Sentences with phrase «black cultural spaces»

Thelma and Theaster will discuss Golden's experiences growing a Black museum, and the role and challenge of institutionality in black cultural spaces.

Through this installation and performance, he continues «a series of experiments in materiality and sound, exploring the fading in and out of culture, and the erasure of predominately black cultural spaces.»

Not exact matches

African - Americans who are proud to be black should thank Malcolm for creating the cultural space that lets us claim our African heritage.

This article captures the pedagogical practices, cultural work, and educational advocacy employed by youth workers at a community - based educational space engaging Black youth.

In addition to transforming abandoned buildings into vibrant art spaces and cultural hubs, Gates has an experimental blues band called the Black Monks of Mississippi.

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artBlack Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artblack artists.

This project has unfolded over the space of a year in different locations including the print room in the School of Art, Design & Fashion at the University of Central Lancashire (UCLan) where Lubaina Himid is Professor of Contemporary Art, leading the Making Histories Visible Project — an exploration of the contribution of black visual arts to the cultural landscape.

Sweety's, a curatorial initiative «dedicated to the labor of black and brown artists,» will be taking over the Lower East Side's Cuchifritos Gallery + Project Space until the end of July, using their time to stage live talk show interviews with artists and «Spanish - speaking cultural producers.»

Vikram notes, «Scanlan's decision to cast Black women as agents for his personal edification and creative expression -LSB-...] supercedes concern for those women's lack of cultural space for self - determination, self - edification, or self - expression.»

Some of the artists and cultural institutions we have worked with include Moma PS1, Guggenheim, Whitney Biennial, RxArt, EckhausLatta, Artist Space, Frieze, BOFFO, Interview Magazine, Black Contemporary Art, N +1, Art Basel.

Both the figure and the space in the traditional sense are absent; countless bottles and potions crowding a counter are abstracted; and he has introduced images of universal black cultural figures (Malcolm X, Martin Luther King Jr., Nelson Mandela) commonly found on the walls of these social gathering spaces, having been placed there decades earlier.

The presentation of Frances Stark's paintings, which employ text appropriated from the writings of musician Ian Svenonius, constitutes a vigorous defense of censorship on grounds of its necessity in equalizing political representation in cultural spaces, much as Black suggests.

At Cuchifritos, the collective will host Edición Especial, a special iteration of Sweety's Radio that focuses on Spanish - speaking cultural producers, as a means to bridge the conversations taking place amongst black and brown (Spanish - speaking) communities in and outside of the U.S.. From June 27th through July 30th Sweety's programming will consist of weekly interviews featuring four invited artists whose work will take over the Cuchifritos space for each week, culminating in a collaborative installation by the four members of Sweety's.

Today, two talks (Cheryl I. Harris at Artists Space and the Normalities Austrian Cultural Forum) look at the market - enforced instability of «black» spaces and the ongoing Balkan immigration to Vienna, respectively.

Both the figure and the space in the traditional sense are absent; countless bottles and potions crowding a counter are abstracted; and he has introduced images of universal black cultural figures (Malcolm X, Martin Luther King Jr., Nelson Mandela) commonly found on the walls of these social gathering spaces, having been hung decades earlier.

Art Noir collaborated with Open House New York to present «City of Cultural Exchange,» a 10 - stop tour of culturally diverse destinations this weekend (Oct. 15 - 16)-- including Black Lady Theatre, Lower East Side Tenement House, Louis Armstrong House Museum, and Studio Museum in Harlem — during its an annual showcase of the city's most important architectural spaces and historic buildings.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Collection, Cornell Fine Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet: ConTEXTS of Contemporary African - American Art, Zacheta, National Gallery of Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C. Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition, New York, NY She's Come Undone, Greenberg Van Doren, New York, NY The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY Beauty, Kravets + Wehby, New York, NY African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy New Wave, Kravets Wehby Gallery, New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space, New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem, New York, NY Black Romantic, The Studio Museum of Harlem, New York, NY 2001 It's Bigger Than Hip Hop, Rush Arts, New York, NY

Informed by Ringgold's legacy as well as the current political climate, the exhibition poses questions about how to reconceptualize cultural representation, engagement, and critique: What spaces for agency are available to black artists today, and by what means have they produced spaces for themselves?

1971 clears space for art historians, curators, and cultural producers to complicate black artists» participation in modernism as a multicultural process, not as a separate or oppositional endeavor.

Forming a single black and white mass, this installation guards the unique features of each sitter, due to the more human scale of the space, while creating a common ground for their shared experiences as oppressed or neglected members of South Africa's historico - cultural sphere.

2014 A polyphonic wave of concrete materials flowing through the air, curated by João Laia, Fundação Manuel António da Mota, Oporto, PR Changing fronts, Studio Dabbeni, Lugano, CH Performance Festival, curated by Simone Frangi and Heinrich Lueber, Via Farini, Milan, IT Live Works 2, Centrale Fies, Dro, IT Score, curated by Sarra Brill and Anna Cestelli Guidi, MARCO, Vigo, ES FAX, curated by Joao Ribas and Carl Slater, KARST, Plymouth, UK Così Accade, curated by João Laia, Kim Nguyen, Marina Noronha, Fondazione Sandretto Re Rebaudengo, Turin, IT Arte Coni 100, curated by Maria Alicata and Bartolomeo Pietromarchi, various locations, Rome, IT Premio Grafica, Villa Croce, Pisa, IT Highlights, Studio Dabbeni, Lugano, CH Display MADIATING LANDSCAPE, curated by flip project space, Sala Murat, Bari, IT We Are What We Lost, curated by Sara Giannini, CCSP — Centro Cultural São Paulo, São Paulo, BR Acting Truthfully under circumstances, Tenderpixel, London, UK Bye Bye Baj (performance), invited by Raffaella della Olga, Black Coffee, Paris, FR ArtTransit, curated by Simone Frangi and Heinrich Luber, Via Farini, Milano and Zhdk, Zurich, IT / CH

In collaboration with Icebox Project Space Distance ≠ Time exhibition and performance, Black Quantum Futurism presents Time Camp 001, a two - day program and interactive installation exploring time, alternative temporalities, time travel, and temporal shifts from various frameworks, disciplines, and cultural traditions.

Art and Black Los Angeles 1960 — 1980, this full - day symposium explores the relationship and parallels between the African American artistic communities in Los Angeles and New York through examining the social and cultural atmosphere of the 1970s in both cities, the significance of the Just Above Midtown artist space to the New York community, and the influences these artists have on their contemporaries.

Second, inIVA is creating a unique space where the works of a full range of artists from diverse national and cultural backgrounds can be exhibited — where the next generation of up - and - coming black and culturally diverse artists can display their work and enter the commercial gallery system.»

Gates's construction also serves as a contemplative space meant to inspire dialogue across philosophical and cultural boundaries on topics ranging from politics and religion to culture, food, and art as well as a performative space for the Black Monks of Mississippi, a group of Baptist - Buddhist musicians who mix slave spirituals, monastic chants, and jazz to create a singular sonorous experience.

Francesco Vezzoli's Sacrilegio transforms the Gagosian Gallery's 21st exhibition space into a black walled religious experience which explores the sanctification of secular images and cultural.