Sentences with phrase «bit of a black eye»

The scandal surrounding Bush's ouster left Today with a bit of a black eye, but it also robbed the show of another potential heir apparent to eventually fill Lauer's hosting seat.

I would do the same thing your doing right now, but I would urge everyone that doesn't know it to look it up there are plenty of back and forth going on with the comments as expected but the APA has a bit of a black eye from it so you know they wont be liking it.

The Working Families Party, which has been pushing to clean up Albany, has a bit of a black eye from the recent spate of state Capitol scandals.

«I find it almost gives you the look as if you've just smudged a bit of black eye kohl in there,» he says.

Not exact matches

This recipe uses black - eyed peas in place of traditional kidney beans, replaces classic bacon bits with chopped mushrooms, and uses heart - healthy flaxseed to thicken the mixture.

We've had a bit of this awful icy weather this week and I can't think of anything better than this Creole Black Eyed Pea Soup!

You will love the neutral modern styling of this gray messenger bag that features black detailing as well as eye catching stitching that gives this bag an extra bit of flare.

Materials: Loo rolls, paint, bits of felt, glue, black marker pen for features and googly eyes (optional)

Ceríaco found an account of a 1506 visit to São Tomé by a Portuguese explorer, who wrote of a black snake «so venomous that when it bites a man, his eyes will explode out of the head and he will die».

He stood there and he opened his eyes back up, they were bloodshot and tear filled and his pupils were so dilated that the blue of his eyes was gone and it was pure black, it reminded me of one of those videos of a great white shark taking a bite.

An easy copycat to B. Faso meal would millet topped with black - eyed peas, herbs and mixed vegetables with a bit of flax (has similar fatty acids to termites - also part of diet).

This Southern - American salad has a little bit of everything: the protein power of black - eyed peas, the crunch of cucumbers, and the sweetness of bell peppers, all in a cumin - spiked dressing.

Black Diamonds which is recommended for blue eyes is a great alternative to black eyeliner or kohl as it has a blue undertone and what I love about this is the silver shimmer running through it — perfect for adding that bit of Black Diamonds which is recommended for blue eyes is a great alternative to black eyeliner or kohl as it has a blue undertone and what I love about this is the silver shimmer running through it — perfect for adding that bit of black eyeliner or kohl as it has a blue undertone and what I love about this is the silver shimmer running through it — perfect for adding that bit of glam.

Finally, as I may have alluded to a bit in yesterday's post about prints and some things catching my eye lately, I am in a crisp black poplin sort of mood now.

I used matte black eye shadow with little bit of shimmery black eye shadow on top of it.

The floral print on this pair caught my eye immediately and can be dressed to be a bit more romantic like I styled here or toughened up with a black tank and pair of ankle boots.

Once again it started with a makeup look I saw on Ivete Sangalo (an axe singer from Brazil) who was wearing a big cat eye and red lips and so I wanted to try on the look and automatically associated with a bit of goth, all black ensemble.

A glance at the finished look or face chart for the Derek Lam show has the onlooker squinting and doing a bit of a double - take — does she have a black eye?

Nice palette, though I do this dark smoky eye rock chic look quite a bit so I have a good enough army of black shadows that do the trick!

For smoky makeup perfect blending is very important dark colours like gray and black should be used on outer corners of eyes and for evening party makeup use little bit glossy or shimmery shade on inner corners of your eyes to make your eye makeup attractive.

I am about 5 «1 black hair brown eyes a little bit of extra baggage and continue to shed those pounds.

The LS 600h by VIP may not be the most eye catching of all hybrids, but VIP was able to jazz it up a bit with the use of machined black polish wheels, 21x9 - inch ET 33 front and 21x10 - inch ET 40 rear, and a Performance Tube Systems Joe Z Series axle back exhaust system.

Glue the skull and crossbones (I used little bits of black felt for the eyes, nose, and teeth so I wouldn't have to cut out tiny holes) on the front of the other hat pieces.

I did come across a few negatives whilst playing, the main one being the colour scheme, as it was black and white it did put a strain on my eyes as the white was so bright, i couldn't sit for any longer than 30 minutes without taking a break, the soundtrack was very ambient which did suit the game but i would have personally preferred a bit of a twist on that for certain levels

So if Sonic 4 implemented the classic style of Sonic (short / black eyes), in either 2D, 16 - bit HD, pixelated or 3D, it would be a perfect addition to the classic games cause his old design would be reflective of the previous Genesis games, which is what this game was originally advertised as.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Black grounds the room, draws the eye to places oyu want the occupant to see, adds a bit of drama.