I began with plain old
black acrylic paint from the craft store, which I mixed with calcium carbonate (per measurements in my
I began with plain old
black acrylic paint from the craft store, which I mixed with calcium carbonate (per measurements in my chalk paint recipe).
Not exact matches
Wilson removes the color
from each nation's flag and replaces all of the graphic design elements — stars, stripes and symbols — with
black acrylic paint on raw canvas.
The artist strips color
from flags of African and African diaspora countries, leaving only the graphic stripes, stars, crescents, and shields, applied in
black acrylic paint directly on raw canvas.
The exhibition at Lisson Gallery includes Untitled (White Multiband, Vertical Strokes)(2003), incorporating glass microspheres in
acrylic on canvas; multiple works
from the innovative White Band series; and recent
paintings from the
Black Band series; alongside the lightbox Untitled (Electric Light)(1968/2017), composed of argon and Plexiglas.
In her Let us now Praise Famous Men (2012) series of
acrylic paintings, Ruyter appropriated Depression - era
black and white photographs
from the archive of the Farm Security Administration / Office of War Information in the Library of Congress.
In Saint Cloud (1970), a long, rectangular
black acrylic painting, rows of dashed horizontal bands cut
from the surface reveal the depth of the
painting's wooden framework.
The exhibition also includes the
paintings Sand Morning (1973) and Arundel XI (1974), as well as a series of
black and violet
acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an
acrylic on paper made in her studio in Tokyo in 1966; two
acrylics on paper completed on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled
from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.
In the photos
from Associations New, only a handful of them feature the credited work of individual arists, including Charlotte Herzig «s «Landscape, the sun is actually red» (2014) and Henning Strassburger «s «o.T» (2014), that yells «LOOK WHAT I
PAINT» in
black scrawl through the lurid pink and
black noise of oil and
acrylic.
Structured chronologically, the exhibition consists of works on paper
from various stages of the artist's career, beginning with summary pencil scrawls of the early 1950s, when Twombly was a student at
Black Mountain College in North Carolina, and ending with three works
from 2008 filled almost to bursting with blood - red spirals of
acrylic paint.
Flowstein 2014 Wood, fabric,
acrylic paint, marker, foam, speakers, plexiglass, amplifier, ipod 3, light source, electric current, 500 kg bath salt, 400
black and white prints
from the firmament 117 x 120 x 138 cm Edition 1/1 + 1 AP
Image: Ian Davenport Puddle
Painting: Anthracite
Black, 2009
acrylic paint on stainless steel, mounted on aluminum panel 98 1/2 x 98 1/2 inches 250.2 x 250.2 cm PK 13106 June 10 — July 2, 2010 Paul Kasmin Gallery is pleased to announce its upcoming summer exhibition, «Process / Abstraction,» on view at 293 Tenth Avenue
from -LSB-...]
His large sepia - toned
acrylic and silkscreen 1966 portrait of Marlon Brando in a scene
from «The Wild One,» Lot 12, sold well over its high estimate of $ 2 million to a private collector for $ 2,642,500 (including the buyer's premium), but a small 1962 casein and pencil on canvas of a Campbell's Chicken With Rice Soup Can
painting, Lot 13, that had been estimated at $ 600,000 to $ 800,000 soared to $ 1,652,500 (including the buyer's premium, much to the consternation of the determined underbidder, a woman in a
black suit, high heels and wearing large earrings, who immediately got up
from her seat and left with her companion after the lot was knocked down.
Installation view,
from left JEREMY OKAI DAVIS, «Makes the Man,» 2012 (
acrylic on canvas); NOEL ANDERSON, «
Black Past - iche (to be looked at farandaway),» 2014 (fabric dye, collage and digital transfers in custom doubled - sded frame; collage, silkscreen,
acrylic and digital transfers on rug); and ELLEN GALLAGHER, «DeLuxe,» 2004 — 5 (portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand
painting and Plasticine).
Exhibition Checklist Main Gallery (Clockwise
from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005
acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper,
acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004
acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004
acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster,
acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil /
black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil
paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52
On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter
painting, wood frame, metal legs
From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966
black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and
acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988
acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern
Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and
painted bronze
By pouring her
acrylic pigments (she works almost solely with
black and white) directly onto glass and letting them dry there, she can then slice into the pigment and, having cut out a cartouche or a length of filigree, can carefully lift that segment of limp
paint from the glass and position it upon the canvas.
The exhibition at Lisson Gallery will include Untitled (White Multiband, Vertical Strokes)(2003), incorporating glass microspheres in
acrylic on canvas; multiple works
from the innovative White Band series; and recent
paintings from the
Black Band series; alongside the lightbox Untitled (Electric Light)(1968/2017), composed of argon and Plexiglas.
The Mound is a passive bulging mass of fake
black and white fur, and bubble gum pink
acrylic paint whose innards of moundmeat are seething
from his wounded body.
Central to the exhibition is a group of gradient
paintings made exclusively with
black and white
acrylic exterior house
paint that has been blended and forced through sheets of burlap laid face - down on a variety of objects and surfaces (
from plastic tiles and garbage bags to silkscreened enlargements of Hagen's own high school drawings) that act as molds, effectively casting the
paint, or becoming embedded elements in the surface of the works themselves.
Taking
from Pop Art's exploration of commodities and the anthropomorphic qualities of goods, Craig - Martin's
acrylic paintings take mass - produced objects
from the consumerist age as subject matter, depicting these quotidian items in graphical lurid colours and outlined in
black line drawing.
Nazi War Cave # 1 (1985), a
black - and - white
acrylic painting, also
from Plato's Cave, Rothko's Chapel, Lincoln's Profile, features some similar crystalline imagery and its own provocative text snippets running along the margins.