Sentences with phrase «black and white photographs into»

Interested in issues of perception and identity, Wegman used wordplay and simple line drawings to turn black and white photographs into simultaneously humorous and strange images / documents that destabilize the familiar and reveal life's essential oddity.

I decided to experiment with painting them as they appeared and became fascinated by the process of transcribing a black and white photograph into a black and white painting.»

Not exact matches

«It's amazing new proof that the technique of simply splitting white light into different colors can be used like puzzle pieces to reconstruct speeds, directions, and shapes of material surrounding black holes — places we still can not photograph with our telescopes.»

Photographed by Miguel Reveriego at the Catalina Beach Club in Atlantic Beach, New York, Margot steps into a mixture of nautical - inspired black, white, navy and red outfits styled by Jessica Diehl, truly getting into her 50s character.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Each box contains nine slim accordion books that expand into a 7.5 - foot - long gallery of black and white photographs.

This video starts out as a straightforward and unassuming introduction to a selection of his black - and - white landscape photographs, but it turns into something poetic and frighteningly up - to - date that speaks to a much broader constituency.

Students use their black and white photograph which they then draw into and then students do a mono - print which they then collage into and develop into the bright, media, pattern outcome like Chila Burman.

On each visit, Albers took black - and - white photographs of pyramids, shrines, sanctuaries and landscapes, which he later assembled into rarely seen photo collages.

Kiluanji Kia Henda's black - and - white photographs feature a group of people assembling what could be Cerrillo's frames into empty cubes — Donald Judd's boxes without the volume — because in the age of social media, it's only the exterior that counts.

Entitled Dog and Mesh Tights, this immersive multiscreen projection of black and white photographs will plunge viewers into the commotion of the contemporary city, capturing fragments of daily life from its unrelenting urban hustle and bustle.

Painting walls, floor and most of seven sculptural tableaux a medium gray, Pictures Generation artist Barbara Bloom transforms David Lewis into a monochrome stage set, echoing the vintage black - and - white photographs of actors and literary figures that constitute the starting point for each of her works.

Extensive installation views capture the dynamic combination of visual imagery and text that has come to characterize Pettibon's practice, and a selection of gritty black - and - white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist's working process.

In conversation with Hans - Ulrich Obrist, Tillmans states: «They're part of a series of pictures in which black and white photocopies were made into large - scale photographs.

As sound and image falter, new compositions arise, changing the photograph of and sounds from a domestic interior into a galaxy of musical feedback and glowing images of black - and - white abstraction.

Photographed in black and white, the female models» bodies and clothing have synergy with the graphic backdrops constructing the scenes: a curve of the waistline in the foreground of one woman merges into the calligraphic line of the background.

This digital C - print, based on an image from the Robert Langmuir African American Photograph Collection at Emory University, presents artist Sanford Biggers as a remixed minstrel in a top hat and tails, his face and clothing bisected into two halves — one white and one black.

Step into the show itself, and you see rather randomly placed photographs, both color and black - and - white, some grainy, others sharp as tacks.

Do You Have Work Tomorrow, 2013, Series of 32 screen shots of a staged conversation on an iPhone transformed into Black and White photographs developed in a dark room.

The original photographs were taken in colour, but after review, Mari decided to change them into black and white.

Main Gallery: The Image to the Woman Tenesh Webber's series of unique large - scale black and white photographs and photograms evidence and exploration into the layering of visual information.

Alexandra Berg's pencil drawings «would fool anyone into thinking they were black and white photographs.»

Playing with texture, investigating the performative nature of 20th century painting and translating works into black and white from colour photographs with the use of charcoal, are at the core of what attracts Longo, who likes «the twist of making a charcoal drawing based from a photograph of a painting.»

Then she photographed her «choreographies» [sic], overlapped and multiplied them, and transformed them into bitmap files as sequences of black and white pixels so that the Jacquard loom could «read» them.

Since the mid-1990s has also produced black - and - white works on paper, as well as montages of individual negatives, fusing them into what appears to be a single photograph using digital technology.

Dayanita Singh's Museum Bhavan contains nine accordion books that expand into a 7.5 - foot - long gallery of black and white photographs.

Hammond also produces black - and - white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.

This performance extended outside the confines of the structure into the wider gallery space, containing wall - based neon sculptures of a muscular faun, black and white photographs of a naked couple in choreographed poses, text - based brightly coloured paintings, and abstract sculptures reminiscent of limbs, rendered in concrete and highly polished white plaster.

These were made by placing three different black - and - white photographs into Adobe Photoshop's red, green, and blue color channels, thus yielding a multilayered color image similar to double exposures in analog photography.

A selection of gritty black - and - white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist's working process.

Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.

The landscape - oriented postcard, which is mounted near the top of the piece of paper, is horizontally split into two halves: the top half consists of a black and white photograph of Silbury Hill in Wiltshire while the bottom half contains a long printed text entitled «THE LEGEND OF SILBURY HILL».

Made at bus stops throughout the city, the large - scale black and white photographs capture the isolation of the urban metropolis through formally composed and carefully detailed views of desolate boulevards disappearing into the horizon, peopled only by the Los Angeles underclass waiting for the next bus.

There are also Glenn Ligon's small paintings of text taken from «Invisible Man,» Ralph Ellison's 1952 novel, that reflect notions of black identity; Nikki S. Lee's photographs of herself made - up and dressed to fit into different communities — hip - hop, punk, rural white; and Catherine Opie's portraits of lesbian, gays, bisexuals and transgender people in Los Angeles.

The black and white scheme carries into the kitchen, which was inspired by a photograph of an all - white kitchen Sabrina loved.

An easy way to bring these elements into a room would be through black and white photographs or a replica of the Eiffel Tower.