As a child, Nick Castle Jr. showed up in extra and
bit roles in the films choreographed by his famous dancer father.
Orser is the sort of actor who has operated on the fringes of pop culture for twenty years, with notable
bit roles in films like Seven and Saving Private Ryan and the Taken films, as well as quite a bit of television work, but Faults is a rare case of a director putting him in the driver's seat, and he proves himself equal to the task.
Orser is the sort of actor who has operated on the fringes of pop culture for twenty years, with notable
bit roles in films like
There are some smaller, quirky
bit roles in the film.
Not exact matches
After debuting onscreen
in a
bit as a bellboy
in Dead Heat on a Merry - Go - Round (1966), he played secondary
roles, typically a cowboy,
in several
films of the late»60s and
in such TV series as Gunsmoke, The Virginian, and Ironside.
A humorous
bit - part as a conservative 12 - year - old facing the wrath of a group of lethal liberals
in 1995's The Last Supper dropped a dollop of humor
in the mix before Moss returned to more dramatic
roles in Separate Lives (1995) and A Thousand Acres (1997), and the talented young actress continued her winning streak with
roles in such diverse
films as The Joy Riders and Mumford (both 1999).
His first
film role was the bumptious backwoodsman Whitey
in Buster and Billie (1974), after which he paid his dues
in a series of villainous
bit parts: shooting down Burt Reynolds at the end of Hustle (1975); beating up Kris Kristofferson
in A Star is Born (1976); and so on.
A stint on Garry Shandling's breakthrough HBO series The Larry Sanders Show (for which she was nominated for an Emmy award
in 1996) soon followed, and
in 1994 Garofalo reunited with Stiller
in the
film comedy Reality
Bites, a
role which earned her the much - despised tag of «Generation X comedian.»
Most of Hale's talkie
roles were unbilled
bits, or guest cameos
in films that spotlighted other silent movie veterans (e.g. Hollywood Boulevard and The Perils of Pauline).
A purveyor of priggish military and law - enforcement types, British actor Ronald Fraser began his
film and TV career
in 1954 as a
bit actor, then graduated to supporting
roles.
Really, the only area is which the
film falls back a
bit is
in its reliance on visual effects to play a primary
role in the action sequences, a common shortcoming
in recent superhero movies.
(It also helps that the only men
in the
film are relegated quite conspicuously to the sidelines, reduced despite their bravado to the
role of
bit players; one of the
film's most interesting qualities is that it is,
in a way, a feminist horror
film.)
While many of his talkie
roles at Warners were
bits, Blue was given choice supporting
roles in such
films as Across the Pacific (1942), Mask of Dimitrios (1944) and especially Key Largo (1948).
Rami Malek — who,
in an amazing
bit of timing, signed on to the
film just before the debut of Mr. Robot — stars
in a dual
role as Jonah, a modest family man who works overnights at a hotel and dreams of buying a plot of land
in the mountains, and as Buster, an anarchist vagrant who survives by breaking
in to the empty vacation homes of wealthy part - time Montana residents.
But one still can't shake that feeling that Abramoff, as presented
in this
film, isn't just an excuse tor Spacey to engage us with his schtick, which includes several celebrity impressions and that sarcastic
bite he's perfected over the many sneaky villain
roles he's played.
Stoll gives a solid performance, even if his villain
role is a
bit generic, feeling more like Obadiah Stane from the original Iron Man
film, complete with a prolonged climax
in which supercharged hero and supercharged villain fight it out
in their respective techno suits.
the Aliens or Prawns (derogetory term given to them by the humans) play a much larger emotional and dynamic
role in the
film than the trailer or
bits of viral marketing let on.
District 9 is not only an action thriller, but a thought provoking critique on our own culture that can't be ignored as the Aliens or Prawns (derogetory term given to them by the humans) play a much larger emotional and dynamic
role in the
film than the trailer or
bits of viral marketing let on.
In the bit, Spencer is recounting how many times she played a nurse in various films before winning her Oscar Award for The Help, and indeed one of those nurse roles placed her inside Haddonfield General Hospital and directly in the path of a decidedly angry Michael Myers in Zombie's 2009 sequel to his own 2007 Halloween remak
In the
bit, Spencer is recounting how many times she played a nurse
in various films before winning her Oscar Award for The Help, and indeed one of those nurse roles placed her inside Haddonfield General Hospital and directly in the path of a decidedly angry Michael Myers in Zombie's 2009 sequel to his own 2007 Halloween remak
in various
films before winning her Oscar Award for The Help, and indeed one of those nurse
roles placed her inside Haddonfield General Hospital and directly
in the path of a decidedly angry Michael Myers in Zombie's 2009 sequel to his own 2007 Halloween remak
in the path of a decidedly angry Michael Myers
in Zombie's 2009 sequel to his own 2007 Halloween remak
in Zombie's 2009 sequel to his own 2007 Halloween remake.
Talking with «People» magazine about his
role in the new horror
film «Happy Birthday,» the singer reveals he's been
bitten by the acting bug.
Cooper is a
bit over-hyped
in his
role, while Adams is at her best
in a
role that is the
film's most diverse.
While Bana is good
in his
role, it doesn't really require much of an acting stretch on his part, so I suspect he did the
film just for a
bit of fun to get away from the darker
films he had been doing.
The real problem for me is that a Woody Allen
film without Woody Allen
in the central acting
role is really a poor copy of his earlier films.Blanchet plays the crazed anxious neurotic, which is the part the Allen always played.No - body can do, the highly strung, manic neurotic part as well as him, and Blanchet whilst decent can not match him.A decent enough
film, but perhaps a
bit dry
in it's delivery
I've seen this
film twice already and I have to say what fine acting from the whole cast, hailee steinfeld was exceptional and jeff bridges managed to pull off such an iconic
role, matt damon was there but surprisingly restrained
in his
bit.
In the education of aspiring filmmakers, when every single
bit of available information builds upon the artist's craft and know - how, vital
role was played by countless prize
film magazines.
Part of the reason why the
film is crippled comes from some less - than - stellar casting of the lead
role in Canadian Jeff Cooper, known primarily for
bit roles on various TV series.
The
film will flush out Gadot's resume a
bit and allow the world to see her
in what is likely another action - type
role.
On the Allen
bits, it looks like Parker got her
role after meeting Juliet Taylor, Allen's Casting Director, at a
film festival
in Krakow.
Chuck presents a
bit of a dilemma
in presenting the movie version of the true story that inspired another
film, especially when the existence of that
film plays such a key
role in the real story.
While the
film itself is a
bit flimsy, Aphrodite is worth watching just for Sorvino's magnetic performance,
in which she takes a hackneyed hooker - with - a-heart-of-gold character and injects it with enough humanity to transform the
role into something truly special.
The movie isn't the
biting satire that I'd expected, but Spade is great
in the title
role and the
film does has some funny scenes.
Part of the reason is that Paul Kaye is extremely unlikable
in the lead
role, looking a
bit like a cross between Marilyn Manson and Gary Oldman, without much charisma or romantic appeal, which is especially critical to make the romance, which constitutes a great deal of the
film's short running time, fly.
Indeed, Offerman has quite a
bit in common with his signature creation — like Swanson, he's a genuinely talented furniture maker — but
in recent years he's broken from his man's man persona to branch out with more dramatic
roles in films like The Founder and the second series of FX's «Fargo,» for which he received a Critics» Choice Television Award nomination.
Zoolander is an occasionally funny
film that could have actually been better had Stiller not decided to star himself
in the title
role and instead cast someone a
bit more believable as a male supermodel type.
Q: On another project, you've called your upcoming
role as Nero
in the Star Trek
film a «cameo,» is it really just a
bit part?
The
film — and Bardem's
role in it — changes quite a
bit when Penélope Cruz shows up.
Richard Attenborough: an escaped lunatic
in A Bridge Too Far (1977) John Carpenter: his longest cameo appearance was as Bennett
in The Fog (1980) Terry Gilliam: directed himself
in bit roles in Jabberwocky (1977), Brazil (1985), and The Adventures of Baron Munchausen (1988); he also directed himself as a member of the Monty Python troupe
in Monty Python and the Holy Grail (1975), and The Meaning of Life (1983) Ron Howard: small cameo
roles in Night Shift (1982), How the Grinch Stole Christmas (2000), and A Beautiful Mind (2001) Lawrence Kasdan: Devo's (River Phoenix) lawyer
in I Love You To Death (1990) Elia Kazan: Mortuary Assistant
in Panic
in the Streets (1950) Stephen King:
in his lone directorial effort Maximum Overdrive (1986) Spike Lee: cameos (and some larger
roles)
in many of his own
films, including: She's Got ta Have It (1986), School Daze (1988), Do the Right Thing (1989), Mo» Better Blues (1990), Jungle Fever (1991), Malcolm X (1992), Crooklyn (1994), Clockers (1995), Girl 6 (1996), Summer of Sam (1999), and 3 A.M. (2001) Terrence Malick: an unexpected visitor at door, with blueprints,
in Badlands (1973)- credited as «Caller at Rich Man's House» Robert Redford: the Narrator
in A River Runs Through It (1992) Rob Reiner: a helicopter pilot
in Misery (1990) M. Night Shyamalan: Dr. Hill at the hospital
in The Sixth Sense (1999), a Stadium drug dealer
in Unbreakable (2000), deadly driver Ray Reddy
in Signs (2002), and Guard at Desk
in The Village (2004) Steven Soderbergh: small cameo
roles in Schizopolis (1996), Ocean's Eleven (2001) Oliver Stone: an officer with a phone
in his hand
in a US base's bunker when it is blown up by a suicide bomber
in Platoon (1986)
And the
film will mark a
bit of a reunion for Coogan with a filmmaker who directed the actor
in one of his best
roles.
Cruise's first
role was a
bit part
in the 1981
film «Endless Love.»
Keira, who was wearing a navy dress by Michael van der Ham, admitted the comedy had been a
bit of light relief for her after heavy
roles in films like Anna Karenina and A Dangerous Method.
While Rickman, who also starred
in Miller's previous
film, Bottle Shock, is fine
in the
role as the occasionally unlikeable Hilly, at 67 years old, he's a
bit long
in the tooth to be playing a man
in his mid-40s, and his lack of connection with the music scene may result
in a lack of connection with its intended audience as well.
Lane apart, the
film has many other good actors turning up
in bit roles, including Sizemore as Felt's FBI competitor Ben Sullivan, Tony Goldwyn as his friend and colleague Miller, and Bruce Greenwood as Time correspondent Sandy Smith.
Jenkins also charts his path to success
in a business he knew he wanted to be
in since he was a kid and recounts those many years riding the train from Illinois to play
bit roles in New York - based TV shows and
films.
However, as the
film carries on with MI6 hiring Lara to take down Ciaran Hinds weapons dealer (the actor usually is lumped with small
bit - parts
in cinema but it is nice to see Hinds grab a
role he can truly tear into), who is planning on digging up Pandora's Box and using it as a bioweapon, it slowly moves away from the
film that the fans want to see.
On the other end of the talent spectrum, Bruce Willis is not exactly the best person for his
role (
in fact, he is a
bit of a liability
in terms of the acting) but thankfully, doesn't do much damage, since it is the story that is the main source for the
film's success (and it's one hell of a story).
The murder
in question doesn't occur until a
bit more than an hour into the
film, and up to that point, Altman and screenwriter Julian Fellowes manage to establish efficient characterization for almost thirty equally important
roles — important not
in terms of plotting, but
in terms of maintaining a fascinating perspective on early 20th century aristocratic society.
5:45 am (25th)-- TCM — Of Human Bondage Bette Davis won a Best Actress Oscar
in 1935 for the
film Dangerous, but it's widely believed that it was a
bit of a consolation prize for not winning for this
film the year before — one of her first prestigious leading
roles,
in an adaptation of a W. Somerset Maugham novel.
Gina and Gambit «s Channing Tatum worked together
in Steven Soderbergh's Haywire, where they do have a
bit of a romantic encounter.The
film which launched Gina's
film career taking the lead
role in it and had the actress beating the hell out of Magneto himself Michael Fassbender, it's cast also included Ant - Man «s Michael Douglas and A.O.S. actor Bill Paxton.
Her appearance and
role in the
film is a
bit of redemption for the actress and her family.
Neil Perry (Robert Sean Leonard) struggles with a passion for acting hampered by a disapproving and controlling father («That»70s Show»'s Kurtwood Smith), Todd Anderson (Ethan Hawke, whose only credible
role before this was as the lead
in the bizarre sci - fi family
film, Explorers) suffers from confidence issues and parents who don't seem to care about him, Charlie Dalton (Gale Hansen) has a
bit of a wild streak and wants to break free from the school he feels entrapped by.