Sentences with phrase «bit of abstract thinking»

While The Neon Demon hammers home the visual splendor to perfection, the plot does venture into a bit of abstract thinking, forcing the viewer to start toying with metaphors and deeper themes.

Not exact matches

A conscious field plus its object as felt or thought of plus an attitude towards the object plus the sense of a self to whom the attitude belongs — such a concrete bit of personal experience may be a small bit, but it is a solid bit as long as it lasts; not hollow, not a mere abstract element of experience, such as the «object» is when taken all alone.

its ok to think at the start of the season in the abstract «oh, its ok: he'll come on for a bit when we are short» versus when the reality actually hits.

That might sound a bit abstract but think of it this way... in most first person shooters you move using the keyboard and have a singular point of «focus» or targeting which is defined by mouse movement.

I don't think it is necessary to frame this as nostalgic or an historical allusion, rather it seems to take up a bit of the technology of painting that most abstract painting had thrown out.

I think he covers the whole spectrum — of paintings that only work because they are recognisable as landscapes («Fen Dyke no. 3» 1968), paintings that work and appear to be completely abstract («Spanish Chestnut, Purple Floor» 1964, «Summer Duckweed» 1975), paintings with an almost gratuitous bit of figuration (successfully) thrown in («Summer Courtyard» 1955) and paintings where the figuration is apparent but only secondary and not necessary to the success of the painting («Boat and Foliage in Five Chords no. 1» 1970).

One of the problems is that when works like Heilmanns receive praise for their wit and ingenuity, it downgrades the expectations and ambitions of other abstract artists; so that now, any number of painters think that slapping a few lines and shapes around on a canvas, in a manner that vaguely represents something or other — place, memory, feeling, whatever — constitutes an abstract painting, in which it is the very ambiguity of the work which constituting the «abstract» bit.

If I try to get rid of that boaty bit, then to a certain extent I have already been hijacked by figurative thinking (in particular, my concept of what an abstract painting should look like) and the abstractness of my work has already been compromised.

Thinking about the statements in the abstract it sounds a bit like you guys just pulled the boundary conditions for this project out of your... ah, well, you know.