Dead -
black comedy mixes with trenchant social commentary, even if it eventually takes us out of the compound to something a little more familiar.
Not exact matches
As the trailer reveals, it's a sly
mix of violence and
black comedy about a detective and a father who seek revenge against the same man, a suspected child killer.
Richard Linklater
mixes comedy, drama and documentary to tell a frankly outrageous true story, and in the process he also gives Jack
Black one of his best - yet roles.
We at FNB decided to
mix it up a little and forgo «Notorious,» which I often liken to a glass of Veuve Clicquot, for the chance to see a 1956 Jean Gabin
black comedy «La Traversée de Paris.»
That he manages to
mix this all with
black comedy and pungent social commentary furthers the appeal of whatever this talented playwright and filmmaker serves up, and that includes his previous two films, In Bruges (for which he got a writing Oscar nomination) and the slightly overcooked Seven Psychopaths.
Yorgos Lanthimos» name has become synonymous with contemporary absurdism; the films that have made him one of the most lauded filmmakers in recent years - Dogtooth, Alps, and The Lobster - have
mixed stories of families and relationships in the most strange of circumstances, combining
black comedy, violence, and the crisis of identity.
At its core, Bad Santa is a
mix of heist flick and a
black comedy, with Thornton (Intolerable Cruelty, Bandits) playing Willie, a man who has no interest in being a mall Santa, save for the fact that it allows himself and his diminutive elf assistant (Cox, Date Movie) some time to case the place for a safe and figure out a way to crack it before Christmas.
An exhilarating
mix of dark
comedy, white - knuckle action and dramatic intrigue, Gringo joyrides into Mexico, where mild - mannered businessman Harold Soyinka (David Oyelowo) finds himself at the mercy of his back - stabbing business colleagues (Joel Edgerton and Charlize Theron), local drug lords and a morally conflicted
black - ops mercenary (Sharlto Copley).
Martin McDonagh's («Seven Psychopaths») Three Billboards Outside Ebbing, Missouri is a
mix of
black (and politically incorrect)
comedy and heartfelt drama that takes us on a wild, mostly improbable but highly entertaining ride.
With his third film, Three Billboards Outside Ebbing, Missouri, Martin McDonagh
mixes black comedy with emotional drama.
The same year that An American Werewolf in London opened up the possibilities of the werewolf horror with a
mix of
black comedy and horrific transformations, Joe Dante went a different direction with The Howling (Shout Factory).
A potent
mix of Western tropes, slick
black comedy and American cop procedurals, The Guard may sound cluttered but is actually a fairly smooth concoction.
The
black and white does lend things a melancholic air, though it's not so dazzling that we can't imagine it'll look just fine on the small screen in color too, and the sour - sweet
mix, so important to this kind of
comedy, errs impressively, if not always convincingly on the sour side, with very few moments of kindness not undercut by something meaner, until we get to the small uplift of the final moments.