Sentences with phrase «black and white photography by»

Walls are covered with a series of gorgeous black and white photography by Nashville's own Andy Detwiler.

ArtHelix is pleased to present a group exhibition of black and white photography by Angela Strassheim and Jackie Cantwell, curated by Gallery Director Peter Hopkins.

Booth N28 is reserved for Spanish gallery from Madrid, Maisterravalbuena, which brought a good selection of black and white photography by Hiraki Sawa.

A quote from Title Magazine's Deborah Krieger, Inside Voices, at first glance, might seem to be made up of rather disparate media: black and white photography by Tamsen Wojtanowski and textiles by C. Pazia Mannella.

The work selected for this show present the various viewpoints from mugshots of the artists» family members in Tyanna Buie's large works on paper, to the artist - as - collaborator and documentarian of addressing the struggles of family members neighbors and victims in the black and white photography by Carlos Javier Ortiz and the video installation and archive by Tirtza Even.

(All black and white photography by Paolo Bevilacqua.)

Not exact matches

Decorated in creamy whites and subtle earth tones accented by natural wood finishes, fresh beachside adornments and vintage New England black and white photography, Cape Pogue is the ultimate escape for families, girlfriends or couples traveling together.

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Don't miss a single bold detail from this dramatic black and white wedding inspiration by visiting the full gallery here, all magnificently captured by Kimie James of IYQ Photography.

Featuring austerely beautiful black - and - white photography by Robby Müller and a live - wire score by Neil Young, «Dead Man» is a profound and unique revision of the Western genre.

Several critics have compared the character to Woody Allen, and in its content and black - and - white photography, C.K.'s movie also consciously echoes Allen's 1979 film Manhattan, in which Allen's character dates a high - school student, played by Mariel Hemingway.

Described by director Jim Jarmusch as a «neo — Beat noir comedy,» Down by Law is part nightmare and part fairy tale, featuring fine performances and crisp black - and - white photography by esteemed cinematographer Robby Müller.

It's not the most plot - heavy of films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the black - and - white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even better than in Noah Baumbach «s film).

With its mesmerizing black - and - white photography by Frederick Elmes and Herbert Cardwell, evocative sound design, and unforgettably enigmatic performance by Jack Nance, this visionary nocturnal odyssey continues to haunt American cinema like no other film.

Location: southeast of Boracay, in the Tabon Strait Access: about 25 minutes by boat from White Beach Experience: advanced divers Depth: 5 - 20 meters Visibility: up to 30 meters Current: strong Characteristics: 2 dive sites (small Laurel and big Laurel) with walls, tunnel, reef, many fish species, sponges, sea cucumbers, sea stars, sea snakes, nudibranchs, soft corals, hard corals, black corals, leathery corals good for photography

Henry Louis Gates Jr.'s essay on Frederick Douglass is very empowering, and at the end he says, «Even a lecture about something as seemingly apolitical as photography or art in the end must by definition be engaged within and through Douglass's state of being as a black man in a white society in which one's blackness signifies negation.»

Wrapping the edges of the exhibit are rarely seen black - and - white prints of the artist's graffiti photography, many of which he colored by hand after developing.

Shore, who is considered one of the most significant photographers of our times by the museum, has explored working with cheap automatic cameras, large - format cameras, digital photography, digital painting and social media, working both in black - and - white and in color.

His use of color film in the early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

Dennis Hopper's The Lost Album, a collection of the late actor's poignant black - and - white photography on view now at L.A.'s Kohn Gallery through September 1, was made possible by two key actors: his Rebel Without a Causecostar James Dean, who encouraged him to try his hand behind the camera (albeit as a director), and his first wife, Brooke Hayward, who bought him a Nikon mirror flex in 1961.

Parr studied photography at Manchester Polytechnic from 1970 — 1973 and then began his career by exploring the medium of black - and - white photography.

An Introduction is a showcase of black and white film photography by four artists still working with the bare necessities of the medium today.

The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white photographs of landscapes.

Switching from a handheld to a large format camera in 1978, and from black - and - white to color in 1984, Hernandez's approach to photography is characterized by a slower form of looking.

One might think that black and white photography would have little to do with Abstract Expressionism, a movement characterized by bold colors and sharp lines that developed in New York City during the 1940s and -LSB-...]

One might think that black and white photography would have little to do with Abstract Expressionism, a movement characterized by bold colors and sharp lines -LSB-...]

Her iconic, large - scale, black - and - white photograph Walking House, 1989, was recently acquired by the Modern and is featured in the current exhibition Framing Desire: Photography and Video.

James Harris Gallery is pleased to present «Body Language,» a group exhibition of black and white photography including work by Diane Arbus, Bill Brandt, Manuel Alvarez Bravo, Bill Burke, Harry M. Callahan, Robert Capa, Ralph Gibson, Emmet Gowin, Helen Levitt, Andrea Modica, Rodrigo Moya, and Henry Wessel.

The sumptuously illustrated book (with 149 color and 71 black - and - white illustrations), co-published by Chinati and Yale University Press, begins with an introductory essay surveying the history of Judd's work in Marfa, then presents the individual installations at the museum in chronological order, with stunning photography.

It features: a series of black - and - white photographs of elderly actors by Liu Zheng that play with conventions of ethnographic and opera photography; two videos by Chen Qiulin that make use of traditional opera characters to respond to changes wrought by the Three Gorges Dam; The Forbidden City (Zijincheng) by Liu Wei, a lyrical video of theatrical «glove puppets» (budai kuilei) shown publicly for the first time; and videos by Cui Xiuwen that connect to opera in more oblique ways, through performative elements and symbolic props, gestures, and costumes.

Organized by curator Brett Abbott, the show tackles all aspects of Bullock's photography, from black - and - white landscape, nature studies and nudes to experimental work with color and abstraction.

His intention is to subvert the supposed objectivity of photography by deceiving the viewer: at first, these pictures appear to be like the black - and - white photographs usually found in National Geographic, until closer inspection reveals detailed brushstrokes.

Trained as a chemical engineer and a medical doctor, Porter began his career in photography in the early 1930s by making black - and - white prints in his spare time while working as a bacteriologist and teaching at Harvard University.

Her world is iconic and recognizable by the excessive use of agitprop style, uniformity in use of black and white photography, red banners and a single bold font.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

The workshops were documented by Agneta, using black and white photography.

The post World War II photography saw the big change in black - and - white established photojournalism by introducing the use of color in the works of Ernst Haas for Life magazine in 1953.

A MacArthur genius grant winner and professor of photography at the School of the Art Institute of Chicago, LaToya Ruby Frazier is known for her incisive black - and - white photo and film work that documents structural inequalities of small towns across the U.S., including Braddock, Pennsylvania, an industrial steel town ravaged by industrial decline.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

As a student, Yoshino was influenced by the photographer Kiyoshi Suzuki; from the late 1990s on, she produced many black and white works in this mode of street photography.

His publications include Looking at Atget (2005); Dreaming in Black and White: Photography at the Julien Levy Gallery (co-authored with Katherine Ware, 2006); and «Charles Marville's Seriality,» in More Than One: Photographs in Sequence, edited by Joel Smith (Princeton University Art Museum and Yale University Press, 2008).

His use of color film in the late 1970s and early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

His photography is characterized by powerful, high contrast black - and - white pictures, largely concentrating on little - seen parts of the city and highlighting the effects of industrialization on modern life in Japan.

Focusing on photos taken in buzzing cities, with their cosmopolitan cast of hipsters, businessmen, beauties and criminals, Street & Studio builds an engrossing urban history of photography, ranging from early black - and - white pictures from the late 1800s, to elegant fashion photography from the mid twentieth century, to cutting - edge portraiture by contemporary artists.

Baltimore collectors Tom and Nancy O'Neil have given the institution two dozen color and black - and - white works by 19 important artists of our time, including Dawoud Bey, celebrated for his portrait photography, and Edward Burtynsky, whose photos document humanity's impact on the environment.

One might think that black and white photography would have little to do with Abstract Expressionism, a movement characterized by bold colors and sharp lines that developed in New York City during the 1940s and 1950s.

Yet the highlight of this impressive show, curated by LACMA's formidable Stephanie Barron and seen earlier this year at the Museo Correr in Venice, is the photography — from stern black - and - white portraits by August Sander to alienated, sometimes surreal compositions of workers and machines.

In our Project Space we are featuring vintage photographs by Ralph Gibson, a master of black and white photography.

Vuwyelwa Vuvu Makubetse, Daveyton, Johannesburg, from the series «Faces and Phases» 2013, by Zanele Muholi on the cover of the May 2015 issue of Black + White Photography magazine.

Mixing rare black - and - white vintage prints of classic images by Robert Frank, Lee Friedlander, Diane Arbus and Garry Winogrand with luscious, eye - popping works in color by artists ranging from Stephen Shore and William Eggleston to Cindy Sherman, Alec Soth, and Andreas Gursky, Real to Real: Photographs from the Traina Collection celebrates photography's fundamental richness and plasticity.