Not exact matches
Although the set - up for Sartore's photos is always the same — using white rolls of
paper or
black rolls of velvet for the
backdrop — the outcome is always different.
For a
backdrop, she had «The Blessing,» a 1944 Barnett Newman work on
paper with thick crayon markings:
black, blue and, yes, red, almost to match her costume.
The designer selected a mod and moody Mitchell
Black paper with a bronze motif that serves as the perfect
backdrop for a classical sunburst mirror, a pair of compelling pink quartz specimens atop vintage gilt brackets and, of course, the cocooning custom - built bench.