Sentences with phrase «black audiences who»

Lubaina Himid speaks directly to black audiences who long to see complete narratives of our experiences represented in the art that's hung on gallery walls.

Not exact matches

He was able to connect with young and black voters and reach untapped audiences, circumventing the perception that no one knew who he was.

This description resembles the «Black Panther» villain Killmonger, played by Michael B. Jordan, who was praised by critics and audiences for being a sympathetic figure even though his methods were brutal.

Naomi Wadler, 11, wowed the audience with her speech honoring black girls like Courtlin Arrington, Hadiya Pendleton and Taiyania Thompson who were gunned down, but «don't make the front page of every national newspaper [or] lead on the evening news.»

On the first Sunday of the new urban campus, the white male pastor who had zero urban ministry experience, brashly declared to the mostly black audience, «This ain't your grandmomma's church.»

«One who contended that a poem was nothing but black marks on white paper would be unanswerable if he addressed an audience who couldn't read.

Those unaware of the history of minstrelsy may miss the racially charged historical reference stitched into those bars: It's a callback to a racist and dehumanizing form of American entertainment from the 19th century that depicted black people as thick - headed buffoons who tap - danced for the enjoyment of white audiences.

was pitched to an evangelical audience, it would go like this: Academy Award nominee Darren Aronofsky, the brilliant writer - director who gave us The Fighter, Black Swan and The...

Clinton can be a preacher who connects with his audience (especially in black churches) through biblical passages.

And since people who are accused of Nazi thinking don't appear threatening — they don't wear «SS» insignia on tailored black leather coats or boast funny mustaches, and they haven't swallowed the poisonous ideology of fascism — the Nazi epithet is more likely to undermine the accuser's credibility than persuade his audience.

Though Many Audience could not believed it that Lionel Lawson was not a white man but a Black man who has been make - up to look white, the producer of the Play Uncle EBO whyte made it known to audience who asked about the BritAudience could not believed it that Lionel Lawson was not a white man but a Black man who has been make - up to look white, the producer of the Play Uncle EBO whyte made it known to audience who asked about the Britaudience who asked about the British man.

The audience wanted to learn how they can act in solidarity with black people who experience racism and bias in daily life.

Marc Wadsworth, who runs Momentum Black Connexions and was sat in the audience, accused the MP of «working hand in hand» with the Daily Telegraph during a rant at the event in London.

That leaves two potential demographics for the movie, with a wide age gap in between — older audiences who recall the original black - and - white Stooges shorts and features, and small children who will be receptive to the barrage of silly slapstick gags and pratfalls.

The trailer itself sells a movie that looks far more approachable than most of Wheatley's work so far — his penchant for combining grisly violence with black comedy is on full display, but it's wrapped in a package that could be appealing to audiences who found the psychedelic A Field in England too weird or Kill List too oblique.

In theory, DC has an edge over Marvel in that their big heroes crossed over into mass popular culture in the 1940s and are recognisable to audiences who can't distinguish Cap's armoured black ally (Anthony Mackie as the Falcon) from Iron Man's armoured black ally (Don Cheadle as War Machine) or the colour - coded hot fighting chick on Steve Rogers» side (Elizabeth Olsen as Scarlet Witch) from the colour - coded hot fighting chick on Tony Stark's side (Scarlett Johansson as Black Wiblack ally (Anthony Mackie as the Falcon) from Iron Man's armoured black ally (Don Cheadle as War Machine) or the colour - coded hot fighting chick on Steve Rogers» side (Elizabeth Olsen as Scarlet Witch) from the colour - coded hot fighting chick on Tony Stark's side (Scarlett Johansson as Black Wiblack ally (Don Cheadle as War Machine) or the colour - coded hot fighting chick on Steve Rogers» side (Elizabeth Olsen as Scarlet Witch) from the colour - coded hot fighting chick on Tony Stark's side (Scarlett Johansson as Black WiBlack Widow).

When «The Room» opened in June 2003, audiences had no idea what to make of its star, a narcissistic homunculus whose hulking physique and long black hair suggest a Harlequin Romance cover gone horribly wrong, and who sounds like he might have been raised in Transylvania.

While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's film certainly features some excellent cinematographic moments as well), Atef's film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the film with much of a sense of her life's story); yet, given it is not a biopic, one wonders what the film is, or what it tries to accomplish.

Psycho is pulpy and sordid and perverse, shot in black and white on a low budget to give it the tawdry feel of a B movie, and directed with the impeccable craft of a master who knew how to shock the sensibilities and shake up the expectations of an audience.

Do you support Facebook's decision to ban the group who wanted to destroy Black Panther's audience score?

April Wolfe writes for the Village Voice: «[Director Martin] McDonagh painstakingly humanises a character who we find has unapologetically tortured a black man in police custody... and then Three Billboards seems to ask audiences to forgive and forget wrongs like police violence, domestic abuse, and sexual assault without demonstrating a full understanding of the centuries - long toll these crimes have taken on victims in real life.»

It's incidental to all of the above that the characters in Hav Plenty are black; if memory serves, the first white person to appear in the film is the young man who introduces Plenty to the racially mixed audience after the screening in the final sequence.

As Chris, a young black photographer who gets sucked into a racial nightmare — a «sunken place» — when he visits the family of his white girlfriend (Allison Williams), the British actor takes audiences to places that are honest and true and, for many, difficult and discomfiting.

He pointed out writer - director Shane Black and producer Joel Silver in the audience, but it was star Russell Crowe who made his way to the stage to introduce an extended trailer.

Asylum, which was never seen any kind of home video or digital release, is notable for the sheer amount of talent involved: It was directed by Wright, who was then all of 22; co-written by Wright and David Walliams of Little Britain; and starred Pegg, Hynes, The Mighty Boosh's Julian Barratt, Black Books» Bill Bailey, and a host of then - rising British stand - ups who are less familiar to American audiences.

It may be a little early to determine the overall reactions from the general audience, but early buzz from critics and those who have already viewed Thursday / Friday night screenings has fans of the King of Wakanda excited about the impact Black Panther may have in the long - run.

Well, you think, it's «Chinatown» again, but no, director / co-scriptwriter Shane Black («Iron Man 3») gives the audience a story about a private investigator, Holland March (Ryan Gosling), who teams up with a rough looking bag of muscle, Jackson Healy (Russell Crowe) and away they go looking for a missing girl named Amelia (Margaret Qualley.)

Black art made in the interest of serving black people deserves to have financial support on a structural level (studios and promotion), but it also deserves that support from the audience, among those who can afford to support it with their time and mBlack art made in the interest of serving black people deserves to have financial support on a structural level (studios and promotion), but it also deserves that support from the audience, among those who can afford to support it with their time and mblack people deserves to have financial support on a structural level (studios and promotion), but it also deserves that support from the audience, among those who can afford to support it with their time and money.

Once Red arrives at his class, he meets a few more outsiders that will be familiar to audiences who have played the app including Chuck, a yellow bird that is super-fast (Josh Gad, Frozen, 2013), Bomb, a black bird that can literally explode (Danny McBride, This is the End, 2013), Matilda, the group's new age teacher (Maya Rudolph, Sisters, 2015), and Terrence, a giant bird who doesn't talk (although voiced by Oscar - winner, Sean Penn, The Gunman, 2015).

The film is a shattering experience — for actors and audience — as we are dragged into the abyss of slavery through the documented real life experience of a free black man in upstate NY who was kidnapped from his family in the middle of his life, and enslaved in the south.

And that, to me, was this metaphor for the black horror audience, a very loyal fan base who comes to these movies, and we're the ones that are going to die first.

Wonderstruck will likely divide audiences who can't make it past the sharp contrast of two stories being told simultaneously; one is silent, in black and white, while the other in color with audio.

«McDonagh painstakingly humanizes a character who we find has unapologetically tortured a black man in police custody... and then Three Billboards seems to ask audiences to forgive and forget wrongs like police violence, domestic abuse, and sexual assault without demonstrating a full understanding of the centuries - long toll these crimes have taken on victims in real life,» April Wolfe wrote at the Village Voice.

Along with critics (who have showered the film in praise), audiences clearly can't get enough of the world of Black Panther and its characters.

The crew hits every demographic for today's all - embracive audience: the workaholic team leader (Josh Brolin), the wisecracking heartthrob (Ryan Gosling), the experienced old - timer (Robert Patrick), the soft - spoken Latino (Michael Pena), the switchblade - wielding black cop (Anthony Mackie) and the morally torn egghead (Giovanni Ribisi) who absurdly asks how they're any better than the mobsters they're fighting (I'm not sure how bugging Cohen's living room remotely compares to Cohen having rivals physically torn in half by two cars, but maybe that's just me).

Thompson recently impressed audiences with her role in Creed, directed by Ryan Coogler, who is also set to make his Marvel debut with Black Panther.

And that stark, black - and - white division between the two characters is how we, the audience, end up booing the bleeding - heart district attorney who lets Scorpio go on a technicality, setting up the movie's awesomely shot final showdown.

While the UK trailer for Pride and Prejudice and Zombies has more bloodshed, the newly released U.S. version ties the Black Plague into the rising of the undead, while also letting audiences known this movie focuses on the Bennett sisters — Elizabeth (Lily James), Lydia (Ellie Bamber), Mary (Millie Brady), Jane (Bella Heathcote), and Kitty (Suki Waterhouse)-- several badass women who have been trained to brutally slay the undead.

But it's beautifully shot, filled with poster - worthy black - and - white images of young, affluent, disaffected South Africans partying, philosophizing, bullshitting among themselves, and trying to explain to a pushy young documentarian how they feel about a friend of theirs who live - streamed her suicide for an avid international audience.

The ending drew audience skepticism because of who was killed; we're not really saying goodbye to new franchise cornerstones in Black Panther and Spider - Man right after they were introduced in stand - alone movies that made a buttload of cash.

But, with the This Is Us season finale coming up on Tuesday, Brown — who in a previous visit had played it spoiler - cagey with Fallon about his Black Panther role — teased the Tonight Show audience with hints of yet another major This Is Us heartbreak.

Captain Marvel star Brie Larson has told her fans that audiences who see Marvel Studios» Black Panther will «exit forever impacted.»

Coogler concluded his letter by thanking Black Panther everyone who contributed to the movie's thunderous debut:» For the people who bought out theaters, who posted on social [media] about how lit the film would be, bragged about our awesome cast, picked out outfits to wear, and who stood in line in theaters all over the world before even seeing the film... To the press who wrote about the film for folks who hadn't yet seen it, and encourage audiences to come out... And to the young ones, who came out with their parents, with their mentors, and with their friends... Thank you for giving our team of filmmakers the greatest gift: The opportunity to share this film, that we poured our hearts and souls into, with you.»

I liked it less than Black Hawk Down but maybe better than Zero Dark Thirty, two other films about American military intervention and its vast superiority that could only arouse the same audience member who sees a hero in Gordon Gekko and Hud before him.

Recollections that a contemporary audience believed the last fifteen minutes of Burnt Offerings to be the scariest fifteen minutes ever captured on film make me wonder how these guys managed to interview only people who, in 1976, had never seen The Exorcist, Don't Look Now, Rosemary's Baby, Night of the Living Dead, Black Christmas, and on and on.

Other possible topics for his jokes, according to those who were in the audience at Rock's brief club appearances, are the versatility of actor Paul Giamatti — who, he said, hated black people in «12 Years a Slave» but loved them in «Straight Outta Compton» — and the recent meeting between Mexican drug lord El Chapo and Sean Penn, the actor who was famously unamused by Rock's comments about Jude Law when Rock first hosted the Oscar show 11 years ago.

The film's stars are some of the most recognisable black actors, a combination of Africans from the continent and the diaspora: Angela Bassett plays T'Challa's stepmother, Ramonda; Lupita Nyong» o is Nakia, a member of the Dora Milaje; Michael B Jordan is our villain, Erik Killmonger — tellingly, a Wakandan who grew up in exile; and, having already mesmerised audiences in 2017's big black film Get Out, British - Ugandan actor Daniel Kaluuya joins the cast as W'Kabi, T'Challa's best friend.

During her remarks, McCartney shared a video from The Oprah Winfrey Show's farewell celebration in which 20 dancers trained some 800 fans, who, in turn, taught 20,000 audience members a flash mob routine to a Black Eyed Peas performance.

For one, there is an institutional urgency to speak to a more diverse audience with painting that depicts the black community, the Asian - American experience, the Latino face, to attract the various people who had been excluded from the museum by remaking the history of figurative painting, this time with color.

«One was about the work, and who was looking at it, and me feeding into the viewing audience's preconceived ideas about black people.