Again, as in Dogville, set to David Bowie's «Young Americans,» it's a condensed, horrific view of American history:
black - and - white stills of lynchings; color shots of abject poverty; smiling bigots and neo-Nazis; the Civil Rights clashes of the 1960s; stockpiles of firearms; the intact Twin Towers; young soldiers in Vietnam; Martin Luther King, Jr. in his coffin; the dead Malcolm X on a stretcher; and finally, a
black man push - brooming the marble
crags of the Lincoln Memorial.