overly complicated and a little bit hackneyed in their design, and they would have a lot of features that didn't add to the game.&raquin their design, and they would have a lot of features that didn't add to the game.»

Ever since the launch of Anomaly: Warzone Earth [$ 1.99] back in 2012 which completely reversed the tired Tower Defence genre on its head with beautiful graphics to boot - and even won an Apple Design Award for their efforts - 11 Bit Studios have strived in releasing games that are ever increasing in quality.

After taking in the game for some time, and taking time out to appreciate it's solid design, I started to realize that I was, in fact, a bit bored with the whole ordeal.

Rather than produce a screen - for - screen remake of the 8 - bit original, the development team was careful to take inspiration from various situations, locations, boss battles and enemies in an effort to reformulate an entirely new game design around them.

While the rest of the game looks mostly decent for a nostalgic 8 - bit RPG callback (except for the fact that the game is too zoomed in for my liking), the enemy designs are a major disappointment.

It seems that the Americans are back in the game and are designing cars every bit as good as the Japanese and look much better.

For many, quad - core power will be useful for playing high bit - rate 1080p video (the experiential benefits of which will become much clearer when higher res tablet screens arrive) and games designed with the Kal - el chip in mind.

The AMD Athlon 64 FX processor is the first 64 - bit PC processor in a class by itself designed specifically for cinematic computing capabilities, allowing users to run the latest games with maximum performance.

Arguably the made the core game's puzzles a bit too easy at times, but levels in the DLC are more clearly designed to handle these new powers and skills.

And by «dream», I partly mean it plays like what I fantasize Konami would have created if they had decided to try to make a Castlevania game to bridge the design gap between the Classicvanias and the Igavanias, and it somehow took place in a timewarp that resulted in it coming out at the tail end of the 8 - bit era.

Super Plexis is a 16 - bit tribute to classic puzzle fighters like Tetris Attack, the Puzzle League series, and Meteos, set in a fantasy world designed to recapture the sights and sounds of old - school Super Nintendo games.

- the scene at the beginning of a ceremony caused Shimamura a bit of trouble - the lines of the ritual did not properly reflect Zelda's personality, her motivations, her powerlessness, and awkwardness - Shimamura talked about it with Naoki Mori (who was in charge of Cinematic Design, including screenplay, and cutscenes)- the whole thing was rewritten several times, until they arrived at the final result - there's quite a lot of scenes she really likes in the game - her favorite line is the «Yes» Princess Zelda gives as an answer to the Deku Tree in a particular scene - in that scene, Zelda thinks about what she should do, but she can not see it at all - she refuses to give up, and wants to give hope to Link - Shimamura tried to convey all of those feelings through the single «Yes» she spoke - recording felt completely different than for animation, the dubbing of (foreign) movies, or other games - there was no fixed routine of how to approach it, as all different things were being tried out - lines were redone even after other lines were implemented in the game, as the team found better ways to say things - Shimamura finally managed to beat the game the other day, but she wants to keep practicing her shield surfing - Shimamura explains that she really gave it her whole when voicing Princess Zelda, to give her emotions - she hopes that players will remember their memories of Princess Zelda

They were totally different games in terms of visual design and core gameplay, complete with a more Tecmo Bowl - ish horizontal field of view instead of the 16 - bit game's vertical perspective.

The art direction, the design of Sevastopol Station, the old fashioned clunky computers and their 8 - bit displays; the whole game is seeped in nostalgic respect for the source material.

The Switch's design and game library are already superb, but a bit more fleshing out could put it on a par with PS4 and Xbox One in a big way.

«Because FMOD Studio is designed to work like a DAW, we were immediately able to take those parameters that we'd set up in Nuendo, bring them over into FMOD Studio, and with a little bit of fine tuning, suddenly we had it in the game,» says Wiswell.

We are bit by bit expanding knowledge in game design, and we do have some serious hard core gamers in the team.

This will be the first real - time strategy game built in our in - house engine Asura, after all, so we need to do a little bit of extra work under the hood before we expand the team, nail down gameplay design and go into full production.

After defeating Ganon in this game, Link frees Zelda — whose 8 - bit appearance (pictured left) is a triumph of lo - res sprite design.

I'm fascinated by procedural generation in games; tell me a bit about how the procedural generation systems in Sir work and what decisions influenced their design.

Kemco has always been known as an RPG develop / publisher, but they've for the most part always been stuck in the 16 - bit looking era of game design.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Usually, when the word «retro» is marketed for a game, its design is in a form of low graphics (i.e., between 8 to 16 bits).

The game also features «retro 8 - bit color graphics», which seems like an arbitrary choice for its visual design, but I guess it's what's in now.

While Steep may retain more than a few of the hallmarks of the Ubisoft Checklist of Game Design (open world, connected online modes, etc.), it's still a bit of a departure for the studio in a lot of ways.

Pros: + Superb matchmaking and dedicated servers that allow for a solid online experience + Tutorials aren't overwhelming and offer solid explanations of every bit of the game + Astonishingly well - designed graphics and animations + Creatures act and appear realistic often battling one another in a turf war

Of course, I could have also overlooked some incredibly obvious item that would have alleviated all of my issues and thus rendered my complaints moot, so I can't entirely say that these encounters were intentionally designed that way, especially when taking into consideration how accomplished the game is in literally every other area... It seems a bit weird then that two or three glaring difficulty spikes would somehow slip through to disrupt the otherwise perfect pacing of the game.

It delivers a fresh and unique art style that maintains the old school feel of the 16 bit games, a soundtrack that actually puts even the other Zelda games to shame and gameplay so well designed and fun that it should definitely be a fixture in every 3DS owners game library.