Sentences with phrase «bit of white paint»

Ribbon - hung pinecones, dusted with a bit of white paint, offer a pretty end point.

It's amazing how a little bit of white paint can brighten up a space!

A bit of white paint is all it would have taken to transform «Puckman» into something rather objectionable.

For the next pot, I added just a dab of Peacock blue to quite a bit of white paint.

Not exact matches

Ever - so - slightly radioactive bits of white plastic, chunks of lead, and green - painted pieces of the bomb's casing are among the most common finds.

I took some white paint and just with the tip of my finger, rubbed some over the raised areas on the post box, just enough to highlight the design a bit more.

I used Snazaroo white face paint mixed with a bit of makeup forever fuschia flash color.

Recently I gave the legs and base of the bench a quick coat of white paint with some chalk paint I had on hand, and I still might distress it a bit, but I'm liking the look of it much more now.

I mixed a custom colour using Annie Sloan Chalk Paint in Antibes and Old White with a little bit of turquoise acrylic paint added, I got as close to the colour of the handles as I could.

And finally, with a little bit of white fabric paint, paint little dots for stars around your shirt and add some star trails.

I used white chalk paint on the shelves first, then buffed a little bit of dark paste wax over the white to give them an antiqued look.

So, I don't have any pictures of me actually painting the desk, however, as I was painting I realized I wanted to add a bit of dimension to it so I decided to paint the top and drawers a white!

The table top was painted in white already, I just freshened it up a bit and gave it a new coat of chalky finish white.

You can use painted and distress Shabby books, a beautiful white pitcher that you can Frenchify in 5 minutes (here you can find some similar beautiful white pitchers *), your favorite angel statue (mine is a gift from my sister), some Ikea candle holders that you can paint and Shabbify (and love like crazy), a little bit of white fabric to add some texture, a scented soy candle in a French coffee cup and some AH - MAZING lilac flowers with a stunning perfume.

The way you refinished them with white paint was a nice way to take away some of that new shine and give them a bit of a worn look!!

Also, the molding around the middle of three walls is painted white to match the ceiling, and the walls are a very pale pink, «Barely Blush,» I spent a bit of time making sure those lines were cleaned up.

Toyota flew a small group of auto journos on hired helicopters 30 minutes each way (even with a bit of sightseeing), which allowed us time to spend the day caking the Barcelona Red, Cement, and Super White Taco Pros (the only three paint colors available) with mud.

Cons: Build quality is poor (body panels are a bit off - the hood fit is particularly poor, white body paint doesn't match bumper color, a few interior rattles even with just 3000 miles), dealer service is the worse I've experienced anywhere (Major World Dodge in NYC), side mirrors are too small and have blind spots no matter how they are adjusted (definitely get the tech package with blind spot detection), hard to see the front of the car over the scoop (Dodge does not offer front parking sensors).

I opted for $ 720 Dakota Brown paint, saving a bit of money over the more expensive Designo Diamond White our tester had.

White walls are a bit scuffed, and could do with a fresh coat of paint in the otherwise clean tiled rooms.

French doors, large windows and skylights flood the rooms with light, and stone walls and beamed ceilings wear a coat of white paint for a bit of natural texture with a crisp, clean look.

of course being the handyman, cough cough, that Mr Beach Cottage is, he relished the idea not only of this getting some of my beach cottage white paint, but, more, he likes to think of himself as a bit of a Mr Fix It and thought he could do some of that thing that men do when they are supposed to be doing jobs that are important but instead «fix» things that are totally irrelevant to the running of a cottage for five..

Hellloooo Beach Cottage lovelies, welcome to a little bit of classic beach cottage decorating, updating via white paint and some Frenchy coastal style something that wasn't too nice... and all very much DIY......

Good morning Beach Cottage people, the free crate for beach decor with a little bit of coastal white paint and DIY is here with us today in this old cottage!

The paintings are bisected near their edges by vertical and horizontal bands of white, and here and there with bits of color (see illustration above).

These photographs capture the frenetic assemblage of readymade stuff (including toy guns, baby dolls, shoes, crockery, cans, bottles, chicken wire, detritus, bits of ephemera, etc.), the filling of bags of paint and their attachment to the wooden supports, the white - washing of paint over the entire surface, and the ultimate dunk into milky - white plaster.

Scribbled paint strokes blur the punchlines of comics, drips of white paint collide with a thick red line squeezed right from the paint tube, and bits of headlines such as «Dandruff may be the beginning of baldness» jump out amid abstract patches of pink, red, and yellow.

In this biting but elegant 33 - piece retrospective set to Japanese court music, Hammons» gimlet eye transforms the gallery's white - walled East Side town house, pairing, among other things, a paint - splashed fur coat with a boarded - over mirror and redefining the meaning of art.

Carol Bove, like Koons, introduces a bit of commercial mundanity in her Third White Sweater Painting (2016) by recasting the repetitive monochrome structure favored by Minimalist icons Agnes Martin and Robert Ryman, both of whom appear here, as the design of a cheap sweater.

The promo picture for this exhibition shows a pair of white men's underwear wrapped around corkboard that's been mounted on a white wall and outlined with a bit of black paint.

Among the works that did well were Lot 140, «Model for T.W.U.,» a maquette for a larger work that was installed on West Broadway in SoHo in 1981 - 2 by Richard Serra (b. 1939), which sold for $ 123,500, more than twice its high estimate; Lot 181, an untitled 1984 work by Keith Haring (1958 - 1990) that sold for $ 101,500 and had had a high estimate of $ 70,000; Lots 119 and 120, both by Christopher Wool (b. 1955), that sold for $ 96,000 and $ 79,500, and which had both carried high estimates of $ 35,000; Lot 131, «Negativert,» a large interesting 1983 work by Sigmar Polke (b. 1941) that sold for $ 96,000, a bit over its high estimate of $ 90,000; Lot 132, «Abstract Painting 816 - 3,» a 22 by 20 1/8 oil on canvas that resembles a melted multi-colored metal red, white and blue flag by Gerhard Richter (b. 1932), that fetched $ 79,500 and had had a high estimate of $ 0,000; and Lot 134, «Dein Ashenes Haar Sulamith,» a very fine 1981 work by Anselm Kiefer (b. 1945), shown at the top of the article, that sold for $ 79,500 and had a high estimate of $ 70,000.

It's only a bit of an exaggeration to say Pousette - Dart's paintings could be an academic painter's works, under an overlay of modern white.

For her booth, she built an elevated white platform in a corner to display 24 small paintings by Phillipe Decrauzet, the reds and blacks shifting like a spinning zoetrope, with one canvas - size block of white cube cut out to reveal a bit of the sky outside, peeking in.

The suave, white - suited man named Steve in Barkley L. Hendricks's 1976 painting of that name, radiates every bit as much star - power as Elvis Presley does in a double - panel Warhol homage, and he's treated with a lot more respect than is the busty, grinning title figure in Willem de Kooning's «Woman and Bicycle» from the early 1950s.

There is also a lot of strong monochromatic painting, by artists like Marcia Hafif (a small, bright, handsome, yellow enamel square), Olivier Mosset (a small off - white square, typically flat and deadpan), Kathy Drasher (a warm, peachy decagon with a poetic bit of text) and Daniel Levine (another square, this one an ethereal, almost glowing, white).

So I leave the room and go around an exhibition of paintings in White Cube's larger galleries — lots of quite interesting canvases, but a bit bland overall.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Can you talk a little bit about the silkscreen paintings at CANADA, which basically consist of black silhouettes against a white ground?

To be fair, I've seen some of the foundation's large - scale paintings installed in large, white - walled galleries; there, the monumental indifference seemed humorous, since they were able to mock the expansive, commercial gallery space; in this congested space, they lose that bite.

Shot on rough ground, Thomas Roma's black and white pictures of the shadows of dogs at play look a bit like cave paintings, where featureless silhouettes distill the doggy essence of each animal.

In Shaved Ice (2010), a white painted surface gives way to the bubbly texture of Gorilla Glue, weighted down by dozens of copper - plated steel bits that make the surface appear even more constrained, referencing Piero Manzoni.

The individual paintings were bit players in a dramatic display dominated by A Story of Red (2013), a masterwork consisting of 39 panels, each containing a squarish form in a variety of reds, with slices of white background showing just at the edges.

Many of his paintings consist of a few bits of sketchy brushwork that might or might not represent an object or body part slapped over a white or pastel ground.

Rather than paint the bar stools white, I chose SW Poolhouse from the living room to weave a bit of our accent color into the kitchen.

All they needed were a bit of TLC, Maison Blanche ivory furniture paint and a coat of white lime wax!

The farmhouse will be painted white (of course) with black windows and accents so I really wanted something with a little bit of color so people didn't think I was too boring.

The roof is painted in a kaolin tone, an amalgamation of white with a bit of ochre that is also used on the walls creating light and cordiality.

A little bit of gold spray paint on the stems and white chalk paint on the rest and they became the base of so much of my Fall decor!

In all fairness, because the color is almost an exact match for ASCP Pure White, I painted out the smallest tabletop in the bit of ASCP I had left, to compare coverage.

I painted them Simply White to make it look like they were always a part of the mantel, but distressed them with a sanding block so a little bit of the original mint green showed through.