Sentences with phrase «black camera eye»

The Nest Cam sports a sleek design, with a smooth, cool - gray metal stand supporting a glossy black camera eye that very much makes one feel as if one's being watched.

Not exact matches

The only tip - off that this Audi was Cruise - equipped was the black bug - eye protrusion on the roof — a pod containing multiple sensors and cameras and connected to the computer in the trunk.

Every time I hear it, I get an image of an inlecdibry old and creepy man, eyes glinting as he rocks in a chair, staring directly at the camera as the scene pulls back to reveal him sitting inside the house from the Black Sabbath album cover.

For every moment of eye - popping heroics (the now - famous camera spin around the Avengers gathered on the streets of New York City) there's also a gag (the shawarma end credit stinger) or a human connection (Black Widow and Hawkeye bonding over their mutual inner demons.)

The drivers commanded a black Volvo SUV tricked out with an eye tracker, heart and skin monitors, video cameras facing out the front and back windows, on - board sensors, and other research gear.

Jordenö casts her subjects — gay black and brown teens who find freedom in dance and drag — in warm reds and oranges, giving each individual their moment by fixing on their faces as they make direct eye contact with her camera.

The Nordschleife is completely pitch black, but there are fireworks, cameras and more which can be really distressing for the eyes.

Take your camera, some good shoes, and keep your eyes peeled for black eagles, dassies, and klipspringer buck.

Your first trim level option is the 2017 Toyota Sienna L. You'll enjoy loads of convenience features like the following when you're driving it through Chehalis, WA, Remote Keyless Entry System, Power Windows and Door Locks, Automatic Projector - Beam Halogen Headlights, Black Power Side Mirrors with Integrated Blind Spot Mirrors, Integrated Backup Camera, Fabric - Trimmed Front Seats, Entune ™ Audio (Entune ™ Multimedia Bundle includes 6.1» touch - screen display, AM / FM CD player, MP3 / WMA playback capability, four speakers, auxiliary audio jack, USB 2.0 port with iPod ® connectivity and control, advanced voice recognition, hands - free phone capability, phone book access and music streaming via Bluetooth ® wireless technology), Black Front Grille, Six - Way Adjustable Driver's Seat, Four - Way Adjustable Font Passenger Seat, Cruise Control, Three - Zone Automatic Climate Control, Dual Sliding Side Doors, and 17» Alloy Wheels, Multifunction Steering Wheel, Three 12V Auxiliary Power Outlets, 3.5» LCD Multi-Information Display Screen, and Siri ® Eyes Free.

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Ex Demonstrator, Bluetooth telephone connectivity, Park Assist, Privacy glass, 360 - degree parking aid, Black Pack, Fixed panoramic roof, Heated front and rear seats, InControl Touch Pro - 10 inch touchscreen, Service Plan, Advanced alarm system, Anti-lock braking system, Auto - dimming exterior mirrors, Autonomous Emergency Braking (AEB), Blind spot monitor + reverse traffic detection, Dynamic Stability Control (DSC), Electronic Brake - Force Distribution (EBD), Electronic Parking Brake, Electronic Traction Control (ETC), Emergency Brake Assist (EBA), Front fog lamps, Front side airbags, Heated front windscreen, Heated washer nozzles, Hill Descent Control (HDC), Hill Launch Assist (HLA), InControl Pro Services and Wi - Fi hotspot, Interactive Driver Display, Lane Departure Warning, Perimetric protection (alarm), Push - button start, Rain sensing windscreen wipers, Rear view camera, Starter system: stop / start, 16 - way front seats (14 - way power), 4 - way power adjustable steering column, 8 - speed automatic transmission, Ambient interior lighting, Digital radio (DAB), Driver Condition Monitor, Electrically reclining rear seats, Front parking aid, Gradient Acceleration Control (GAC), Hazard lights under heavy braking, InControl Apps, InControl Protect, InControl Remote Premium, InControl Touch Pro Navigation, Keyless entry - Passive entry + push - button start, LED headlights with signature DRL, Meridian sound system: 380W, Powered inner tailgate, Powered third row seats, Premium leather multi-function steering wheel, Rear parking aid, Roll Stability Control (RSC), Side curtain airbags, Terrain Response: 5 - mode, Third row ISOFIX, Third row seats, Traffic Sign Recognition and Adaptive Speed Limiter, Twin USB sockets: second row, Two - zone climate control, Tyre Pressure Monitoring System (TPMS), «Atlas» fender vent ingots with «Narvik Black» surround, «Atlas» grille with «Narvik Black» surround, «Brunel» Discovery script (bonnet & tailgate), «Natural Shadow Oak» veneer, Daytime running lights, Electronic air suspension, Front laminated acoustic windscreen, Loadspace cover, Rollover deployment of restraints, Signature hi - line tail lights, Single 12V auxiliary charging point (upper glove box), Tailgate finisher - Gloss Black, Tow eye covers - «White Silver», Twin - speed transfer box, Upper IP stowage / glove box

Navigation, Heated / Cooled Leather Seats, Back - Up Camera, Dual Zone A / C, Premium Sound System READ MORE!KEY FEATURES INCLUDELeather Seats, Heated Driver Seat, Cooled Driver Seat, Back - Up Camera, Premium Sound System, Satellite Radio, Onboard Communications System, Dual Zone A / C, Heated Seats, Heated Leather Seats, Heated / Cooled Seats Remote Trunk Release, Keyless Entry, Steering Wheel Controls, Electronic Stability Control, Heated Mirrors.OPTION PACKAGESMAGNETIC SELECTIVE RIDE CONTROL, TRANSMISSION, 8 - SPEED PADDLE SHIFT WITH AUTOMATIC MODES, WHEELS, BLACK ALUMINUM 19» x 8.5» (48.3 cm x 21.6 cm) front and 20» x 10» (50.8 cm x 25.4 cm) rear, REMOTE VEHICLE STARTER SYSTEM, ENGINE, 6.2 L (376 CI) V8 DI (455 hp [339.3 kW] @ 6000 rpm, 460 lb - ft of torque [621.0 N - m] @ 4600 rpm)(STD), REAR AXLE, 2.73 RATIO, ELECTRONIC LIMITED - SLIP, PERFORMANCE, CHEVROLET MYLINK AUDIO SYSTEM WITH NAVIGATION 8» diagonal color touch - screen, AM / FM stereo with seek - and - scan and digital clock, includes Bluetooth streaming audio for music and select phones; Pandora, TuneIn radio, Stitcher and Siri Eyes Free for compatible smartphones (Includes (UQT) performance data and video recorder.).

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All Weather Liners / Door Sill Spray - On Bedliner Entune Audio Plus with Connected Navigation App - Includes the Entune Multimedia Bundle (7 in High Resolution Touch - Screen Display, AM / FM CD Player, MP3 / WMA Playback Capability, Auxiliary Audio Jack, USB 2.0 Port with iPod (R) Connectivity and Control, Advanced Voice Recognition, Hands - Free Phone Capability, Phone Book Access and Music Streaming Via Bluetooth (R) Wireless Technology), Connected Navigation Scout (R) GPS Link App, Siri (R) Eyes Free, SiriusXM All Access Radio with 3 - Mo Complimentary Trial, HD Radio, HD Traffic and Weather in Major Metro Areas, and Integrated Backup Camera Display TRD Off - Road Package: Upgrades Standard Wheels to 18» Split 5 - Spoke TRD Off - Road Package Alloy Wheels with Black Accents and Michelin LTX A / T2 P275 / 65R18 Tires.

When I used the camera to take a picture at my desk, my face appeared pixelated, my eyes were pitch black and the lights behind me were blown out.

Lifted from Irvin Kershner's film Eyes of Laura Mars (1978), the work's black - and - white print on the left depicts a 35 - mm camera pressed against film star Faye Dunaway's eye.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Here is Faye Dunaway shot in black and white, holding a weighty Nikon to her eye, and adjusting the focus ring; here she is again, this time in color, the camera pulled back and uncertainty clouding her stare.

Alerts are signaled by an eye - catching electric - blue ring light that encircles the black camera bevel, plus a small status light under the camera.

This color also does a great job of complementing the black front and camera module and if you want a color that is definitely eye - catching but not as flashy as something like the Maple Gold, the Deep Sea Blue is a great choice.

Verdict XOLO Black is powerful, looks beautiful, its eye catchy and the dual cameras is an added advantage.