Sentences with phrase «black canvas base»

Retro Leaves on cream background with black canvas base, lining and handles.

Not exact matches

• Black to the future: BlackRock yesterday announced an agreement to acquire FutureAdvisor, a San Francisco - based provider of digital wealth management solutions that had raised around $ 24 million in VC funding from Canvas Venture Fund, Devonshire Investors and Sequoia Capital.

Tucson - based artist Kyle Kulakowski specializes in video game - inspired black velvet paintings, a medium that uses black velvet in place of canvas, allowing vibrant colors to pop out more against the dark background.

Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.

The saturated canvases of the paintings based on collage anticipate Mark Rothko or Arshile Gorky, while the loose, watery black lines point toward Jackson Pollock.

Between the stalagmites created from buttons and glue by Brooklyn - based artist Tara Donovan to the black and green canvas evoking reptilian skin painted by Yayoi Kusama of Japan, the apparent differences belie mutual resonances...

On view will be new works by Tokyo - based Tomoo Gokita, who is acclaimed for his black and white gouache canvases that incorporate exceptional draftsmanship with surreal imagery.

Split horizontally, the canvas shows two friezes, the top a colorful assembly of Giacometti sculptures and mid-century light fixtures, the lower is comprised of three black and white paintings of a woman based on Salle's own photographs.

New York - based Eddie Martinez paints huge, brightly coloured canvases, often imbued with a sense of menace against black backdrops and harsh spray painted lines.

Lines / Edges: Frank Stella on Paper features a range of Stella's experiments on paper including early translations of his Black series and shaped canvases, magnificent color woodcuts and screen prints from the 1980s, and the Moby Dick Deckle Edges, an impressive nine work grouping of large - scale prints from the early 1990s based on Herman Melville's Moby Dick.

An older series of large canvas - based work were made through a complex process using black rubber, charcoal powder, and stencils, resulting in 2 - D works with fragile, understated surfaces.

The self - portraits are also based on photographic images that have been screenprinted onto canvas; in both groups of paintings, the varying tones of black, gray, and brown enamel are often overprinted several times, simultaneously accentuating and obliterating the contours of the source imagery.

Drawing on the folk art and modernism present in a strain of African American painting that traces back to Jacob Lawrence and Romare Bearden, Taylor has painted monumental canvases based on WPA photographs of black farm workers.

Doodle Alien 2014 Black acrylic based air brush medium and «puff paste» medium on unprimed cotton canvas 220 x 190 cm / 86.6 x 74.8 in

Gentle Looking Cat 2014 Acrylics and black acrylic based air brush medium on gesso primed cotton canvas 100 x 80 cm / 39.3 x 31.4 in

Among the most historically important have been de Chirico, gli anni Venti (de Chirico in the 1920s), 1986 — 1987, then transferred to Palazzo Reale in Milan, and Boccioni 1912 Materia, 1991 — 92; Marino Marini — Mitografia (Marino Marini — Mythography), 1994 — 1995, which analyzed the evolution of the most characteristic aspect of the artist's output; Morandi ultimo — nature morte 1950 — 1964 (The Later Morandi — Still Lifes 1950 — 1964), 1997 — 1998, then transferred to the Peggy Guggenheim Collection in Venice, and de Chirico, gli anni Trenta (de Chirico in the 1930s), 1998 — 1999, and recently Alberto Burri, opera al nero (Work in Black), 2012 - 2013, focused on a particular aspect of the artist's production: the treatment of black in his «Cellotex» works; Emilio Vedova, De America, in collaboration with the Fondazione Emilio e Annabianca Vedova, based on a series of about fifty paintings on canvas and paper, all in black and white, realized in 1976 Black), 2012 - 2013, focused on a particular aspect of the artist's production: the treatment of black in his «Cellotex» works; Emilio Vedova, De America, in collaboration with the Fondazione Emilio e Annabianca Vedova, based on a series of about fifty paintings on canvas and paper, all in black and white, realized in 1976 black in his «Cellotex» works; Emilio Vedova, De America, in collaboration with the Fondazione Emilio e Annabianca Vedova, based on a series of about fifty paintings on canvas and paper, all in black and white, realized in 1976 black and white, realized in 1976 - 77.

Handwoven panels of high - contrast stripes — pink and green, black and white — sewn together and mounted on canvas by the Berlin - based Canadian, split the difference between Op art and craft.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Rooted in geometry, his compositions are based on the variations of chevron's, V - shaped patterns, which he renders in carbon black paint on raw canvas.

Tokyo - based Tomoo Gokita is acclaimed for his black and white gouache canvases that incorporate exceptional draftsmanship with surreal imagery.

Contemporary, primitive style portrait in black and white 21 x 21 x 1 inches, acrylic on hand - stitched canvas This abstract, primitive style portrait was made by Hudson, NY based a...

The Berlin - based artist builds up her canvases with short but thick impasto strokes where clumps of paint still stick to the surface and where sometimes, like Dubuffet, scratches on black reveal a seductive build - up of colors.

Consisting of large scale hand - pulled silkscreen and acrylic paintings on canvas, LA - based artist, Knowledge Bennett's latest show at Joseph Gross Gallery explores the African diaspora, critiquing the treatment of the Black American Community by the American government throughout history.

i have great things, just am not good at using them... - the shoes - you could put them on a lamp base in a cute arrangement - one leaning on the post and one down with red checkor polka dot shade... or make them as a photo holder holding a black and white image of her wearing them and color just the shoes red... you could place photos of her in them inside the shoe and stand them in a holder or mount the soles to canvas... make candle holders out of them... okay i'm done... blessings today, rebecca