Sentences with phrase «bits of character development»

Bird does that very well here, making sure not only Hunt but the rest of his crew get revealing bits of character development.

«Deleted / Extended Scenes» (12:02 with «Play All» option), with optional commentary by Thurber, are all pretty funny while adding a bit of character development.

While the issue itself does very little to push the story along until the final few pages of reveals, there's a solid bit of character development here, allowing new readers a chance to work out the dynamics of the different teams.

There's only a bit of character development from Wang's many allies that he takes quests from, but I was impressed by the sheer amount of cut - scenes that followed main missions and side quests.

Not exact matches

After all, that has been a bit of a theme so far with character development this season.

In order to see the particular character of the divine aim actualized in the Christ - event, we may speculate a bit upon the evolutionary advance of the world by considering its possible future development.

While Aedis Eclipse, the sequel to 2006's tepid «Generation of Chaos», adds quite a bit to the character development aspect, the core problem of the series remains: combat is almost entirely non-interactive.

The film's condensation of the years that took Wiseau to get over his heartbreak regarding the unexpected laughter that resulted in screening his «drama», and finally embrace the comedic aspects of the film, takes a bit away from important character development that could have given the third act a bit more substance.

You're not going to get much in the way of meaningful development here, but the opposing Separatist forces have a bit of character to them.

Lazily scripted, without even a pretense of character development or psychological depth, it offers nothing new for genre fans and no reason for mainstream auds to bite.

It looks like the whole crew of the USS Enterprise will get to experience a bit more development this time around since Star Trek served to reintroduce the characters to the audience.

With these new characters, I would have liked a bit more in terms of character development in the script.

The script scarcity also puts a bit of a damper on character development.

There are times when The Squid and the Whale could have used a bit more development, particularly in the character of the mother, who seems, at least superficially, to be the most «normal» of the four main characters.

They shouldn't have, as the film is always on the verge of becoming great, that with a bit more character development and time invested in the story could have taken it to the next level.

The script occasionally feels a bit too witty or ironic for its own good, once again showing the movie's audience - pleasing tendencies, and the soundtrack underscoring most of the film, comprised of multiple pop songs, just emphasizes the simplistic development of character and theme.

The fantastic sequences of dialogue Tarantino has had in the past that carries his character development falls a bit short here.

While the casting of Crispin Glover as a disassociated loner who discovers he has the power to talk to rats is sort of inspired, «X Files» expat writer Glen Morgan's Willard suffers (and yes, I feel silly for saying this) from a lack of character development, a forced psychoanalytic structure, and a sort of inbred Comic Book Guy fondness for self - reference (i.e., the majority of the bit characters have animal names — a sort of thing used best in Landis's An American Werewolf in London and Dante's The Howling: Mrs. Leach, Mr. Garter, Janice Mantis, George Boxer, and so on) that grates.

After creating a hyper - stylized art deco backdrop and playing with a bit of straightforward character development that makes Rogers something resembling a human being before pumping him full of mysterious chemicals that transform him into a super version thereof (The irony of using genetic experimentation to create a race of supermen to fight the Nazis is lost on just about everyone here), the movie gradually loses its design flair and human element for hastily assembled sequences of derring - do.

This Dawn of the Dead jettisons character development in favor of quick brush strokes, so it helps that the characters are well acted by Polley (as a gold - hearted nurse), Ving Rhames (as a hardass security guard), Mekhi Pfifer (as a street - thug - slash - soon - to - be-daddy, whose wife nurses a zombie bite and a swelled pregnant belly that's a gruesome set piece waiting to happen), and especially Jake Weber (in the Brendan Gleeson role from 28 Days Later, a de-facto dad for the band of survivors).

Also ported over are features on the history and development of «Tarzan,» among them segments on the Deep Canvas Process, Production Progression Demonstration, three publicity trailers, From Burroughs to Disney, an Early Presentation Reel, a short feature on the Research Trip to Uganda, six segments on creating The Characters of Tarzan, a three - minute bit on The Making of the Music, Building the Story and Storyboard to Film featurettes, 10 minutes of deleted and alternate scenes, and a couple tidbits on the international / intercontinental aspects of «Tarzan.»

Unfortunately however, much more attention should have been paid to the films script due to its poor pacing issues and lack of character development, which means that quite a bit of time passes without much happening.

In truth, Deapool 2 definitely could have used bit more of Negasonic's trademark deadpan one - liners and it would have been fantastic if Yukio was given more character development.

Its tale echoes those of superior features, and there are more characters than the filmmakers know how to handle, but it provides a bit more laughs and character development than its predecessor.

The Human Stain is a never - ending trip into the depths of character development, and the end result is a bit of a mixed bag.

It suffers a bit from poor timing since it comes on the heels of The Post, a thematically similar film with more urgency, superior source material, better character development, and greater contemporary resonance.

Included is Sho Kosugi: Martial Arts Legend, a new 21 - minute interview with the actor about him and his career; The Making of Black Eagle, a 36 - minute featurette with Sho Kosugi, director Eric Karson, screenwriter Michael Gonzales, actors Doran Clark, Shane Kosugi, and Dorta Puzio; Tales of Jean - Claude Van Damme, a 19 - minute featurette with many of the same people speaking about their experiences working with Van Damme; The Script and the Screenwriters, a 27 - minute featurette with Michael Gonzales and Eric Karson discussing the film's development; a set of 11 deleted and extended scenes, all of which are in the extended cut and offer up a tiny bit more story and character development more than additional action or carnage; trailers for the film itself, D.O.A.: A Rite of Passage, Attack of the Killer Tomatoes, and Savannah Smiles; a fold - out poster; and a DVD copy of the film, which offers up all of the same extras.

It remains funny through discussion of the filmmakers» many diverse movie and toy inspirations, development of story ideas and the characters, and, yes, a bit of the technical aspects driving the animation.

It builds slowly but assuredly and spends quite a bit of time on character development; LaBeouf impresses with his, runt of the litter, leading role but the standout's among the cast are a brooding Hardy and an extremely corrupt and unsavoury Pearce.

Christopher Nolan's new epic, Interstellar, is a magnificent achievement technically but falls a bit short in terms of story and character development.

While the use - your - wits to survive plot is still there, Maze Runner: The Scorch Trials appears as though it will flesh out both the characters and their environs, as well as deliver a bit more development of the political intrigue only touched on in the first film.

The chemistry between Tyler and Norton seemed a bit strained and unnatural but that may be a by - product of very little back story and / or in - depth character development.

The main villain, General RAAM, however, was a bit of a letdown thanks to very little backstory or character development.

Most satisfying are the subtle tweaks made to Persona 4's plotline, which not only offer a bit more character development but also provide additional foreshadowing of the game's conclusion.

In inFamous 2, I have a teeny bit; which is clearly progress and development of his character as a whole.

The different races and interactions are pretty unique compared to Kemco's past console games, but the lack of depth with the character development I found a bit lackluster.

There's a bit more to see of the important characters than in the previous game, and also more story development, but still not quite what you'd call award - winning material.

Rocket of Whispers is every bit as gripping and heartfelt as the last game, filled with believable character development, a story worth investing in, and an ending that will stay with you for a while.

Sometimes it can be a bit of gamble throwing money at indie games that are still in early development, but at $ 14.99 (# 10.99), Cannon Brawl is a fantastically entertaining tactical battle game that comes complete with gratifying gameplay and a burst of character the likes of which I haven't seen since 2D Boy's World Of Goof gamble throwing money at indie games that are still in early development, but at $ 14.99 (# 10.99), Cannon Brawl is a fantastically entertaining tactical battle game that comes complete with gratifying gameplay and a burst of character the likes of which I haven't seen since 2D Boy's World Of Goof character the likes of which I haven't seen since 2D Boy's World Of Goof which I haven't seen since 2D Boy's World Of GoOf Goo.

A bit of a controversial character for long time fans given his less than... «deep» character development, Broly has still become a stand out character for the movie series.

Even if it's just a three - minute conversation during a carriage ride into town, you're always given some valuable bit of information or character development.