Sentences with phrase «bit of action star»

Yen and Jet Li have previously worked together so it's a bit of action star reunion.

Not exact matches

And both actors are a bit outside of their comfort zones in The Other Guys; Ferrell generally doesn't do a whole lot of action (admittedly, neither does his character), while Wahlberg has yet to star in a well - reviewed comedy (we loved I Heart Huckabees, but many critics didn't).

After a couple of brief but powerful action scenes and a long section where Louie and two pals, tail gunner Mac (Finn Wittrock) and pilot Phil (Domhnall Gleeson), are lost at sea (the movie's best bit, but more on that later), we're left with a long last section; a prison camp pic where our hero is locked into a battle of wills with Watanabe (Japanese pop star Miyavi aka Takamasa Ishihara).

Despite his enormous success, Eszterhas seemingly felt slighted by the industry in which he made his living, and decided to bite the hand that fed him with Hollywood satire «An Alan Smithee Film: Burn Hollywood Burn,» in which director Eric Idle makes a $ 200 million action movie (starring Sylvester Stallone, Jackie Chan and, um, Whoopi Goldberg) and tries to take his name off of it after studio interference, but is unable to because his name is actually Alan Smithee.

It is every bit as if Cage has been transported to some alternate universe, where he isn't an Academy Award winner, the nephew of Francis Ford Coppola, and the star of many action blockbusters, but just some novice who's happy to be a big part of an amateur production.

But he is Brad Pitt, luckily, so he can still play the lead in action movies like World War Z. Pitt is one of Hollywood's most reliable and beloved stars, someone with tremendous acting chops who also plays the whole fame game masterfully, and does his fair bit of philanthropy on the side.

Despite the possibility that this could be viewed as just another action film, the use of Penn, as well as the fact that this also stars Idris Elba and Javier Bardem may see this film being a bit more than just a shallow bit of fun.

Playing a little more like an entry in the Bourne series than the Bond series, not only with its «rogue agent who can't trust his organization» story, but also its hyperkinetic way of editing the sometimes brutal action sequences, Quantum of Solace falls a bit from star Daniel Craig's debut due to the fact that impressively choreographed hand - to - hand combat fails to impress when the action and stunts are this grandiose.

Granted, people had been waiting for a new live - action Star Wars film for over a decade before The Force Awakens hit theaters and may have been a bit easier to please, but a great team has been assembled both in front of and behind the camera, and the new footage looks great, so, as of now, there's no reason to believe that Disney and Lucasfilm won't be going two for two with their recent Star Wars releases.

It helps that the presence of star Iko Uwais reminds you of The Raid, as well, as the action found within is every bit as intense and

Things go a bit haywire in the final third of the film, as Robert Forster becomes action star and we are thrown into a faster - paced adventure, with less to think about.

After starring in The Captain from Castile, Tyrone Power strayed a bit from the grand plan set out by Fox Czar Darryl Zanuck and made a pair of comedies before returning to the period action hero archetype he fitted so ebulliently.

Just like the ageing stars themselves, this is solid action fare with saggy bits, but there's enough ass - kicking, Molotov cocktail - throwing and gunfire to keep their erstwhile fans amused, and the screenplay cleverly knits the old traditions of Shaft together with Boyz»n' the Hood social commentary.

He's a classic action star, along with a little bit of Rudolph Valentino.»

The first movie was a bit of a disappointment because the story didn't live up to the hype of having a collection of»80s action stars all in one place.

The slightly unhinged [in a good way] fusion of romantic comedy and action flick starring Steve Carell and Tina Fey as an old married couple trying to kick a bit of pizzazz back into their humdrum marriage hits shelves today and well worth a look.

Under the competent hands of America's most consistently mediocre director (Ron Howard, subbing in for the LEGO guys), Solo is a perfectly fine bit of blockbuster action filmmaking, with a capable cast and some neat special effects upholding a wholly conventional screenplay with nary a hint of the idiosyncrasy that has marked every other Star Wars film, for good or for ill.

If it gets bogged down a bit in its dutiful inclusion of procedural and action hijinks, the movie still sails on the strength of some of its joke writing, and the chemistry and smart use of its stars, Channing Tatum and Jonah Hill.

Joseph Gordon - Levitt makes up for the sin of appearing in G.I. Joe: The Rise of Cobra by being a kick - arse action star who isn't the least bit flashy, whilst Tom Hardy regularly steals the show as the smart aleck Eames.

Yes, we've seen this mad dash to get one's hands on a MacGuffin in many, many action flicks before (Hello, Guardians of the Galaxy, Avengers, X-Men, and anything else with a Marvel / DC label), but it seems a bit excusable here since such storytelling devices are ingrained in what Star Trek is all about.

The unquestioned star of the film though is Butler, who has been on a bit of a losing streak lately with films, but Olympus may be the role that reenergizes his action career.

The usual question of whether Star Wars is less popular compared to other digital comics or Superman and Justice League are stronger performers comes next... with the caveat that Superman titles have appeared to be picking up a little bit of steam ahead of Action # 1000 and the arrival of Bendis.

The weekly chart is also a bit mixed with technically a confirmation of a Shooting Star, reversing to the downside, but with strong end of week price action to close it near unchanged.

Finally we get to how much you get for your money in terms of maps and game modes, and it's a decent bit with the game weighing in at 5 modes with the star being Convoy — a mode in which the one team has to defend a convoy, as it moves across the map the team will have to destroy roadblocks and defend it against the attacking team — which produces some great action.

Sure, the on - screen action might get a bit frentic and competitive with four players, but it's fun taking on enemies and working together to get all of those green stars and clear those stages that are the trickiest.

In one of the oddest game collaboration projects yet, rock group Linkin Park and game developer Artificial Life have revealed Linkin Park 8 - Bit Rebellion, a new 2D action - adventure game starring the band and featuring its music, releasing to iPhone, iPod Touch, and iPad soon.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

As a bit of trivia, the day was also picked because March 10th is the birthday of «80s action star, Chuck Norris (ain't that a kick in the head?)

Developed by Atari Games Corporation Released 1989 Also For Amiga, Amstrad CPC, Arcade, Atari 2600, Atari 5200, Atari 8 - bit, Atari ST, BBC Micro, ColecoVision, Commodore 64, Electron, GameCube, Macintosh, ZX Spectrum Genre Action Perspective 1st - Person Perspective Theme Arcade, Sci - Fi / Futuristic, Shooter Misc Licensed Title Description Star Wars is a first - person shooter based around the final scenes of the original Star Wars film.