Sentences with phrase «black chalk on»

In its focus on the man's costume and its technique of black chalk on lightly toned paper, heightened with white chalk, the study is comparable to several drawings by Van Dyck also on view in this exhibition.

Image: Leonardo da Vinci, Sheet of Studies [recto], probably 1470/1480, pen and brown ink over black chalk on laid paper, The Armand Hammer Collection, 1991.217.2.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

Black chalk on light brown paper.

Part of the RA CollectionPen and ink over black chalk on cream laid paper.

Part of the RA CollectionRed and black chalk on wove paper.

Gaetano Gandolfi (1734 - 1802), Portrait of the Artist's Daughter Marta, ca. 1776, Red and black chalk on paper, Gift of Mrs. Charles Wrightsman, 1986, The Morgan Library & Museum.

Black chalk on paper.

Not exact matches

Black Chalk will also exhibit at the London Wine Fair (21 - 23 May) on both the WineGB and Red Squirrel stands.

Black Chalk will officially launch at the forthcoming WineGB Annual Tasting at Westminster's Lindley Hall on 26 April.

Water play Sand play Bikes and trikes to ride Small tents to play inside A box tunnel Ball pond An black board easel and chalk for them to draw on

White and fluorescent chalk looks really cool on black construction paper.

Black and amber chalk on cream paper.

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I painted the whole thing in black chalk paint and then put clear wax on it.

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I used black chalk paint for a dresser but noticed after painting it when you touch it there are finger prints on the paint it looks greasey.

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I am especially drawn to the canvases you spray painted with the black and used white chalk paint on.

Step 3) I traced the heart on the wood backdrop and painted it with gray chalk paint that I made from a mixture of black and white chalk paint.

Once the gold paint is dry and before covering the console table with the black chalk paint, I brushed vaseline on the edges and corners where I wanted the gold paint to show through.

My DIY chalk paint on the bottom and black chalk paint for lettering and visa versa.

I used black acrylic on mine and was not as happy with distressing as chalk paint.

«Each unique part of the country would spark an idea for a different art lesson — anything from Native American weaving and designs, to chalk drawings of bright colored lights on black paper (an idea from Carlsbad Caverns), to sculpture made completely out of corn,» reports Wallace.

This is the traditional world of black - and - white learning from the 1950s that persists today, literally, black text on white pages or white chalk on blackboards.

I chalk this up to the vagaries of the different fonts and text sizes, and to the fact that these differences cause the blacks to appear different on the different devices.

When it first came out in hardcover it had a black cover with «chalk» drawings of his name on the upper half, the x's and o's used to diagram football plays in the middle, and the subtitle, «Evolution of a Game» at the bottom.

When you are on the black the screen gets darker and you can hear your heart beat, if you are successful at potting you are given a slow mo ball strike where you see the chalk flying off the cue.

Pierre — Paul Prud» hon, Psyche Carried Off by the Zephyrs, 1808 or later, black and white chalk over graphite on faded blue wove paper, with framing lines in black chalk, 17 1/2 x 12 in., Minneapolis Institute of Art

- The Jerome Project (2015) by Titus Kaphar combines the portraits of three young black men whose tragic deaths prompted a national conversation around racial profiling, policing, and gun violence: Trayvon Martin (died February 26, 2012), Michael Brown (died August 9, 2014), and Tamir Rice (died November 22, 2014), which outlines the subjects» faces in white chalk on Asphalt - coated roofing paper.

The compositions feature large clumps of broad back - and - forth gray and white brushstrokes — think of whitewashed windows or rubbed - out chalk on blackboards — through which wander black spray - painted lines of varying thickness that suggest bent rebar or mangled wire coat hangers.

«Lunar Mirror» is a simple, yet detailed and aesthetically pleasing exhibition of aluminum sculpture and chalk / oil drawings on black grounds by Christopher Badger.

Louis Leopold Boilly, French, 1761 - 1845, Young Woman Reading in a Landscape (Jeune femme lisant dans un passage)(detail), 1798, watercolor, black and white chalk with sanguine and white highlights on medium weight, smooth, off - white wove paper.

Eugène Boudin (French, 1824 — 1898): Beach Scene at Deauville, 1865, oil on canvas, 16 1/2 x 25 1/2 inches; Fisherwomen, black chalk and watercolor, 5 1/4 x 8 ⅝ inches; Fisherwomen, black chalk and watercolor, 5 1/4 x 8 ⅝ inches

Created for P.S. 1's northwest stairwell, Stair Procession is a white - on - black drawing similar to white chalk graffiti.

These drawings are a scaled up version of his designs for the opera's scenography, drawn with white chalk on black walls.

Hilly Landscape with Cows on the Road, ca. 1780, black chalk with smudging, white chalk applied wet, on wove paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 62.

Study of a Woman Holding a Shawl, 1765 — 70, black chalk with smudging, oil - soaked chalk, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 57.

Portrait of a Lady, 1760 - 5, black and white chalk, with smudging, on blue paper.

Landscape with Horse and Cart Descending a Hill, ca. 1780, black chalk with smudging, on wove paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum.

, ca. 1802, Black, brown, and white chalk on paper, Estate of Mrs. Vincent Astor, 2012, The Morgan Library & Museum.

Thomas Gainsborough (1727 - 1788), Study of a Lady, ca. 1785 - 90, Black and white chalk on paper, Purchase, 1943, The Morgan Library & Museum.

I painted layers of black over houses and flowers and suns, and when I drew on the blackboard I put a layer of chalk on top.

Lady Walking in a Garden, ca. 1785, black and white chalk with smudging, worked wet and dry, watercolor, on laid paper, purchased by Pierpont Morgan in 1909.

Gian Lorenzo Bernini (1598 - 1680), Portrait of Sisinio Poli, 1638, Black, red, and white chalk on paper, Purchased by Pierpont Morgan, 1909, The Morgan Library & Museum.

A Woman and Three Children, 1780 - 5, black chalk with smudging, and white chalk, some applied wet, on tan laid paper purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum, III 59.

It is also black twice over, in its subject and in white lines on four black walls in place of Bearden's sharp color, like chalk on a blackboard.

Wooded Landscape with Horseman, Figures, and Bridge, ca. 1780, black chalk with smudging, opaque lead white, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum.

The installation Chalk Bike at Lehmann Maupin Gallery in New York comprises an accurate replica of a bicycle in white chalk and, on a black wall, several chalk drawings of bicycles, which, together with the object, suggest moChalk Bike at Lehmann Maupin Gallery in New York comprises an accurate replica of a bicycle in white chalk and, on a black wall, several chalk drawings of bicycles, which, together with the object, suggest mochalk and, on a black wall, several chalk drawings of bicycles, which, together with the object, suggest mochalk drawings of bicycles, which, together with the object, suggest motion.

Black chalk with white paint highlights on grey wove paper.