But then there are those unforgettable set pieces, like an early foot chase in London's Waterloo train station where Bourne has to remote - control a nervous newspaper reporter played by Paddy Considine, not to mention the climactic car chase in New York City, a dazzling
bit of action cinema made all the more compelling by the tactile nature of Greengrass» cinematography and editing (you practically want to brush the broken glass off of your face when it's over).